 |
VISUAL
RESOURCES Published
By: Routledge, Taylor & Francis Group |
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TABLE
OF CONTENTS |
| Vol. 25, Nos. 4 (December 2009)
A special issue on Digital Crossroads: New Directions in 3D Architectural Modeling in the Humanities, edited by Arne R. Flaten and Alyson A. Gill
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305 | Murtha Baca, News from the Field | |
BOARD-APPROVED
SPECIAL ISSUE |
Digital Crossroads: New Directions in 3D Architectural Modeling in the Humanities, edited by Arne R. Flaten and Alyson A. Gill | ||
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309 | Arne R. Flaten and Alyson A. Gill, Digital Crossroads: New Directions in 3D Architectural Modeling in the Humanities-Overview | |
| |
313 | Alyson A. Gill, Digitizing the Past: Charting New Courses in the Modeling of Virtual Landscapes | |
| 333 | David Sherratt Johnson, Testing Geometric Authenticity: Standards, Methods, and Criteria for Evaluating the Accuracy and Coompleteness of Archaeometric Computer Reconstructions | ||
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345 | Arne R. Flaten, The Ashes2Art Project: Digital Models of Fourth-Century BCE Delphi, Greece | |
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363 | Sheila Bonde and Clark Maines, with Elli Mylonas and Julia Flanders, The Virtual Monastery: Re-Presenting Time, Human Movement, and Uncertainty at Saint-Jean-des-Vignes, Soissons | |
| 379 | Paula Lupkin, "Auteur" or Architectural Historian? Digitally Modeling the New York YMCA | ||
| 403 | Christopher Johanson, Visualizing History, Modeling in the Eternal City | ||
INDEXES |
419 | Author Index | |
| e1-e17 | Image Index (available online only: http://www.informaworld.com/smpp/content~db=all~content=a917289338) | ||
| Vol. 25, Nos. 3 (September 2009)
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167 | Editorial: Archives | |
ARTICLES |
169 | Annette Joy Jemison, Barrenness and Abjection?: The Iconography of the Wasteland in the Photographs and Collages of Julian Trevelyan, 1937-1938 | |
| |
193 |
Julia Papp, Artwork Photography in Hungary: The Early Years (1859-1885) | |
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239 | Catherine Larkin, A Reappraisal of the William Randolph Hearst Archive at Long Island University: Information, Preservation, and Access | |
| 259 | Catherine Johnson-Roehr, From Visual Data to Fine Art: Photography Collections at The Kinsey Institute | ||
| REVIEWS |
281 | Patricia Mainardi, reviewing Art In Reproduction: Nineteenth-Century Prints after Lawrence Alma-Tadema, Jozef Israels and Ary Scheffer, by Robert Verhoogt | |
| |
290 | Amy Woodson-Boulton, reviewing The Mass Image: A Social History of Photomechanical Reproduction in Victorian London, by Gerry Beegan | |
| 295 | David L. Jacobs, reviewing The Art of the American Snapshot, 1888-1978, by Sarah Greenough and Diane Waggoner | ||
| 300 | Jasmine Alinder, reviewing A Shoemaker's Story: Being Chiefly about French Canadian Immigrants, Enterprising Photographers, Rascal Yankees, and Chinese Cobblers in a Nineteenth-Century Factory Town, by Anthony W. Lee | ||
| Vol. 25, Nos. 1-2 (March-June 2009)
A special double issue on Visualizing the Invisible: Visionary Technologies in Religious and Cultural Contexts, edited by Lisa Bitel This special issue is available for separate purchase from T&F. Please use the order form at http://www.tandf.co.uk/journals/spissue/gvir-si4.asp
|
1 | Editorial: Vision, Ghosts, Spirits, and Art | |
BOARD-APPROVED
SPECIAL DOUBLE ISSUE |
Visualizing the Invisible: Visionary Technologies in Religious and Cultural Contexts, edited by Lisa Bitel | ||
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3 | Lisa Bitel, Introduction: Visualizing the Invisible: Visionary Technologies in Religious and Cultural Contexts | |
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7 | Andrew Fogleman, Finding a Middle Way: Late Medieval Naturalism and Visionary Experience | |
