 |
VISUAL
RESOURCES Published
By: Routledge, Taylor & Francis Group |
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|
TABLES OF
CONTENTS |
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| Vol. 24,No. 1 (March 2008)
|
1 | Editorial: Adding, Changing, and Expanding | |
| 5 | Kathe H. Albrecht, Distinguished Leadership in Visual Resources: Renate and Ron Wiedenhoeft - Saskia Ltd. | ||
ARTICLE |
19 | Kirstin Noreen, Replicating the Icon of Santa Maria Maggiore: The Mater ter admirabilis and the Jesuits of Ingolstadt | |
EDITORS'
CHOICE |
39 | The Aesthetics of Publishing: The
Art Book as Object from Print to Digital - Introduction, by Catherine M. Soussloff and William Tronzo - The Art Book as Aesthetic Object, by Catherine M. Soussloff - Pictures, Privileges, and the Public Good, by Patricia Rubin - The Fugitive Image: Aesthetics and the Art Book, by Susan Bielstein - A Cycle of History? by William Tronzo Thoughts for the Future, by Catherine M. Soussloff |
|
| 59 | Diedre Brown, "Ko to ringa ki nga rakau a te Pakeha" - Virtual Taonga Maori and Museums | ||
REVIEWS |
77 | Elizabeth Darocha Berenz, Projektion. Chan, EXPORT, Fischli/Weiss, Gander, Gillick, Graham, Knoebel, Parker, Streuli, edited by Susanne Neubauer | |
| 81 | Patricia Emison, The World in Venice: Print, the City, and Early Modern Identity, by Bronwen Wilson | ||
| 84 | Carol Mattusch, Art and Replication: Greece, Rome, and Beyond, an issue of Art History, Vol. 29, No. 2, April 2006, edited by Jennifer Trimble and Jas Elsner | ||
| 88 | Daniel R. Quiles, October Files #6: Cindy Sherman, edited by Johanna Burton | ||
| 94 | Eric J. Sandeen, The Pivot of the World: Photography and Its Nation, by Blake Stimson | ||
| Vol. 23,No. 4 (December 2007)
|
|||
| 287 | Editorial: The Photograph as Document | ||
| 289 | Murtha Baca, News from the Field | ||
ARTICLES |
291 | Wendy A. Grossman, From Ethnographic Object to Modernist Icon: Photographs of African and Oceanic Sculpture and the Rhetoric of the Image | |
| 337 | Carol Payne, Negotiating Photographic Modernism in USA: A Quarterly Magazine of the American Scene (1930) | ||
EDITORS'
CHOICE |
353 | William C. Brumfield, Photographing an Architectural Legacy in the Chita Region of Eastern Siberia | |
REVIEWS |
395 | Nora Niedzielski-Eichner and Sarah Richardson, Figuring It Out: Science, Gender and Visual Cultured, edited by Ann Shteir and Bernard Lightman | |
| 400 | Edward H. Teague, Putting Content Online: A Practical Guide for Libraries, by Mark Jordan | ||
CONTRIBUTORS |
403 | ||
INDEXES |
407 | Author Index (Volume XXIII) | |
Vol. 23, No. 3 (September 2007)
|
169 | Editorial: New Beginnings and Sturdy Foundations | |
| 171 | John Sunderland, Distinguished Leadership in Visual Resources: Cathie Gordon | ||
| ARTICLES |
183 | Caroline Igra, Servants to Patronage, Witness to Change: Italian Artists Abroad and the Modern Cityscape | |
| 203 | Laura Watts Sommer, Shifting Identities: Politics, Poetry and Passion in Italian Nineteenth-century Portraiture | ||
| 221 | Jordan Bear, In the Morgue: Censorship, Taste and the Politics of Visual Circulation in Walker Evans's Cuba Portfolio | ||
| EDITORS' CHOICE |
245 | Torben Gronning, Patricia Sohl and Thomas Singer, ARAS: Archetypal Symbolism and Images | |
| REVIEWS |
269 | Dennis Dunleavy, reviewing Work: The World in Photographs, by Ferdinand Protzman | |
| 271 | Rochona Majumdar, reviewing Cinema at the End of Empire: A Politics of Transition in Britain and India, by Priya Jaikumar | ||
| 273 | Kevin O'Neill, reviewing Irish Rural Interiors in Art, by Claudia Kinmonth | ||
| 277 | Gretchen Wagner, reviewing Permissions, A Survival Guide: Blunt Talk about Art as Intellectual Property, by Susan M. Bielstein | ||
| CONTRIBUTORS |
285 | ||
Vol. 23, Nos. 1-2 (March-June 2007)
A Special Issue on Visual Documentation in Freud's Vienna, edited by Mary Bergstein |
ARTICLES |
1 | Mary Bergstein, Introduction |
| 7 | Bettina Hagen, The Cast Collection at the Academy of Fine Arts in Vienna | ||
| 21 | Astrid Mahler (translated by Elborg Forster), A World of Forms from Nature: New Impulses for the Aesthetic of the Jugendstil | ||
| 39 | Louis Rose, Daumier in Vienna: Ernst Kris, E.H. Gombrich, and the Politics of Caricature | ||
| 65 | Cheryl A. Logan, Cases and Prototypes: Constitutionalism and Photographic Portrayal of the Person in Freud's Vienna | ||
| 85 | Elfriede Haslauer (translated by John Winbigler), Egypt in Nineteenth-century Vienna: A Phantasm? | ||
| 105 | Diane O'Donoghue, Mapping the Unconscious: Freud's "Topographic" Constructions | ||
| 119 | Michael Molnar, From Image to Evidence: At the Historic Corner Window. 17.6.1897 | ||
| 129 | Forbes Morlock, The Very Picture of a Primal Scene: Une leçon clinique à la Salpêtrière | ||
| REVIEWS |
147 | Christine Eccles, reviewing Freud and the Neurosciences: From Brain Research to the Unconscious, edited by Giselher Guttmann and Inge Scholz-Strasser | |
| 151 | Arlene Shaner, reviewing From Neurology to Psychoanalysis: Sigmund Freud's Neurological Drawings and Diagrams of the Mind, edited by Lynn Gamwell with translations and commentary by Mark Solms | ||
