SPECIAL
ISSUES |
Vol. 23, Nos. 1-2 (March-June 2007)
|
Visual
Documentation in Freud's Vienna, edited by Mary Bergstein |
- Bettina Hagen, The Cast Collection at the Academy of Fine Arts in
Vienna
- Astrid Mahler (translated by Elborg Forster), A World of Forms from
Nature: New Impulses for the Aesthetic of the Jugendstil
- Louis Rose, Daumier in Vienna: Ernst Kris, E.H. Gombrich, and the
Politics of Caricature
- Cheryl A. Logan, Cases and Prototypes: Constitutionalism and Photographic
Portrayal of the Person in Freud's Vienna
- Elfriede Haslauer (translated by John Winbigler), Egypt in Nineteenth-century
Vienna: A Phantasm?
- Diane O'Donoghue, Mapping the Unconscious: Freud's "Topographic"
Constructions
- Michael Molnar, From Image to Evidence: At the Historic Corner Window.
17.6.1897
- Forbes Morlock, The Very Picture of a Primal Scene: Une leçon
clinique à la Salpêtrière
|
Vol. 22, No. 2 (June 2006)
|
Before and
After the Wall: German Photography in Discourse and Practice, edited
by Miriam Paeslack |
- Ulrich Rüter, Photography in Germany Today: A Sketch of Its Institutional
Landscape
- Arne Reimer, Beyond the "Becher School": Recent Tendencies
in German Photography of the Post-Reunification Era
- Anette Hüsch, Real Fiction: Peter Bialobrzeski's Search for Convincing
Images
- Maren Polte, Photography: Irrelevant or Indispensable? Pictorial Science
from the Perspective of Photography
- Cristina Cuevas-Wolf, Nature, Technique and Perception: Twentieth-century
Afterimages and Modes of Scientific Representation
|
Vol. 22, No. 1 (March 2006)
|
Nineteenth-century
Popular Arts, edited by Ann Bermingham |
- Romita Ray, The Beast in a Box: Playing with Empire in Early Nineteenth-century
Britain
- Daniel Harkett, Illusions of Power: The Diorama and the Royalist Press
in Restoration Paris
- Michael Leja, Art and Class in the Era of Barnum
- Alison Fraunhar, Picturing the Nation: Marquillas Cigarerras Cubanas
and the Plantation
- Vanessa R. Schwartz, Afterward: The Promise and Perils of Visual Culture's
Big Tent
|
Vol. 21, No. 3 (September 2005)
|
The Period
Room Debate and the Making of America's Public Art Museum, edited
by Sally Anne Duncan |
- Thomas Andrew Denenberg, Picture Houses and Period Rooms: Wallace
Nutting, the Museum, and the Market
- Kristina Wilson, Style and Lifestyle in the Machine Age: The Modernist
Period Rooms of "The Architect and the Industrial Arts"
- Curt Germundson, Alexander Dorner's Atmosphere Room: The Museum as
Experience
- Elizabeth Kennedy, Home on the Range: Frederic Remington's Recreated
Studio at the Whitney Gallery of Western Art
|
Vol. 21, No. 2 (June 2005)
|
Photojournalism,
Mass Media and the Politics of Spectacle, edited by Amy Lyford
and Carol Payne |
- Ulrich Keller, Producing/Controlling Spectacle: Presidential Speech
in Media Reportage
- Stan Honda: An Interview by Amy Lyford & Carol Payne
- Terri Weissman, The Spectacle of Trauma: 9/11 in the Museum
- Randa Shaath: An Interview by Carol Payne & Amy Lyford
- Jane Blocker, A Cemetery of Images: Meditations on the Burial of Photographs
- Mark Danner, An Excerpt from "The Secret Road to Abu Ghraib"
With an Introduction by Carol Payne & Amy Lyford
|
Vol. 21, No. 1 (March 2005)
|
The Destruction
of Our Cultural Heritage: Examples of Visual Documentation from Iraq, Afghanistan
and Croatia |
- Vibiana Bowerman and Nensi Brailo, Protecting Our Shared Cultural