| 29 | Dallas G. Denery II, Protagoras and the Fourteenth-Century Invention of Epistemological Relativism | ||
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53 | Luis R. Corteguera, Talking Images in the Spanish Empire: Vision and Action | |
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69 | Lisa Bitel with images by Matt Gainer, Looking the Wrong Way: Authenticity and Proof of Religious Vision | |
| 93 | Roberto Lint Sagarena, Making a There There: Marian Muralism and Devotional Streetscapes | ||
| 109 | Daniel Wojcik, Spirits, Apparitions, and Traditions of Supernatural Photography | ||
| 137 | Ann Taves, Channeled Apparitions: On Visions that Morph and Categories that Slip | ||
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153 | William A. Christian, Jr., AFTERWORD: Islands in the Sea: The Public and Private Distribution of Knowledge of Religious Visions | |
| Vol. 24,No. 4 (December 2008)
|
347 | Editorial: Moving Up to Silver and Sound | |
| 349 | Murtha Baca, News from the Field | ||
| ARTICLES |
353 | Felipe Chaimovich, Mirrors of Society: Versailles and the Use of Flat Reflected images | |
| |
369 | Robin Veder, Pestalozzi and the Picturebook: Visual Pedagogy in The Dinosaurs of Waterhouse Hawkins | |
| REVIEWS |
391 | Julia Ballerini, reviewing Song Without Words: The Photographs and Diaries of Countess Sophia Tolstoy, by Leah Bendavid-Val | |
| 397 | Ann Bermingham, reviewing Too Beautiful to Picture: Zeuxis, Myth, and Mimesis, by Elizabeth C. Mansfield | ||
| |
400 | Marta Braun, reviewing La traum des images: Histoires de l'illustration photographique, a special issue of Études photographiques 20 (June 2007), edited by André Gunthert and Thierry Gervais | |
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405 | Amy Neff, reviewing The Image of St Francis: Responses to Sainthood in the Thirteenth Century, by Rosalind B. Brooke | |
| 409 | Susette Newberry, reviewing On Alexander Gardner's Photographic Sketch Book of the Civil War, by Anthony W. Lee and Elizabeth Young | ||
| 413 | Maria Antonella Pelizzari, reviewing Impressed by Light: British Photographs from Paper Negatives, 1840-1860, by Roger Taylor, with contributions by Larry J. Schaaf | ||
| |
419 | Terry Smith, reviewing The Virtual Window: From Alberti to Microsoft, by Anne Friedberg | |
| 424 | Woody Woodis, reviewing Soviet Posters: The Sergo Grigorian Collection, edited by Maria Lafont | ||
| INDEXES |
429 | Author Index (XXIV) | |
| 433 | Image Index (XXIV) | ||
| Vol. 24,No. 3 (September 2008)
A special issue on Imaging Blackness in the Long Nineteenth Century, edited by Maria P. Gindhart This special issue is available for separate purchase from T&F. Please use the order form at http://www.tandf.co.uk/journals/spissue/gvir-si3.asp
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219 | Editorial: On Curing Color Narrow-Sightedness | |
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221 | Murtha Baca, News from the Field | |
| BOARD-APPROVED SPECIAL ISSUE | Imaging Blackness in the Long Nineteenth Century, edited by Maria P. Gindhart | ||
| |
225 | Maria P. Gindhart, Introduction: Imaging Blackness in the Long Nineteenth Century | |
| 233 | Kevin Michael Scott, The "Negro Touch" and the "Yankee Trick"" William Sidney Mount and the Art of Race and Ethnicity | ||
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253 | Guy Jordan, Race in Transit: Intoxication and Slavery in the Art of Charles Deas | |
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273 | Peter Benson Miller, "Des couleurs primitives": Miscegenation and French Painting of Algeria | |
| 299 | Catherine E. Anderson, A Zulu King in Victorian London: Race, Royalty and Imperialist Aesthetics in Late Nineteenth-Century Britain | ||
| 321 | Maria P. Gindhart, Cro-Magnon and Khoi-San: Constant Roux's Racialized Relief Sculptures of Prehistoric Artists | ||
| REVIEW |
343 | Sander Gilman, reviewing The Afterlife of Images: Translating the Pathological Body between China and the West, by Larissa N. Heinrich | |
| Vol. 24,No. 2 (June 2008)