| 154 | David Mikics, reviewing A compulsion for Antiquity: Freud and the Ancient World, by Richard Armstrong | ||
| 158 | Clement Marconi, reviewing Antiquity and Photography: Early Views of Ancient Mediterranean Sites, by Claire L. Lyons, John K. Papadopoulos, Lindsey S. Stewart, Andrew Szegedy-Maszak | ||
| 161 | Wendy Holden, reviewing The Past from Above: Aerial Photographs of Archaeological Sites. Photographs by Georg Gerster with introduction by Charlotte Trümpler, translated by Stewart Spencer | ||
| CONTRIBUTORS |
165 | ||
Vol. 22, No. 4 (December 2006)
|
313 | Editorial: Two Award Winners | |
| ARTICLES |
315 | Sonia Landy Sheridan, Generative Systems at the School of the Art Institute of Chicago, 1970-1980 | |
| 325 | Gemma Cowan, Generative Systems: Sonia Landy Sheridan as Artist/Master of the Machine | ||
| 343 | Diane Kirkpatrick, Sonia Landy Sheridan and the Evolution of Her Generative Systems Program | ||
| 363 | William C. Brumfield, Field Notes on Visual Documentation: The Northern Russian Village of Kimzha as Time Capsule | ||
| REVIEWS |
387 | Catherine B. Asher, reviewing Lucknow: City of Illusion, edited by Rosie Llewellyn-Jones | |
| 390 | Benjamin Kessler and Leslie Brown Kessler, reviewing Ruins of Ancient Rome: The Drawings of French Architects Who Won the Prix de Rome, 1796-1924, edited by Massimiliano David; Houses and Monuments of Pompeii: The Works of Fausto and Felice Niccolini, by Roberto Cassenelli, Pier Luigi Ciapparelli, Enrico Colle and Massimiliano David | ||
| 394 | Elizabeth Sears, reviewing Historical Grammar of the Visual Arts, by Aloïs Riegl, translated by Jacqueline E. Jung, foreword by Benjamin Binstock | ||
| 400 | L.J. Nicoletti, reviewing Visual Culture: The Study of the Visual After the Cultural Turn, by Margaret Dikovitskaya | ||
| CONTRIBUTORS |
405 | ||
| Erratum |
409 | ||
| INDEXES |
411 | Author Index-Volume XXII | |
| 415 | Title Index-Volume XXII | ||
| 419 | Selected Index of Terms, Names and Concepts-Volume XXII | ||
Vol. 22, No. 3 (September 2006)
|
201 | Editorial: Two Early Producers of Color Slides | |
| ARTICLES |
203 | Graham Smith, Between Past and Future: Portrait Photographs in the Novels of E.M. Forster | |
| 239 | Luke Gartlan, Types or Costumes? Reframing Early Yokohama Photography | ||
| 265 | Benjamin Kessler, Julius and John Rosenthal and Rosenthal Art Slides | ||
| 273 | Helen Ronan, An Interview with Harold and Ruth Sandak | ||
| REVIEWS |
287 | Alison Devine Nordström, reviewing All the Mighty World: The Photographs of Roger Fenton, 1852-1860, by Gordon Baldwin, Malcolm Daniel, Sarah Greenough, with contributions by Richard Pare, Pam Roberts and Roger Taylor | |
| 290 | Catherine De Lorenzo, reviewing Eye Contact: Photographing Indigenous Australians, by Jane Lydon | ||
| 297 | Jennifer B. Joffee, reviewing Domains of Wonder: Selected Masterworks of Indian Painting, by B.N. Goswamy and Caron Smith | ||
| 302 | Eileen Fry, reviewing Strategies for Transitioning to the Age of Digital Media, by Sarah E. Cheverton and Christina B. Updike | ||
| CONTRIBUTORS |
307 | ||
| Erratum |
311 | ||
Vol. 22, No. 2 (June 2006)
A special issue on Before and After the Wall: German Photography in Discourse and Practice, edited by Miriam Paeslack |
ARTICLES |
103 | Miriam Paeslack, Introduction. Before and After the Wall: German Photography in Discourse and Practice |
| 111 | Ulrich Rüter, Photography in Germany Today: A Sketch for Its Institutional Landscape | ||
| 119 | Arne Reimer, Beyond the "Becher School": Recent Tendencies in German Photography of the Post-Reunification Era | ||
| 131 | Anette Hüsch, Real Fiction: Peter Bialobrzeski's Search for Convincing Images | ||
| 143 | Maren Polte, Photography: Irrelevant or Indispensable? Pictorial Science from the Perspective of Photography | ||
| 157 | Cristina Cuevas-Wolf, Nature, Technique and Perception: Twentieth-century Afterimages and Modes of Scientific Representation | ||
| REVIEWS |
171 | Liam Buckley, reviewing Photographs Objects Histories: On the Materiality of Images, edited by Elizabeth Edwards and Janice Hart | |
| 176 | Michael Ann Holly, reviewing Art of Illusion: The Representation of Art History in Nineteenth-century Germany and Beyond, by Dan Karlholm | ||
| 179 | Douglass G.A. Scott, reviewing The Push Pin Graphics: A Quarter Century of Innovative Design and Illustration, edited by Seymour Chwast, Steven Heller and Martin Venezky, with an introduction by Milton Glaser | ||
| 183 | Jacqueline E. Jung, reviewing Images of Cult and Devotion: Function and Reception of Christian Images in Medieval and Post-Medieval Europe, by Søren Kaspersen and Ulla Haastrup | ||
| 192 | Leslie Brubaker, reviewing Le miniature per i manoscritti greci del libro di Giobbe. Patmo, Monastero di San Giovanni Evangelista, cod. 171/Roma, Biblioteca Apostolica Vaticana, cod. Vat.gr.749/Sinai, Monastero di Santa Catarina, cod. 3/Venezia Biblioteca Nazionale Marciana, cod.gr.538, by Massimo Bernabò | ||
| BOOKS RECEIVED |
195 | ||
| CONTRIBUTORS |
197 | ||
Vol. 22, No. 1 (March 2006)
A special issue on Nineteenth-century Popular Arts, edited by Ann Bermingham |