Heritage: An Overview of Protocols and Projects
- Wlodek Witek, The Eyes and Ears of an Explorer: Database for Audiovisual
Archives of a Norwegian Linguist from his Journeys to Afghanistan and
South Asia, 1923-1975
- Linda Groom, An Interlude in Iraq: The Photographs and Dairies of
Australian Photographer Frank Hurley in the Catalogues of the National
Library of Australia
- Jeffrey B. Spurr, Glimpses of an Eclipsed Heritage: Photography of
Afghanistan in the Collections of the Fine Arts Library at Harvard
- Francis Deblauwe, Antiquities and the Iraq War: Information, the Web
and Pictures
- Clemens Reichel, Beyond Cataloguing Losses: the Iraq Museum Database
Project at the Oriental Institute, University of Chicago
|
Vol. 20, Nos. 2-3 (June-September 2004)
|
Copying in
Medieval Art, edited by Sarah Blick, Rita Tekippe, and Vibeke Olson
|
- Sarah Blick, Exceptions to Krautheimer's Theory of Copying
- Rita W. Tekippe, Copying Power: Emulation, Appropriation, and Borrowing
for Royal Political Purposes
- Vibeke Olson, The Significance of Sameness: An Overview of Standardization
and Imitation in Medieval Art
- Cheryl Gohdes Goggin, Copying Manuscript Illuminations: The Trees
of Vices and Virtues
- Yao-Fen You, Krautheimer and the Marketplace: VERnacular Copies of
Antwerp Compound Altarpieces in the Rhineland
- Janet Snyder, "A Good Head for Business": Evidence of Standardization
in Medieval Stone Sculpture
- Marguerite Keane, Louis IX, Louis X, Louis of Navarre: Family Ties
and Political Identity in the Hours of Jeanne de Navarre
|
Vol. 19, No. 4 (December 2003)
|
Describing
Depictions vs. Depicting Descriptions, edited by Jan L. de Jong
|
- Jan L. de Jong, Word Processing in the Italian Renaissance: Action
and Reaction with Pen and Paintbrush
- Liana De Girolami Cheney, Giorgio Vasari's Astraea: A Symbol of Justice
- Lyckle de Vries, Written Paintings: Real and Imaginary Works of Art
in De Lairesse's Schilderboek
- Kathryn N. Benzel, Modern In(ter)ventions: Reading the Visual
|
Vol. 19, No. 1 (March 2003)
|
Paul van Moorsel
and the Documentation of the Ancient Near East, edited by Colum
Hourihane |
- Mat Immerzeel, Introduction to Paul van Moorsel
- Hans Brandhorst, The Hague, Koninklijke Bibliotheek MS 76 F 5: A Psalter
Fragment?
- Claudine A. Chavannes-Mazel, Popular Belief and the Image of the Beardless
Christ
- Mat Immerzeel, A Day at the Sarcophagus Workshop
- Karel C. Innemée, Veneration of Portraits, Icons, and the Relics
in Christian Egypt
- Gertrud J.M. van Loon, Abraham, Isaac, and Jacob in Paradise in Coptic
Wall Painting
|
Vol. 18, No. 2 (June 2002)
|
Following the
Archival Turn: Photography, the Museum, and the Archive, edited
by Cheryl Simon |
- Carol Payne and Jeffrey Thomas, Aboriginal Interventions into the
Photographic Archives: A Dialogue between Carol Payne and Jeffrey Thomas
- Vid Ingelevics, Culture (Camera) Commerce: The Gift Shop Exhibition
at the Winnipeg Art Gallery
- Christine Y. Hahn, Exhibition as Archive: Beaumont Newhall, Photography
1839-1937, and the Museum of Modern Art
- Miranda J. Wallace, August Sander's Photographic Archive: Fables of
the Reconstruction
- Lyndell Brown and Charles Green, Robert Smithson's Gost in 1920s Hamburg:
Reading Aby Warburg's Mnemosyne Atlas as a Non-Site
|
Vol. 17, No. 4 (2001)
|
From Albums
to the Academy: Postcards and Art History, edited by Jordana Mendelson
|
- David Prochaska, Thinking Postcards