A special issue on Visual Collections as Historical Evidence, edited by Craig Horner, Katy Layton-Jones and David Stewart This issue is available for separate purchase from T&F. Please quote promotional code XD81701W |
101 | Editorial: History | |
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103 | Murtha Baca, News | |
| BOARD-APPROVED
SPECIAL ISSUE |
Visual Collections as Historical Evidence, edited by Craig Horner, Katy Layton-Jones and David Stewart | ||
| |
105 | Katy Layton-Jones, Introduction: Visual Collections as Historical Evidence | |
| 109 | Stephen Connolly, Unseeing the Past: Vision and Modern British History | ||
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119 | Robin Usher, Reading Architecture: St. Andrew's Church, Dublin, 1670-1990 | |
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133 | Nick Mansfield, The Contribution of the National Banner Survey to Debates on Nineteenth-Century Popular Politics | |
| 145 | David Clampin, "The war has turned our lives upside-down": The Merit of Commercial Advertising in Documenting the Cultural History of the British Home Front in the Second World War | ||
| 159 | John K. Walton, Commemorating the Co-op: Nostalgia, Identity and the Visual Traces of the Co-operative Movement in Twentieth-Century Britain | ||
| 173 | David Stewart, The British Labour Party, "Parliamentary Socialism" and Thatcherism, 1979-1990: A Visual Perspective | ||
| 189 | Katy Layton-Jones, Visual Quotations: Referencing Visual Sources as Historical Evidence | ||
| REVIEWS |
201 | Laura Baudot, reviewing City of Laughter: Sex and Satire in Eighteenth-Century London, by Vic Gatrell | |
| 207 | Victoria E. Thompson, reviewing Household Gods: The British and Their Possessions, by Deborah Cohen | ||
| 210 | Sarah Winter, reviewing Charles Darwin and Victorian Visual Culture, by Jonathan Smith | ||
| Vol. 24,No. 1 (March 2008)
|
1 | Editorial: Adding, Changing, and Expanding | |
| 5 | Kathe H. Albrecht, Distinguished Leadership in Visual Resources: Renate and Ron Wiedenhoeft - Saskia Ltd. | ||
| ARTICLE |
19 | Kirstin Noreen, Replicating the Icon of Santa Maria Maggiore: The Mater ter admirabilis and the Jesuits of Ingolstadt | |
| EDITORS'
CHOICE |
39 | The
Aesthetics of Publishing: The Art Book as Object from Print to Digital - Introduction, by Catherine M. Soussloff and William Tronzo - The Art Book as Aesthetic Object, by Catherine M. Soussloff - Pictures, Privileges, and the Public Good, by Patricia Rubin - The Fugitive Image: Aesthetics and the Art Book, by Susan Bielstein - A Cycle of History? by William Tronzo Thoughts for the Future, by Catherine M. Soussloff |
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| 59 | Diedre Brown, "Ko to ringa ki nga rakau a te Pakeha" - Virtual Taonga Maori and Museums | ||
| REVIEWS |
77 | Elizabeth Darocha Berenz, reviewing Projektion. Chan, EXPORT, Fischli/Weiss, Gander, Gillick, Graham, Knoebel, Parker, Streuli, edited by Susanne Neubauer | |
| |
81 | Patricia Emison, reviewing The World in Venice: Print, the City, and Early Modern Identity, by Bronwen Wilson | |
| 84 | Carol Mattusch, reviewing Art and Replication: Greece, Rome, and Beyond, an issue of Art History, Vol. 29, No. 2, April 2006, edited by Jennifer Trimble and Jas Elsner | ||
| 88 | Daniel R. Quiles, reviewing October Files #6: Cindy Sherman, edited by Johanna Burton | ||
| 94 | Eric J. Sandeen, reviewing The Pivot of the World: Photography and Its Nation, by Blake Stimson | ||
| Vol. 23,No. 4 (December 2007)
|
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| 287 | Editorial: The Photograph as Document | ||
| 289 | Murtha Baca, News from the Field | ||
| ARTICLES |
291 | Wendy A. Grossman, From Ethnographic Object to Modernist Icon: Photographs of African and Oceanic Sculpture and the Rhetoric of the Image | |
| 337 | Carol Payne, Negotiating Photographic Modernism in USA: A Quarterly Magazine of the American Scene (1930) | ||
| EDITORS'
CHOICE |
353 | William C. Brumfield, Photographing an Architectural Legacy in the Chita Region of Eastern Siberia | |