ARTICLES |
1 | Ann Bermingham, Introduction: Nineteenth-century Popular Arts |
| 7 | Romita Ray, The Beast in a Box: Playing with Empire in Early Nineteenth-century Britain | ||
| 33 | Daniel Harkett, Illusions of Power: The Diorama and the Royalist Press in Restoration Paris | ||
| 55 | Michael Leja, Art and Class in the Era of Barnum | ||
| 63 | Alison Fraunhar, Picturing the Nation: Marquillas Cigarerras Cubanas and the Plantation | ||
| 81 | Vanessa R. Schwartz, Afterword: The Promise and Perils of Visual Culture's Big Tent | ||
| REVIEWS |
87 | Carla Williams, reviewing Photography on the Color Line: W.E.B. Du Bois, Race and Visual Culture, by Shawn Michelle Smith | |
| 91 | Sandria B. Freitag, reviewing "Photos of the Gods": The Printed Image and Political Struggle in India, by Christopher Pinney | ||
| 96 | Thomas J. Jacoby, reviewing Guide to the Literature of Art History 2, edited by Max Marmor and Alex Ross | ||
| 98 | Richard Rinehart, reviewing Refresh: First International Conference on the Histories of Media, Art, Science and Technology | ||
| CONTRIBUTORS |
101 | ||
Vol. 21, No. 4 (December 2005)
|
ARTICLES |
305 | Eric Lutz, R.M. Schindler and the Photography of the American Scene, 1914-1918 |
| 329 | M. Elizabeth Boone, Castilian Days: John Hay, Joseph Pennell and the Obfuscation of Politics by Art | ||
| 347 | Lucretia Hoover Giese, Meeting the New Century: Winslow Homer's Drawing after Northeaster | ||
| 363 | Jennifer Lee, Beyond the Locus Sanctus: The Independent Iconography of Pilgrims' Souvenirs | ||
| NEWS FROM THE
GETTY |
383 | Murtha Baca, The Getty Acquires Julius Shulman Photography Archive; On the Record: Art in Los Angeles, 1945-1980 | |
| REVIEWS |
385 | Sheila Hannah, reviewing Native Universe: Voices of Indian America, by Natiave American Tribal Leaders, Writers, Scholars and Storytellers, edited by Gerald McMaster and Clifford E. Trafzer | |
| 391 | Susan Hazan and Dov Winer, Conference Report: The Jerusalem Conference on the Digitization of Science and Cultural Heritage (EVA/MINERVA), 11-12 October 2004, Jerusalem, Israel | ||
| CONTRIBUTORS |
397 | ||
| INDEXES |
399 | Author Index-Volume XXI | |
| 403 | Title Index-Volume XXI | ||
| 407 | Selected Index of Terms, Names and Concepts-Volume XXI | ||
Vol. 21, No. 3 (September 2005)
A special issue on The Period Room Debate and the Making of America's Public Art Museum, edited by Sally Anne Duncan |
ARTICLES |
227 | Sally Anne Duncan, Introduction |
| 233 | Thomas Andrew Denenberg, Picture Houses and Period Rooms: Wallace Nutting, the Museum, and the Market | ||
| 245 | Kristina Wilson, Style and Lifestyle in the Machine Age: The Modernist Period Rooms of "The Architect and the Industrial Arts" | ||
| 263 | Curt Germundson, Alexander Dorner's Atmosphere Room: The Museum as Experience | ||
| 275 | Elizabeth Kennedy, Home on the Range: Frederic Remington's Recreated Studio at the Whitney Gallery of Western Art | ||
| REVIEWS |
287 | Linda C. Hults, reviewing Colorful Impressions: The Printmaking Revolution in Eighteenth-century France, edited by Margaret Morgan Grasselli, with essays by Ivan E. Phillips, Kristel Smentek, and Judith C. Walsh | |
| 291 | Mark Zucker, reviewing Raphael, Dürer, and Marcantonio Raimondi: Copying and the Italian Renaissance Print, edited by Lisa Pon | ||
| 297 | Kathleen Stewart Howe, Francis Frith in Egypt: A Victorian Photographer Abroad, edited by Douglas R. Nickel | ||
| CONTRIBUTORS |
303 | ||
Vol. 21, No. 2 (June 2005)
A special issue on Photojournalism, Mass Media and the Politics of Spectacle, edited by Amy Lyford and Carol Payne |
ARTICLES |
119 | Amy Lyford & Carol Payne, Photojournalism, Mass Media and the Politics of Spectacle |
| 131 | Ulrich Keller, Producing/Controlling Spectacle: Presidential Speech in Media Reportage | ||
| 147 | Stan Honda: An Interview by Amy Lyford & Carol Payne | ||
| 155 | Terri Weissman, The Spectacle of Trauma: 9/11 in the Museum | ||
| 171 | Randa Shaath: An Interview by Carol Payne & Amy Lyford | ||
| 181 | Jane Blocker, A Cemetery of Images: Meditations on the Burial of Photographs | ||
| 193 | Mark Danner, An Excerpt from "The Secret Road to Abu Ghraib" with an introduction by Carol Payne & Amy Lyford | ||
| REVIEWS |
199 | Announcement: New Review Editor | |
| 199 | Carol Talbert Peters, reviewing In Focus: National Geographic Greatest Portraits, edited by Leah Bendavid-Val | ||
| 205 | Ronald Edsforth, reviewing The Family of Man: 1955-2001, edited by Jean Back & Victoria Schmidt-Lisenhoff | ||
| 209 | Deepali Dewan, reviewing A Victorian Traveler in the Middle East: The Photography and Travel Writing of Annie Lady Brassey, edited by Nancy Mickelwright | ||
| 214 | Charles S. Rhyne, reviewing Direct Digital Image Capture: Current Practices and Problems, Conference held at Rochester Institute of Technology, 21-24 September 2004 | ||
| BOOKS RECEIVED |
221 | May-November 2004 | |
| CONTRIBUTORS |
223 | ||
Vol. 21, No. 1 (March 2005)
A special issue on The Destruction of our Cultural Heritage: Examples of Visual Documentation from Iraq, Afghanistan and Croatia |
EDITORIAL |