- Allan Life, Picture Postcards by M.V. Dhurandhar: Scenes and Types
of India-with a Difference
- Ellen Handy, Postcard Sublime: William Henry Jackson's Western Landscapes
- Lynda Klitch, Little Women: The Female Nude in the Golden Age of Picture
Postcards
- Craig Eliason, Manifestos by Mail: Postcards in the Theo van Doesburg
Correspondence
- Peter Chametzky, The Post History of Willi Baumeister's Anti-Nazi
Postcards
|
Vol. 17, No. 1 (2001)
|
Illustrations
as Visual Resources, edited by William B. MacGregor and Louis Marchesano |
- Evelyn Lincoln, Models for Science and Craft: Isabella Parasole's
Botanical and Lace Illustrations
- William B. MacGregor, Illustration and its Afterlife: The Visual Uses
of Sébastien Le Clerc's Pratique de la géométrie
- Laura H. Hollengreen, Illustrating Architecture
- Kent Minturn, Digitally-Enhanced Evidence: MoMA's Reconfiguration
of Namuth's Pollock
- James Elkins, On Some Useless Images
|
Vol. 16, No. 3 (2000)
|
Lost Works
of Art, edited by Deborah Mauskopf Deliyannis |
- Carol Neuman de Vegvar, The Architecture of Women's Monasticism in
Archaeology and in Early Insular Texts
- Frank Futral, Text as Image: Charles Willson Peale's "Lost"
Staircase Self-Portrait
- Liana De Girolami Cheney, Giorgio Vasari's Visual Interpretation of
Ancient Lost Paintings
- Elizabeth E. Guffey, Reconstructing the Limits of Propaganda: Pierre-Paul
Prud'hon and the Art of Napoleon's Remarriage
- Carrie Lambert, Documentary Dialectics: Performance Lost and Found
|
Vol. 16, No. 2 (2000)
|
Plagiarism
in Art (and Art History), edited by Mary Vaccaro |
- Gunnar Swanson, Where Can I Steal a Clever Title for this Article?
- Anne L. Schroder, Reversals of Power: Artistic Property, Counterfeiture,
and the 1793 French Copyright Act
- Stephen Petersen, Innovation and the Rhetoric of Plagiarism: The Klein/Takis
Rivalry
- Judy Sund, The Preke Speaks: Kahlúa's Co-option of West Mexican
Burial Effigies
- Richard T. Pfohl, The Key to the (Digital) Salon: Copyright and the
Control of Creative Expression
|
Vol. 15, No. 3 (1999)
|
The Early History
of the Phaidon Press, 1923-1967, edited by Valerie Holman |
- Nigel Spivey, A Short History of the Phaidon Press, 1923-1998
- Ernst Fischer, The Phaidon Press in Vienna, 1923-1938
- Valerie Holman, Art Books Against the Odds, Phaidon in England, 1938-1950
- Elly Miller, Ludwig Goldscheider: a Memoir
- Harvey Miller, Phaidon and the Business of Art Book Publishing, 1923-1967
- Anthony Hamber, Communicating Colour: Advances in Reprographic Technology,
1840-1967
- Clive James, On the Library Coffee-Table
- HIStorical Catalogue, 1923-1972, Originally compiled by Innocenz Grafe
for the Phaidon Jubilee Catalogue in 1973
|
Vol. 15, No. 2 (1999)
|
The Culture
of the Copy |
- Patricia Mainardi, Copies, Variations, Replicas: Nineteenth-Century
Studio Practice
- Richard A. Sundt, Architectural Simile, Copy or Original
Creation? The Church of St. Brigid in Brisbane and Its Relationship
to Gothic Architecture in Southern France
- William V. Ganis, The Eternal Lady: An Analysis of
Andy Warhol's Jackie Series vis-à-vis Friedrich Nietzsche's Eternal
Return of the Same
- Robert A. Baron, From Romance to Ritual: Mona Lisa
Images for the Modern World
- Jonathan Applefield (and ELIZ), Demythologizing the
Copy: An Interview with ELIZ
- Donna M. Meeks, The Allegorical Imperative (Or Why
Paint When the Copy Store is Open Twenty-four/Seven?
