Canons of Criticism

Principles indicate the secondary nature of a text, as explained by Farmer, The Synoptic Problem pp.227-29.

Farmer's Four Canons of Criticism

  1. [Assuming that very early Christianity was Jewish in orientation and Palestinian in geography] That form of a particular found in the Gospels, which reflects an extra-Palestinian, or non-Jewish provenance is to be adjudged secondary to a form of the same tradition which reflects a Palestinian or Jewish provenance.
  2. [Canon of "specificity" withdrawn by Farmer after Sanders's 1969 criticism.]
  3. [Assuming the redactional tendency to add explanatory glosses and expand tradition] That form of a tradition which exhibits explanatory redactional glosses, and expansions aimed to make the tradition more applicable to the needs of the Church, is to be adjudged secondary to a form of the tradition which is free of such redactional glosses and expansions.
  4. [Assuming writer's predilection for certain words] That form of a tradition which exhibits words or phrases characteristic of a redactor whose hand is clearly traceable elsewhere in the same Gospel is to be adjudged secondary to a form of the same tradition which is free of such words and phrases. And, as a corollary to this: That form of a tradition which exhibits words or phrases characteristic of a redactor whose hand is only traceable in another Gospel where the redactor's hand can be clearly traced, provided the characteristic word or phrase occurs in the former Gospel only in passages closely paralleled the latter, where the verbatim agreement indicates direct literary dependence.

Burton's Six Evidences of a Secondary Character

  1. manifest misunderstanding of what stands in one document on the part of the writer of the other
  2. insertion by one writer of material not in the other, and clearly interrupting the course of thought or symmetry of plan of the other
  3. clear omission from one document of matter which was in the other, the omission of which destroys the connection
  4. insertion of matter the motive for which can be clearly seen in light of the author's general aim, while no motive can be discovered for its omission by the author if he had it in his source
  5. vice versa omission of matter traceable to the motive natural to the writer when the insertion (of the same matter in the other Gospel) could not thus be accounted for
  6. alterations of other kinds which conform the matter to the general method or tendency of the author

Stephen C. Carlson
Created: December 1995
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