3 | The Destruction of Our Cultural Heritage-Examples of Visual Documentation from Iraq, Afghanistan and Croatia |
| ARTICLES |
5 | Vibiana Bowman and Nensi Brailo, Protecting Our Shared Cultural Heritage: An Overview of Protocols and Projects | |
| 25 | Wlodek Witek, The Eyes and Ears of an Explorer: Database for Audiovisual Archives of a Norwegian Linguist from his Journeys to Afghanistan and South Asia, 1923-1975 | ||
| 41 | Linda Groom, An Interlude in Iraq: The Photographs and Diaries of Australian Photographer Frank Hurley in the Catalogues of the National Library of Australia | ||
| 55 | Jeffrey B. Spurr, Glimpses of an Eclipsed Heritage: Photography of Afghanistan in the Collections of the Fine Arts Library at Harvard | ||
| 73 | Francis Deblauwe, Antiquities and the Iraq War: Information, the Web and Pictures | ||
| 93 | Clemens Reichel, Beyond Cataloguing Losses: The Iraq Museum Database Project at the Oriental Institute, University of Chicago | ||
| CONTRIBUTORS |
115 | ||
Vol. 20, No. 4 (December 2004)
|
ARTICLES |
259 | Alicia Craig Faxon, Preserving the Classical Past: Sir William and Lady Emma Hamilton |
| 275 | Cher Krause Knight, Just Another Day: Dutch Genre Themes in Cindy Sherman's Untitled Film Stills | ||
| 287 | Lee Lawrence, The Other Half of Indian Art History: A Study of Photographic Illustrations in Orientalist and Nationalist Texts | ||
| 315 | William C. Brumfield, Photographic Documentation of Architectural Monuments in the Siberian Republic of Buriatiia | ||
| NEWS FROM THE
GETTY |
383 | Murtha Baca, New Databases | |
| REVIEWS |
385 | Diane Apostolos-Cappadona, reviewing Norwich Cathedral Roof Bosses, CD-ROM produced by Norwich Cathedral with images by Julia Hedgecoe and text by Martial Rose | |
| 390 | Kristen Hileman, reviewing The NEA Tapes, 2001, produced by Eidia House, directed by Paul Lamarre and Melissa Wolf | ||
| CONTRIBUTORS |
395 | ||
| INDEXES |
399 | Author Index-Volume XX | |
| 401 | Title Index-Volume XX | ||
| 403 | Selected Index of Terms, Names and Concepts-Volume XX | ||
Vol. 20, Nos. 2-3 (June-September 2004)
A special Issue on Copying in Medieval Art, edited by Sarah Blick, Rita Tekippe and Vibeke Olson |
ARTICLES |
123 | Sarah Blick, Exceptions to Krautheimer's Theory of Copying |
| 143 | Rita W. Tekippe, Copying Power: Emulation, Appropriation, and Borrowing for Royal Political Purposes | ||
| 161 | Vibeke Olson, The Significance of Sameness: An Overview of Standardization and Imitation in Medieval Art | ||
| 179 | Cheryl Gohdes Goggin, Copying Manuscript Illuminations: The Trees of Vices and Virtues | ||
| 199 | Yao-Fen You, Krautheimer and the Marketplace: Vernacular Copies of Antwerp Compound Altarpieces in the Rhineland | ||
| 221 | Janet Snyder, "A Good Head for Business": Evidence for Standardization in Medieval Stone Sculpture | ||
| 237 | Marguerite Keane, Louis IX, Louis X, Louis of Navarre: Family Ties and Political Identity in the Hours of Jeanne de Navarre | ||
| CONTRIBUTORS |
253 | ||
Vol. 20, No. 1 (March 2004)
|
ARTICLES |
3 | Barbara W. Fash, Cast Aside: Revisiting the Plaster Cast Collection from Mesoamerica |
| 19 | Laura Corti, Emilio Marcucci's Architectural Ghosts: Photographic Notes in the Re-invention of Past Monuments | ||
| 47 | Ofelia Manzi and Patricia Grau-Dieckmann, Neo-Gothic Buildings in Buenos Aires, Parish of San Ildefonso | ||
| 67 | Jon Yngve Hardeberg, Jean-Pierre Crettez and Francis Schmitt, Computer-aided Image Acquisition and Colorimetric Analysis of Paintings | ||
| NEWS FROM THE
GETTY |
85 | Murtha Baca, Modern Art in Los Angeles Research Project; "Prints after Poussin" and Cross-collection Searching of Getty Online Resources | |
| REVIEWS |
87 | Colum Hourihane, reviewing Corpus of Medieval Misericords in France, XIII-XIV Century, by Elaine C. Block | |
| 90 | Julia Ballerini, reviewing Photography's Other Histories, edited by Christopher Pinney and Nicolas Peterson | ||
| 98 | Alison Nordström, reviewing Picturing Place: Photography and the Geographical Imagination, edited by Joan M. Schwartz and James R. Ryan | ||
| 101 | Bill Ryan, reviewing Working Hands, by Rick Williams, designed by D.J. Stout | ||
| CONTRIBUTORS |
113 | ||
Vol. 19, No. 4 (December 2003)
A special issue on Describing Depictions vs. Depicting Descriptions, edited by Jon L. de Jong |
249 | Editorial: Introducing New Editorial Board Members | |
| ARTICLES |
253 | Jan L. de Jong, Introduction | |
| 259 | Jan L. de Jong, Word Processing in the Italian Renaissance: Action and Reaction with Pen and Paintbrush | ||
| 283 | Liana De Girolami Cheney, Giorgio Vasari's Astraea: A Symbol of Justice | ||
| 307 | Lyckle de Vries, Written Paintings: Real and Imaginary Works of Art in De Lairesse's Schilderboek | ||
| 321 | Kathryn N. Benzel, Modern In(ter)vention: Reading the Visual | ||
| CONTRIBUTORS |
339 | ||
| INDEXES |
341 | Author Index-Volume XIX | |
| 343 | Title Index-Volume XIX | ||
| 345 | Selected Index of Terms, Names and Concepts-Volume XIX | ||
Vol. 19, No. 3 (September 2003)
|
ARTICLES |
179 | Anoka Faruqee, Enumerating Infinity: Cloning Color |