- Karen M. White, The Copy
- Debbie Hall, The Original and the Reproduction: Art
in the Age of Digital Technology
|
Vol. 14, No. 3 (1999)
|
Art History
Goes to the Magic Kingdom, edited by Robert Neuman |
- Robert Neuman, "Now Mickey Mouse Enters Art's Temple": Walt
Disney at the Intersection of Art and Entertainment
- Garry Apgar, The Meaning of Mickey Mouse
- Robin Allan, Walt Disney and Europe
- Barbara Coleman, Trough the Year We'll All be Friends: The "Mickey
Mouse Club," Consumerism, and the Cultural Consensus
- Ethel S. Goodstein, Southern Outposts in the Magic Kingdom: The South
as a Regional Sub-text in Disney's American Spectacle
- David T. Doris, "It's the Truth, It's Actual...": Kodak
Picture Spots at Walt Disney World
- Cher Krause Knight, Adam and Eve...and Goofy: Walt Disney World as
the Garden of Eden
|
Vol. 14, No. 4 (1999)
|
Cost and Use
of Digital Images on University Campuses: Lessons from the Museum Educational
Site Licensing Project, edited by Howard Besser, Rosalie Lack,
and Robert C. Yamashita |
- Howard Besser and Robert Yamashita, Issues of Network Access to Visual
Information: The UC Berkeley Mellon Study of the Museum Educational
Site Licensing Project
- Robert C. Yamashita, Outlining the Social and Economic Cost Center
Models for the Distribution of Digital and Analog Images
- Joanne Miller, The Costs of Creating Digital Images and Metadata by
Museums
- Rosalie Lack, The Cost of Deploying Digital Images by Universities
- Joanne Miller, The Cost of Distributing Analog Images by University
Slide Libraries
- Rosalie Lack, The Patterns of Slide Library Circulation: A Study
- Lena Stebley, Faculty Perspective on Teaching with Digital Images:
Results of Focus Groups with Art Faculty
- Howard Besser, The MESL Experience versus Slide Libraries: Comparison
and Analysis
|
Vol. 13, Nos. 3-4 (1998)
|
The Princeton
Index of Christian Art, edited by Colum Hourihane |
- Isa Ragusa, Observations on the History of the Index:
In Two Parts
- Dirk Jacob Jansen, Princeton Index of Christian Art:
The Utrecht Copy
- Kirk Alexander, The Visualization of Art History:
The role of Databases in Visual Thinking
- Lindy Grant, Time and the Conways: The Beginnings
of Art History and the Collecting of Photographs in Britain
- Jochen Becker, Librarians, Life and Ladders: Carl
Spitzweg and Others
- Todor Petev, Typology and Format in the Netherlandish
Blockbook Canticum canticorum, ca. 1465
- Christina Maranci, Armenian Architecture as Aryan
Architecture: The Role of Indo-European Studies in the Theories of Josef
Strygowski
- Natalia Teteriatnikov, The 'Gift Giving' Image: The
Case of the Adoration of the Magi
- Johann-Christian Klamt, Artist and Patron: The Self-Portrait
of Adam Kraft on the Sakramentshaus of St. Lorenz in Nuremberg
|
Vol. 12, Nos. 3-4 (1997)
|
Copyright and
Fair Use: The Great Image Debate, edited by Robert A. Baron |
- Karen A. Akiyama, Rights and Responsibilities in the Digital Age
- David Bearman and Jennifer Trant, Museums and Intellectual Property:
Rethinking Rights Management for a Digital World
- Amalyah Keshet, Fair Use, Fair Trade, and Museum Image Licensing
- Allan Kohl, Prospects for a Public Domain Art Image: Resources in
an Era of Digital Technologies
- Christine L. Sundt, A Visual Resources Advocacy Statement
- Maryly Snow, The Pedagogical Consequences of Photomechanical Reproduction
in the Visual Histories: From Copy Photography to Digital Mnemonics
- Karlene M. McLaren, Copyright: Fair Use or Foul Play
- Stephen E. Weil, Fair Use/Museum Use: How Close is the Overlap?
