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Calgary Sun

Sukay Show is something special

by Dave Veitch

Quentin Howard admits some people mistakenly think her band, Sukay, performs South African music. It’s an honest error. Whereas South African music has been embraced by a North American mainstream audience, the South American folk music that Sukay performs is generally unexposed on this continent.But last night in the Jack Singer Concert Hall, Sukay not only taught the 800 patrons about the music’s history and heritage, the quartet also recruited many new fans and supporters for this captivating musical style. The instrumentation alone—flutes, rattles, acoustic guitars, drums --suggested the show was going to be different. How these instruments eventually meshed into music turned the show into something truly special.

Howard’s and Carlos Crespo’s flute parts intertwined on the slight, lingering melodies, creating a dreamy, ethereal effect. Meanwhile, the aggressive strumming of several stringed instruments—including the charango, made from the shell of an armadillo—was primarily used for rhythm. The music was old as the Andes and many of the hand made instruments were relatively primitive (at least by today’s high tech standards) but the hauntingly beautiful sounds were elegant and sophisticated.

However, one suspects Sukay’s interpretation of South American folk music breaks a few traditions. Howard’s work on the pan flute, for instance, sounded like Zamfir on a caffeine overload. Yet the concert provided a quick, entertaining education on this distinctive, folk music style.

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