| 195 | Pedro Leão Neto, Design Communication: Traditional Representation Methods and Computer Visualization | ||
| 215 | Tina S. Nelson, Looking Inside: What Medical Imaging Technology Can Show Us-A Computer-based Educational Tool of Radiological Imaging of the Human Body | ||
| NEWS FROM THE
GETTY |
227 | Murtha Baca, Exhbitions, Cataloguing Cultural Objects, AMICO | |
| REVIEWS |
229 | Bill Ryan, reviewing Phototruth or Photofiction? Ethics and Media Imagery in the Digital Age, by Thomas H. Wheeler | |
| 234 | Casey Blanton, reviewing Colonialist Photography: Imag(in)ing Race and Place, edited by Eleanor M. Hight and Gary D. Sampson | ||
| 237 | Kirsten Hileman, reviewing One Place After Another: Site-specific Art and Locational Identity, by Miwon Kwon | ||
| 241 | Helene E. Roberts, reviewing The Oxford Companion to J.M.W. Turner, edited by Evelyn Joll, Martin Butlin and Luke Herrmann | ||
| 244 | JQ Johnson, reviewing From Gutenberg to the Global Information Infrastructure: Access to Information in the Networked World, by Christine L. Borgman | ||
| CONTRIBUTORS |
247 | ||
Vol. 19, No. 2 (June 2003)
|
ARTICLES |
83 | Fae Brauer, Representing "Le moteur humain": Chronometry, Chronophotography, "The Art of Work" and the "Taylored" Body |
| 107 | William C. Brumfield, Photographic Documentation of Architectural Monuments in the Irkutsk Region of Eastern Siberia | ||
| 149 | Kent Minturn, The Underneaths of Pollock: A Response to Pepe Karmel | ||
| NEWS FROM THE
GETTY |
153 | Murtha Baca, reporting | |
| REVIEWS |
155 | Andreas Petzold, reviewing Blue, A History of a Color, by Michel Pastoureau | |
| 158 | Mary B. Davis, reviewing Encyclopedia of Native American Jewelry: A Guide to History, People, and Terms, by Paula A. Baxter with Allison Bird-Romero | ||
| 161 | Katharine Conley, reviewing Displaying the Marvelous: Marcel Duchamp, Salvador Dalí, and Surrealist Exhbition Installations, by Lewis Kachur | ||
| 164 | James J. Barnes, reviewing Blindness: The History of a Mental Image in Western Thought, by Moshe Barasch | ||
| 166 | Heather Eaton, reviewing Picturing Chinatown: Art and Orientalism in San Francisco, by Anthony Lee | ||
| 172 | Kristen Hileman, reviewing The Language of New Media, by Lev Manovich | ||
| CONTRIBUTORS |
177 | ||
Vol. 19, No. 1 (March 2003)
A special issue on Paul van Moorsel and the Documentation of the Ancient Near East, edited by Colum Hourihane |
ARTICLES |
3 | Colum Hourihane, Preface |
| 7 | Mat Immerzeel, Introduction to Paul van Moorsel | ||
| 15 | Hans Brandhorst, The Hague, Koninklijke Bibliotheek MS 76 F 5: A Psalter Fragment? | ||
| 27 | Claudine A. Chavannes-Mazel, Popular Belief and the Image of the Beardless Christ | ||
| 43 | Mat Immerzeel, A Day at the Sarcophagus Workshop | ||
| 57 | Karel C. Innemée, Veneration of Portraits, Icons, and Relics in Christian Egypt | ||
| 67 | Gertrud J.M. van Loon, Abraham, Isaac, and Jacob in Paradise in Coptic Wall Painting | ||
| CONTRIBUTORS |
81 | ||
Vol. 18, No. 4 (December 2002)
|
ARTICLES |
265 | Avril Kay Henry, A new On-line Art Resource: http://www.exetercathedral.co.uk |
| 285 | Philip Pacey, The Picturesque Railway | ||
| REVIEWS |
311 | Cather Cherbosque, reviewing Eyewitnessing: The Use of Images as Historical Evidence, by Peter Burke | |
| 314 | Jordana Mendelson, reviewing Greetings from New Jersey: A Postcard Tour of the Garden State, by Helen-Chantal Pike | ||
| 318 | Heather Eaton, reviewing Transforming Images: How Photography Complicates the Picture, by Barbara E. Savedoff | ||
| 322 | Kristen Hileman, reviewing Douglas Gordon, edited by Russell Ferguson, with contributions by Michael Darling, Francis McKee, Nancy Spector, and David Sylvester | ||
| 326 | Charles T. Wood, reviewing Mapping Cities, catalogue and essay by Naomi Miller; A Wheel of Memory: The Hereford Mappamundi, CD-ROM, by Naomi Reed Kline | ||
| 331 | Priscilla Baumann, reviewing The Maze and the Warrior: Symbols in Architecture, Theology, and Music, by Craig Wright | ||
| 334 | Helene E. Roberts, reviewing The Houses of Parliament: History, Art, Architecture, edited by Christine Riding and Jacqueline Riding | ||
| CONTRIBUTORS |
341 | ||
Vol. 18, No. 3 (September 2002)
|
ARTICLES |
185 | Kees Kaldenbach, The Genesis of the Wall Chart: Johannes Vermeer and the Delft School, A Chart of Homes of Delft Artists and Patrons in the Seventeenth Century |
| 197 | Pepe Karmel, Digital Connoisseurship: A Response to Kent Minturn | ||
| 205 | Dawn M. Leach, Art World Thinking versus Legal Thinking | ||
| REVIEW ARTICLE |
219 | Abigail Solomon-Godeau, reviewing Parallel Lines: Printmakers, Painters, and Photographers in Nineteenth-century France, by Stephen Bann | |
| MEDIA REVIEW |
229 | Elisa Lanzi, reviewing The Getty Website: A Guided Tour | |
| REVIEWS |
235 | Michael Clapper, reviewing Vermeer's Camera: Uncovering the Truth Behind the Masterpieces, by Philip Steadman | |
| 239 | Anne D. Hedeman, reviewing Writing on Hands: Memory and Knowledge in Early Modern Europe, by Claire Richter Sherman | ||
| 242 | Monni Adams, reviewing Raw Histories: Photographs, Anthropology and Museums, by Elizabeth Edwards | ||