- Barbara Hoffman, Fair Use of Digital Art Images and Academia: A View
from the Trenches of the Conference on Fair Use (CONFU)
- Virginia M.G. Hall, Fair Use and Digital Image Archives: A Report
on the National Information Infrastructure Conference on Fair Use
- Caron L. Carnahan, The Visual Surrogate as Intellectual Property:
The Clinton Administration's "White Paper" and its Implications
for Visual Resources Collections
- Barbara lang Rottenberg and Rina Elster Pantalony, Moral Rights and
Exhibition Rights: A Canadian Museum's Perspective
- Linda Bien, Canadian Visual Resources and Canadian Copyright
- Maryly Snow: REVIEW-Copyright, Public Policy, and the Scholarly Community,
edited by Michael Matthews and Patricia Brennan
|
Vol. 11, Nos. 3-4 (1996)
|
Art Information
Task Force - Categories for the Description of Works of Art, edited
by Murtha Baca and Patricia Harpring |
- Mary Case, Document for Dialogue: Categories for the Description of
Works of Art
- Suzanne Folds McCullagh, Nuances of Art Information
- David Bearman, Data Relationships in the Documentation of Cultural
Objects
- Gregory Tschann, Categories in Context: Issues Regarding the AITF
Categories for the Description of Works of Art
- J. Dustin Wees, Categories for the Description of Works of Art and
Visual Resources Applications
- Brendan Cassidy, Iconography in Theory and Practice
- 1994 Annual Meeting o the College Art Association (CAA), College Art
Association Board-Sponsored Session: "Data ex Machina: How the
Art Information Task Force is Paving the Way for Research Across Data
Highways"
- Chart of Categories
- Categories for the Description of Works of Art: Definitions
- Bibliography of Controlled Vocabulary Sources
|
Vol. 11, No. 1 (1995)
|
Images in Libraries,
Museums, and Archives: Description and Intellectual Access - Papers from
the Philadelphia Area Consortium of Special Collections Libraries (PASCL)
Summer Seminar, 1993, edited by Amy M. McColl |
- Georgia B. Barnhill, Pictorial Histories of the United States
- Katherine Martinez, Imaging the Past: Historians, Visual Images and
the Contested Definition of History
- Marcy Flynn and Helena Zinkham, The MARC Format and Electronic Reference
Images: Experiences from the Library od Congress Prints and Photographs
Division
- Michael Joseph, Information Technology and Access to Visual Images
in Printed Books
- Jackie M. Dooley, Processing and Cataloging of Archival Photograph
Collections
- William H. Helfand, The Search for Ephemera Images
|
Vol. 10, no. 3 (1994)
|
Festschrift
for the Art and Architecture Thesaurus, edited by Alfred Willis |
- Toni Petersen, Retrofitting the Thesaurus: New Models for Old Vocabularies
- Lina Miraglia, Piranesi's Vasi, candelabri Reinterpreted
- Holley R. Lange, John Gravdahl, and Heidi Leech, The Physical Characteristics
of Poster Art: Seeking an Appropriate List of Descriptors
- Richard Pearce-Moses, Threading the Needle: Helping Patrons Find their
Way in a Photographic Archives Haystack
- James M. Turner, Indexing "Ordinary" Pictures for Storage
and Retrieval
- Betsey Buckheit, Between Two Vocabularies: Image Indexer as Middleman
- Janice Woo, Indexing: At Play in the Fields of Postmodernism
- David Bearman, Thesaurally Mediated Retrieval
|
Vol. 10, No. 1 (1994)
|
Issues in Electronic
Imaging, edited by Christine L. Sundt |
- Benjamin R. Kessler, Electronic Images in Visual Resources Collections:
Some Strategic Questions
- Michael Ester, Digital Images in the Context of Visual Collections
and Scholarship
- Deirdre C. Stam, Pondering Pixeled Pictures: Research Directions in
the Digital Imaging of Art Objects
- Victoria Wyatt and Ged McLean, Imaging Databases in Research and Teaching:
Global Perspectives and New Research Technologies
- William Weinstein, Designing an Image Database: A Holistic Approach
- Jim Wallace, Project Chapman: The Direct Delivery of Smithsonian Photographic
