Anniversary

A wife sets an unsettling dinner for her gagged, bound husband in a nearly wordless piece about revenge. Short one-act drama. One woman, one man. Performance: May 1992, Third Tuesday Theater, Portland, Oregon; staged reading.

Between the Lines

The lifelong friendship of two Doors fans is tested when their car abruptly dies at night in the Southwest American desert. Short one-act comedy-drama. Two women. Performance: May 1998, Stark Raving Theatre, Portland, Oregon; full production.

  • Sample
  • Jim Morrison. Voice of a generation. Of course, that generation was stoned at the time.... He wrote embarrassing poetry and probably would have benefited from therapy, but would you want to be his therapist? Rumor has it he's still alive and living in sin with Amelia Earhart. Regardless, The Doors made some fine music.
  • Discover the austere and haunting beauty of the American Southwest.

Camisole

A painter and a businesswoman suffering relationship problems create a secret world in a passage linking their French Quarter apartments. Probably my most romantic play, but, given the rest of my work, that's not saying much. Never been produced, possibly because of set demands, more likely because I've never submitted it anywhere due to a few tricky plot complications. Still, it's long been a favorite play of some friends and family, likely because it proves I can write about things other than death, dismemberment, etc. Full length two-act drama. Two women, two men. Performance: March 1991, Sunday at Seven, Portland, Oregon; staged reading (excerpt).

Controlled Burn

Through a series of interlinked monologues, an array of characters draw a picture of life in the American Southwest. Sections are arranged around earth, air, water, and fire. Full length one-act drama/performance piece. Five women, five men. Performance: September 1990, FUSE Gallery, Portland, Oregon; full production, two-week run.

Portland Oregonian, 1990: '...a haunting, insightful script.... The language is expansive and poetic.... Patterson is a writer to watch...like Sam Shepard's early work....'

  • Richard Misrach, one of my favorite contemporary photographers. I highly recommend his wonderful book, Desert Cantos.
  • So what the heck is a controlled burn? Sometimes it's known as a prescribed burn.
  • And sometimes it doesn't turn out as planned. Note that the date is after I wrote the play.

Cybeleties

An ambitious actress receives phone calls from the exceedingly fabulous. Short one-act comedy. One woman, one man. Performance: January 1993, Third Tuesday Theater, Portland, Oregon; staged reading.

  • A novelty piece, I wrote this for my friends, Cybele and Botielus, who host the exceedingly fabulous Chess Show.
  • And, as Cybele will remind you, she's also a goddess.

Expatriates (adaptation)

In a cafe, stylish readings of Ernest Hemingway, F. Scott Fitzgerald, Gertrude Stein, T. S. Eliot, Ezra Pound, and Djuna Barnes sketch Paris in the aftermath of World War I. Essentially a love note to some of my favorite writers, we staged this as a benefit for the Oregon Literacy Foundation. Can't offer this piece because I don't control the copyrights. Full length one-act drama/performance piece. Two women, four men. Performance: February 1994, Stark Raving Theatre, Portland, Oregon; full production, two-week run. [Not available] 

Lounge Car Night

At the close of World War II, oddball characters on a train crossing the American Southwest fall for the charms of a couple of very unique con artists. A mob hit-man, a grieving widow whose husband may be alive, a female Kerouac, a vampire, and Einstein's Special Theory of Relativity. How can you go wrong? Half hour one-act comedy-drama. Two women, three men.  Premiered 2005 at the University of Kansas in Lawrence, Kansas.

Object of Destruction

In a Vienna hospital, a World War II journalist confronts the civilian cost of war. Short one-act drama. Two women, one man. Performance: April 1992, LitEruption Book Fair, Portland, Oregon; staged reading.

  • Lee Miller, a photographer with a fascinating life story.

Shelter

When a fading rock musician becomes snowbound with his ex-lover in a Pacific Northwest cabin, their respective histories and identities begin to blur. There's some good stuff here, but I never could fix it to my satisfaction; hence, I'm not currently offering the play. Full length two-act drama. Two women, three men. Performance: June-July 1993, Stark Raving Theatre, Portland, Oregon; staged reading, two-week run. [Not available]

Shooting Mexico

A hard-luck character faces an uncertain morning on the border of the U.S. and Mexico. Short one-act drama. One man. Performance: May 1993, Third Tuesday Theater, Portland, Oregon; staged reading.

Sonora Fade

When fiction overtakes reality, dangerous tensions arise between a film director and a rock musician on a movie set in Mexico. Full length one-act drama. Two women, four men.

The Spider Wind

A long-estranged daughter returns home to her mother and her disturbed younger brother as Los Angeles is beset with Santa Ana winds and fires. An early play. A mess. Killer ending, though. I think I was working Sam Shepard out of my system. Full length three-act drama. Three women, one man. Performance: December 1992, Paula Productions, Portland, Oregon; staged reading. [Not available]

The Submerged Country

Based on the life of surrealist painter Yves Tanguy, artist Kay Sage recounts her husband's progressive mental illness. Half hour one-act drama/performance piece. One woman. Performance: September 1991, ArtQuake Festival/Winningstad Theatre, Portland, Oregon; full production.

Temptation

In the Pacific Northwest, a writer and his sister-in-law spend an excruciating summer wrestling with their very obvious attraction for one another. One hour one-act comedy. One woman, two men. Performance: July-August 1996, Toad City Productions, Portland, Oregon; full production, four-week run.

Translations

In Khazakistan, a disaffected American tourist attempts to buy opium from an embittered Soviet war veteran. The twist is, they have to rely on a translator with an agenda of her own. One hour one-act drama. One woman, two men.