A Memoir of Creativity: abstract painting, politics & the media, 1956-2008

Reader reviews from amazon.com

 

 

4.0 out of 5 starsRefreshing & direct, August 2, 2009

By 

Walter Darby Bannard (miami, fl USA)

This is a memoir of a woman's life in the creative literary artistic and literary circles in New York from the Swinging Sixties to the present. The writing is animated and very personal and self-reflective, particularly in the earlier parts, where she just comes right out and says what she is seeing and feeling, giving us a refreshingly open and impartial "you were there"

To me the most interesting parts of the book are those about the art world. One person who threads all through the later narrative is Clement Greenberg. She was very close to him, and though not uncritical, she gives us a more intimate, more insightful and much truer picture of this great and complicated art critic than all three of the recent books on him put together. She also espouses - and charts her own evolution of - a non-establishment point of view about contemporary art which is far more sophisticated and grounded in actual worth than that of most art writers

Things bog down a bit in later chapters when she gets into theory and politics but I know of nothing else that gives a better "feel" of what it was like to be part of the art world whirlwind of the last four decades in New York.

 

 

 

 

4.0 out of 5 starsA Timely and Valuable Book, August 2, 2009

By 

George W. Hofmann (Albany, New York)

This book brings alive a most fascinating period - late twentieth century - in the art and media worlds, in the form of a trenchant and insightful memoir. The author's evolution as a journalist and critic mirrors the development of thinking shared by many in these worlds, at a time of amazing and powerful changes in society.
Definitely recommended for any student of the period, and invaluable to any analysis of the times.
George Hofmann
artist

 

 

 

 

4.0 out of 5 starsoriginal thought-provoking memoir, July 31, 2009

By 

Carla Rich - See all my reviews

this is a fascinating read - a mixture of sometimes painfully truthful personal revelations over a lifetime of relentless pursuit of truth and of the essence of art and creativity. It particularly enriched my understanding of abstract expressionism - the author's theory of meaning within the art apparently does not conform to that of most critics, but made good common sense to me, and enabled me to see and enjoy the art with new eyes. It is a scholarly work, beautifully researched and annotated. A very long book, not an 'easy read', but stimulating and worth the effort.

 

 

 

 

Excerpt from TLAS, the Time-Life Alumni Society Newsletter, Summer,  2009  (Reviewer: Jeremy Main)

 

 

....Throughout, the book is personal, revealing and frank and she doesn't hold back from discussing her own mental problems and treatment. Any editors, writers and researchers who worked at Time in the 1950s and 1960s could well find themselves in the pages of the book, their behavior and foibles described in sometimes embarrassing detail....Piri went to work for Time in 1956 at the traditional starting point, on the clip desk. She moved up to research and then, in 1963, plucked up the nerve to apply for a job as a writer, work which many of the men thought was too tough for women.... 

 

 

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