Images Via the Internet
|
Vol. 8, No. 1 (1991)
|
ICONCLASS Retrieval:
Report on the ICONCLASS Workshop, June 26-28, 1989, by Hans Brandhorst
and Peter van Huisstede |
- Section 1. Functional Requirements for an ICONCLASS Retrieval System
- Section 2. Implications for Using ICONCLASS in an Automated Retrieval
System
- Section 3. The AHIP Prototype
- Section 4. The Maintenance and Development of ICONCLASS
- Epilogue: Workshop Results and Some Recent ICONCLASS Developments
- Appendix 1: ICONCLASS Questionnaire
- Projects and Respondents
- The Questionnaire
- Appendix 2: Glossary
- Description of Characteristic Functions of the ICONCLASS Retrieval
System
|
Vol. 7, No. 4 (1991)
|
Electronic
Visual Imaging in the Museum, edited by Alan B. Newman, Deirdre
C. Stam, and Christine L. Sundt |
- Howard Besser, User Interfaces for Museums
- Kent Lydecker, Observations on Museum Use of Electronic Imaging: Today
& Tomorrow
- Alan B. Newman, Electronic Imaging Systems for Museums
- Michael Ester, Image Quality and Viewer Perception
- Paul Kahn and Bernard J. Haan, Video in Hypermedia: The Design of
InterVideo
- Judi Moline, Linking Information to Objects: A Hypertext Prototype
for Numismatists
- Ben Davis, Infra-thin Multimedia
- Kathleen S. Wilson, The Interactive Video Research and Development
Project of the Museum Education Consortium
- Jane Stone, J. Denbigh Starkey, Ray S. Babcock, Laurie Reinhart, and
Xian Ling Wu, Three-Dimensional Computer Modeling for Museum Applications
- Marilyn Schmitt, James Druzik, Andrew Eskind, Russell Kirsch, Paul
Kahn, Discussion: Potentials and Pitfalls
|
Vol. 7, Nos. 2-3 (1990)
|
Photography
and Art History |
- Editorial: From Panopticon to Kaleidoscope: The Art History Photograph
Collection in Transition
- Anthony Hamber, The Use of Photography by Nineteenth-Century Art Historians
- Joseph Romano, Connoisseurship and Photography: The Methodology of
Mojmir Frinta
- Friedrich Kestel (translated by Judith Supp), Walter Hege (1893-1955):
"Race Art Photography" and/or "Master of Photography"?
- Ralph Lieberman, Thoughts of an Art Historian on the Relationship
of His Two Disciplines
- Jeanne Marty and Susan Wester, Documentation of Roman Architecture:
Special Projects of the Getty Center
- Brent Maddox, Bunched Images Betetting Ideas
- Thomas Weston Fels, Photography and Art History: Symposium Report
|
Vol. 6, No. 4 (1990)
|
On Professionalism,
edited by Rebecca Miller Hoort |
- Christine L. Sundt, Professionalism and Professional Status: Personal
Reflections
- Carla Conrad Freeman, Visual Media in Education: An Informal History
- Astrid R. Otey, A History of the Visual Resources Association
- Carla Conrad Freeman, Visual Collections as Information Centers
- A Portfolio of Scenes from Visual Collections
- Benjamin R. Kessler, Professional Qualifications: Where Do We Come
From? What Are We? Where Are We Going?
- Linda McRae, Upgrading Professional Status: Florida as a Case Study
- Nancy Shelby Schuller, The Curator's Job Description: Development
and Evaluation
- Christina B. Updike, Position Classification: The Evaluation of a
Job Description
- Rebecca Miller Hoort, Equal Pay for Equal Work and Comparable Worth:
An Introduction
- Lynda J. Ames, Equal Pay for Work of Comparable Value: Issues to Consider
When Beginning an Initiative
- Carla Conrad Freeman, Professional Issues for the Visual Resources
Curator: A Bibliography
|
Vol. 5, No. 3 (Autumn 1988)
|
Report on the
ICONCLASS Workshop, November 2-4, 1987, by Catherine Gordon |
- Preface
- Forward
- Participants
- Projects
- Preliminaries
- ICONCLASS Examples
- Discussion
- Format
- Order
- Interpretation
- Evolution
- Future Publications
- Instruction
- Appendix A: ICONCLASS Questionnaire
- Appendix B: Glossary of Notations
- Appendix C: Sample Photographs
- Appendix D: Reference Books
- Bibliography/Project Contributions
|