| 244 | Anthony W. Lee, reviewing Ben Shahn and the Passion of Sacco and Vanzetti, by Alejandro Anreus, exhbition catalogue organizer | ||
| 247 | Eleanor Mannikka, reviewing Dictionary of South & Southeast Asian Art, by Gwyneth Chaturachinda, Sunanda Krishnamurty, and Pauline W. Tabriang | ||
| 250 | Gene R. Garthwaite, reviewing The Moonlight Garden: New Discoveries at the Taj Mahal, edited by Elizabeth B. Moynihan | ||
| 252 | Alicia Craig Faxon, reviewing Lady Hawarden, Studies from Life 1857-1864, by Virginia Dodier; Becoming, the Photographs of Clementina, Viscountess Hawarden, by Carol Mavor | ||
| 255 | Michael Brooks, reviewing Ruskin's Venice: The Stones Revisited, compiled and with photographs by Sara Quill | ||
| 259 | Hillel Schwartz, reviewing The Fake: Forgery and Its Place in Art, by Sándor Radnóti, translated by Ervin Dunai | ||
| CONTRIBUTORS |
263 | ||
Vol. 18, No. 2 (June 2002)
A special issue on Following the Archival Turn: Photography, the Museum, and the Archive, edited by Cheryl Simon |
ARTICLES |
101 | Cheryl Simon, Introduction: Following the Archival Turn |
| 109 | Carol Payne and Jeffrey Thomas, Aboriginal Interventions into the Photographic Archives: A Dialogue between Carol Payne and Jeffrey Thomas | ||
| 127 | Vid Ingelevics, Culture (Camera) Commerce: The Gift Shop Exhibition at the Winnipeg Art Gallery | ||
| 145 | Christine Y. Hahn, Exhibition as Archive: Beaumont Newhall, Photography 1839-1937, and the Museum of Modern Art | ||
| 153 | Miranda J. Wallace, August Sander's Photographic Archive: Fables of the Reconstruction | ||
| 167 | Lyndell Brown and Charles Green, Robert Smithson's Ghost in 1920s Hamburg: Reading Aby Warburg's Mnemosyne Atlas as a Non-Site | ||
| CONTRIBUTORS |
183 | ||
Vol. 18, No. 1 (March 2002)
|
ARTICLES |
1 | Lili Corbus Bezner, Wedding Photography: 'A Shining Language' |
| 17 | William C. Brumfield, Photograph Documentation of Architectural Monuments in the Northern Districts of Perm Province, Russia | ||
| EXHIBITIONS |
49 | Julie Charmelo, reviewing Doppelganger: Undermining the Original | |
| 63 | Elizabeth Beckman, reviewing The Art of Biotechnology? | ||
| REVIEW ESSAY |
69 | Katherine Hart, reviewing Learning to Draw: Studies in the Cultural History of a Polite and Useful Art, by Ann Bermingham | |
| REVIEWS |
81 | Diane Apostolos-Cappadona, reviewing Thesaurus des objets religieux; Thesaurus of Religious Objects; Thesaurus del corredo ecclesiastico | |
| 83 | Mary Bergstein, reviewing Vermeer's Wager: Speculation on Art History, Theory, and Art Museums, by ivan Gaskell | ||
| 87 | Karen Pinkus, reviewing Copying Machines: Taking Notes for the Automaton, by Catherine Liu | ||
| 90 | Ann Gilkerson, reviewing Memory and Modernity: Viollet-le-Duc at Vézelay, by Kevin D. Murphy | ||
| 94 | Amy Rule, reviewing A Curious & Ingenious Art: Reflections on Daguerreotypes at Harvard, by Melissa Banta | ||
| CONTRIBUTORS |
99 | ||
Vol. 17, No. 4 (2001)
A special issue on From Albums to the Academy: Postcards and Art History, edited by Jordana Mendelson |
v | Contributors | |
| ARTICLES |
373 | Jordana Mendelson, Introduction: Postcards from Albums to the Academy? | |
| 383 | David Prochaska, Thinking Postcards | ||
| 401 | Allan Life, Picture Postcards by M.V. Dhurandhar: Scenes and Types of India-with a Difference | ||
| 417 | Ellen Handy, Postcard Sublime: William Henry Jackson's Western Landscapes | ||
| 435 | Lynda Klich, Little Women: The Female Nude in the Golden Age of Picture Postcards | ||
| 449 | Craig Eliason, Manifestos by Mail: Postcards in the Theo van Doesburg Correspondence | ||
| 459 | Peter Chametzky, The Post History of Willi Baumeister's Anti-Nazi Postcards | ||
| INDEXES |
481 | Author Index-Volume XVII | |
| 483 | Title Index-Volume XVII | ||
| 487 | Selected Index of Terms, Napes and Concepts-Volume XVII | ||
Vol. 17, No. 3 (2001)
|
v | Contributors | |
| ARTICLES |
253 | Janet Myles, L.N. Cottingham's Museum of Mediaeval Art: Herald of the Gothic Revival | |
| 289 | Francisco Corti and Ofelia Manzi, The English Gothic Revival in Argentina | ||
| NEWS FROM THE
GETTY |
321 | Murtha Baca, Getty Web Sites | |
| REVIEW ESSAY |
323 | Robert A. Baron, Images and Icons: The Making and Unmaking of Pictures for Mass Consumption (reviewing Firecrackers, by William Dotz, Jack Mingo and George Moyer; Katie and the Mona Lisa, by James Mayhew; Photomosaic Portraits, by Robert Silvers) | |
| REVIEWS |
341 | Stephen Petersen, reviewing The Fake: Forgery and Its Place in Art, by Sándor Radnóti | |
| 347 | Zirka Z. Filipczak, reviewing Images of Death: Rubens Copies Holbein, by Kristin Lohse Belkin and Carl Depauw | ||
| 353 | Kees Kaldenbach, reviewing From Rembrandt to Vermeer: 17th-century Dutch Artists, by Jane Turner | ||
| 357 | Kathryn N. Benzel, reviewing Virginia Woolf Icon, by Brenda R. Silver | ||
| 363 | Alison Nordström, reviewing Travelling Light: Photography, Travel and Visual Culture, by Peter Osborne | ||
| 367 | Nadejda Prokazina, reviewing Exploring Color: Olga Rozanova and the Early Russian Avant-garde, 1910-1919, by Nina Guryanova | ||
Vol. 17, No. 2 (2001)
|
v | Contributors | |
| ARTICLES |
165 | Hubert Locher, The Art History Survey: Narratives and Picture Compendia | |
| 179 | Ulrich Keller, Visual Difference: Picture Atlases from Winckelmann to Warburg and the Rise of Art History | ||
| NEWS FROM THE
GETTY |
201 | Murtha Baca, reporting | |
| REVIEW ARTICLES |
203 | Chris Burnett, Morphage: Three Books on Visual Transformation in the Age of the Morph (reviewing Meta-morphing: Visual Transofrmations and the Culture of Quick-Change, edited by Vivian Sobchack; Photo Fakery: The History and Techniques of Photographic Deception and Manipulation, by Dino A Brugioni; Zu schön, um wahr zu sein (Too Good to be True): Photographien aus der Sammlung Metz, edited by Albrecht Krause, translated by Anne Porter Schadt) | |
| 211 | Pamela Kyle Crossley, Clothes Make the Man, Especially in China (reviewing Imperial Wardrobe, by Gary Dickinson and Linda Wrigglesworth; Clothed to Rule the Universe: Ming and Qing Dynasty Textiles at the Art Institute of Chicago, edited by John Vollmer et al.; Ladder to the Clouds: Intrigue and Tradition in Chinese Rank, by Beverley Jackson and David Hugus) | ||
| REVIEWS |
217 | Mitzi Kirland-Ives, reviewing Virtue and Vice: The Personification in the Index of Christian Art, edited by Colum Hourihane | |
| 221 | Alison Shell, reviewing Producing the Past: Aspects of Antiquarian Culture and Practice 1700-1850, edited by Martin Myrone and Lucy Peltz | ||
| 225 | Stephen C. Pinson, reviewing From David to Ingres: Early 19th-century French Artists, edited by Jane Turner, and From Monet to Cézanne: Late 19th-century French Artists, edited by Jane Turner | ||
| 229 | Ronald Edsforth, reviewing Photography and Politics in America: From the New Deal into the Cold War, by Lili Corbus Bezner | ||
| 235 | Ethel S. Goodstein, reviewing Riding the Black Ship, Japan and Tokyo Disneyland, by Aviad E. Raz | ||
| 241 | Kathleen Nicholson, reviewing The Ghost in the Shell: Photography and the Human Soul, 1850-2000, Essays on Camera Portraiture, by Robert A. Sobieszek | ||
| 249 | Alicia Craig Faxon, reviewing The Artist and the Camera, Degas to Picasso, edited by Dorothy Kosinski, and Picasso and Photography, by Anne Baldassari | ||
Vol. 17, No. 1 (2001)
A special issue on Illustrations as Visual Resources, edited by William B. MacGregor and Louis Marchesano |
v | Contributors | |
| vii | Louis Marchesano, Introduction | ||
| ARTICLES |
1 | Evelyn Lincoln, Models for Science and Craft: Isabella Parasole's Botanical and Lace Illustrations | |
| 37 | William B. MacGregor, Illustration and its Afterlife: The Visual Uses of Sébastien Le Clerc's Pratique de la géométrie | ||
| 95 | Laura H. Hollengreen, Illustrating Architecture | ||
| 127 | Kent Minturn, Digitally-Enhanced Evidence: MoMA's Reconfiguration of Namuth's Pollock | ||
| 147 | James Elkins, On Some Useless Images | ||
Vol. 16, No. 4 (2000)
|
v | Contributors | |
| EDITORIAL |
vii | News from the Getty | |
| ARTICLES |
309 | William C. Brumfield, Photographic Documentation of Architectural Monuments in Siberia: Tiumen Province | |
| 351 | Maria Antonella Pelizzari, The Inclusive Map of John Shaw Smith's 1850-1852 Photographic Tour | ||
| REVIEW ARTICLES |
377 | Robert L. Mode, Reproduction and Reception: New Perspective on Michelangelo and Raphael in Eighteenth- and Nineteenth-century Britain (reviewing Apostles in England: Sir James Thornhill & the Legacy of Raphael's Tapestry Cartoons, by Arline Meyer, and Sweetness and Strenth: The Reception of Michelangelo in Late Victorian England, by Lene Østermark-Johansen) | |
| 385 | Maurizia Natali, Attention! (reviewing Suspensions of Perception: Attention, Spectacle, and Modern Culture, by Jonathan Crary) | ||
| REVIEWS |
401 | Joanne Lukitch, reviewing Image and Enterprise: The Photographs of Adolphe Braun, edited by Maureen C. O'Brian and Mary Bergstein | |
| 407 | Gene R. Garthwaite, Sevruguin and the Persian Image: Photographs of Iran, 1870-1930, edited by Frederick N. Bohrer | ||
| 413 | Barbara Mathé, reviewing Infelicities: Representations of the Exotic, by Peter Mason | ||
| 421 | Mary Stewart, reviewing F.L. Griggs, 1876-1938: The Architecture of Dreams, by Jerrold Northrop Moore | ||
| 427 | Colum Hourihane, reviewing Dutch Printers' Devices, 15th-17th Century: A Catalogue, by P. van Huisstede and J.P.J. Brandhorst | ||
| INDEXES |
431 | Author Index-Volume XVI | |
| 433 | Title Index-Volume XVI | ||
| 437 | Selected Index of Terms, Names and Concepts-Volume XVI | ||
Vol. 16, No. 3 (2000)
A special issue on Lost Works of Art, edited by Deborah Mauskopf Deliyannis |
v | Contributors | |
| ARTICLES |
203 | Deborah Mauskopf Deliyannis, Introduction | |
| 207 | Carol Neuman de Vegvar, The Architecture of Women's Monasticism in Archaeology and in Early Insular Texts | ||
| 221 | Frank Futral, Text as Image: Charles Willson Peale's "Lost" Staircase Self-Portrait | ||
| 229 | Liana De Girolami Cheney, Giorgio Vasari's Visual Interpretation of Ancient Lost Paintings | ||
| 259 | Elizabeth E. Guffey, Reconstruction the Limits of Propaganda: Pierre-Paul Prud'hon and the Art of Napoleon's Remarriage | ||
| 275 | Carrie Lambert, Documentary Dialectics: Performance Lost and Found | ||
| REVIEWS |
287 | Colum Hourihane, reviewing The Illustrations in the Manuscripts of the Septuagint,Volume II-Octateuch, by Kurt Weitzmann and Massimo Bernabo, with the collaboration of Rita Tarasconi | |
| 291 | Martha Tedeschi, reviewing An Indolent and Blundering Art? The Etching Revival and the Redefinition of Etching in England 1838-1892, by Emma Chambers | ||
| 297 | Elizabeth Beckman, reviewing Afterimage: Drawing Through Process, edited by Cornelia H. Butler | ||
| 303 | Helene E. Roberts, reviewing Art Treasures of England: The Regional Collections, edited by Giles Waterfield et al. | ||
Vol. 16, No. 2 (2000)
A special issue on Plagiarism in Art (and Art History), edited by Mary Vaccaro |
v | Contributors | |
| EDITORIAL |
vii | ||
| ARTICLES |
127 | Mary Vaccaro, Introduction: Plagiarism in Art (and Art History) | |
| 131 | Gunnar Swanson, Where Can I Steal a Clever Title for this Article? | ||
| 143 | Anne L. Schroder, Reversals of Power: Artistic Property, Counterfeiture, and the 1793 French Copyright Act | ||
| 155 | Stephen Petersen, Innovation and the Rhetoric of Plagiarism: The Klein/Takis Rivalry | ||
| 169 | Judy Sund, the Preke Speaks: Kahlúa's Co-option of West Mexican Burial Effigies | ||
| 185 | Richard T. Pfohl, The Key to the (Digital) Salon: Copyright and the Control of Creative Expression | ||
Vol. 16, No. 1 (2000)
|
v | Contributors | |
| ARTICLES |
1 | Kirstin Noreen, Recording the Past: Seventeenth-century Watercolor Drawings of Medieval Monuments | |
| 27 | Jay A. Clarke, Munch, Liebermann, and the Question of Etched "Reproductions" | ||
| REVIEW ESSAY |
65 | Jeffrey Abt, Looking, Marking, Thinking, and Thinking About Thinking About Marks and Their Markers (reviewing Replications: Archaeology, Art History, Psychoanalysis, by Whitney Davis, and Our Beautiful, Dry, and Distant Texts: Art History as Writing, by James Elkins) | |
| REVIEWS |
81 | Katherine W. Hart, reviewing The Prints of the Remondinis: An Attempt to Reconstruct an Eighteenth-century World of Pictures, by Anton W.A. Boschloo | |
| 87 | Eleanor M. Hight, reviewing Scenes in a Library: Reading the Photograph in the Book, 1843-1875, by Carol Armstrong | ||
| 97 | Edward J. Nygren, reviewing Boggs: A Comedy of Values, by Lawrence Weschler | ||
| 103 | Walter S. Simons, reviewing The Visual and the Visionary: Art and Female Spirituality in Late Medieval Germany, by Jeffrey F. Hamburger | ||
| 107 | Diane Apostolos-Cappadona, reviewing The Virgin Mary in Art, Renaissance to Reformation: Volume 4 of The Development of Christian Symbolism Series, video by Louis Swan Jones | ||
| 113 | Elizabeth O'Donnell, reviewing Courtauld Gallery Paintings: Illustrated Catalog. CD-ROM for PC | ||
| 119 | Helene E. Roberts, reviewing various publications of the Getty Information Institute | ||
Vol. 15, No. 4 (2000)
|
v | Contributors | |
| ARTICLES |
387 | Catherine A. Johnson, Portland Preserved: The Photography of Minor White, 1938-1942 | |
| 405 | Matthias Bruhn, The Warburg Electronic Library in Hamburg: A Digital Index of Political Iconography | ||
| REVIEWS |
425 | Trevor Fawcett, reviewing Sculpture and Photography: Envisioning the Third Dimension, edited by Geraldine A. Johnson | |
| 431 | Maurizia Natali, reviewing Depiction, by Michael Podro | ||
| 447 | Christopher Burnett, reviewing Remediation: Understanding New Media, by Jay David Bolter and Richard Grusin | ||
| 455 | Judith Black and Joanne Lukitch, reviewing The Familial Gaze, edited by Marianne Hirsch | ||
| 461 | Lena Stebley, reviewing Towards the Digital Library: The British Library's Iniatives for Access Programme, edited by Leona Carpenter, Simon Shaw, Andrew Prescott; Art Information and the Internet: How to Find it, How to Use it, by Lois Swan Jones | ||
| 471 | Alicia Craig Faxon, reviewing The Museum as Muse: Artists Reflect, exhibition catalog by Kinaston McShine, | ||
| 475 | Susan von Daum Tholl, reviewing Italian Romanesque Painting: An Illustrated Index, by Edward B. Garrison, CD-ROM | ||
| ANNOUNCEMENT |
485 | Image and Enterprise: The Photographs of Adolphe Braun | |
| INDEXES |
489 | Author Index-Volume XV | |
| 491 | Title Index-Volume XV | ||
| 495 | Selected Index of Terms, Names, and Concepts-Volume XV | ||
Vol. 15, No. 3 (1999)
A special issue on The Early History of the Phaidon Press, 1923-1967, edited by Valerie Holman |
v | Acknowledgments | |
| vii | Contributors | ||
| ix | Introduction | ||
| ARTICLES |
279 | Nigel Spivey, A Short History of the Phaidon Press, 1923-1998 | |
| 289 | Ernst Fischer, The Phaidon Press in Vienna, 1923-1938 | ||
| 311 | Valerie Holman, Art Books Against the Odds: Phaidon in England, 1938-1950 | ||
| 331 | Elly Miller, Ludwig Goldscheider: A Memoir | ||
| 343 | Harvey Miller, Phaidon and the Business of Art Book Publishing, 1923-1967 | ||
| 355 | Anthony Hamber, Communicating Colour: Advances in Reprographic Technology, 1840-1967 | ||
| 371 | Clive James, On the Library Coffee-Table | ||
| 379 | Historical Catalogue: 1923-1972, originally compiled by Innocenz Grafe for the Phaidon Jubilee Catalogue in 1973 | ||
Vol. 15, No. 2 (1999) | |||