| REVIEWS |
395 | Nora Niedzielski-Eichner and Sarah Richardson, reviewing Figuring It Out: Science, Gender and Visual Cultured, edited by Ann Shteir and Bernard Lightman | |
| 400 | Edward H. Teague, reviewing Putting Content Online: A Practical Guide for Libraries, by Mark Jordan | ||
| CONTRIBUTORS |
403 | ||
| INDEXES |
407 | Author Index (Volume XXIII) | |
| 411 | Image Index (Volume XXIII) | ||
Vol. 23, No. 3 (September 2007)
|
169 | Editorial: New Beginnings and Sturdy Foundations | |
| 171 | John Sunderland, Distinguished Leadership in Visual Resources: Cathie Gordon | ||
| ARTICLES |
183 | Caroline Igra, Servants to Patronage, Witness to Change: Italian Artists Abroad and the Modern Cityscape | |
| 203 | Laura Watts Sommer, Shifting Identities: Politics, Poetry and Passion in Italian Nineteenth-century Portraiture | ||
| 221 | Jordan Bear, In the Morgue: Censorship, Taste and the Politics of Visual Circulation in Walker Evans's Cuba Portfolio | ||
| EDITORS'
CHOICE |
245 | Torben Gronning, Patricia Sohl and Thomas Singer, ARAS: Archetypal Symbolism and Images | |
| REVIEWS |
269 | Dennis Dunleavy, reviewing Work: The World in Photographs, by Ferdinand Protzman | |
| 271 | Rochona Majumdar, reviewing Cinema at the End of Empire: A Politics of Transition in Britain and India, by Priya Jaikumar | ||
| 273 | Kevin O'Neill, reviewing Irish Rural Interiors in Art, by Claudia Kinmonth | ||
| 277 | Gretchen Wagner, reviewing Permissions, A Survival Guide: Blunt Talk about Art as Intellectual Property, by Susan M. Bielstein | ||
| CONTRIBUTORS |
285 | ||
Vol. 23, Nos. 1-2 (March-June 2007)
A special issue on Visual Documentation in Freud's Vienna, edited by Mary Bergstein This special issue is available for separate purchase from T&F. Please use the order form at http://www.tandf.co.uk/journals/spissue/gvir-si.asp |
ARTICLES |
1 | Mary Bergstein, Introduction |
| 7 | Bettina Hagen, The Cast Collection at the Academy of Fine Arts in Vienna | ||
| 21 | Astrid Mahler (translated by Elborg Forster), A World of Forms from Nature: New Impulses for the Aesthetic of the Jugendstil | ||
| 39 | Louis Rose, Daumier in Vienna: Ernst Kris, E.H. Gombrich, and the Politics of Caricature | ||
| 65 | Cheryl A. Logan, Cases and Prototypes: Constitutionalism and Photographic Portrayal of the Person in Freud's Vienna | ||
| 85 | Elfriede Haslauer (translated by John Winbigler), Egypt in Nineteenth-century Vienna: A Phantasm? | ||
| 105 | Diane O'Donoghue, Mapping the Unconscious: Freud's "Topographic" Constructions | ||
| 119 | Michael Molnar, From Image to Evidence: At the Historic Corner Window. 17.6.1897 | ||
| 129 | Forbes Morlock, The Very Picture of a Primal Scene: Une leçon clinique à la Salpêtrière | ||
| REVIEWS |
147 | Christine Eccles, reviewing Freud and the Neurosciences: From Brain Research to the Unconscious, edited by Giselher Guttmann and Inge Scholz-Strasser | |
| 151 | Arlene Shaner, reviewing From Neurology to Psychoanalysis: Sigmund Freud's Neurological Drawings and Diagrams of the Mind, edited by Lynn Gamwell with translations and commentary by Mark Solms | ||
| 154 | David Mikics, reviewing A compulsion for Antiquity: Freud and the Ancient World, by Richard Armstrong | ||
| 158 | Clement Marconi, reviewing Antiquity and Photography: Early Views of Ancient Mediterranean Sites, by Claire L. Lyons, John K. Papadopoulos, Lindsey S. Stewart, Andrew Szegedy-Maszak | ||
| 161 | Wendy Holden, reviewing The Past from Above: Aerial Photographs of Archaeological Sites. Photographs by Georg Gerster with introduction by Charlotte Trümpler, translated by Stewart Spencer | ||
| CONTRIBUTORS |
165 | ||
Vol. 22, No. 4 (December 2006)
|
313 | Editorial: Two Award Winners | |
| ARTICLES |
315 | Sonia Landy Sheridan, Generative Systems at the School of the Art Institute of Chicago, 1970-1980 | |
| 325 | Gemma Cowan, Generative Systems: Sonia Landy Sheridan as Artist/Master of the Machine | ||
| 343 | Diane Kirkpatrick, Sonia Landy Sheridan and the Evolution of Her Generative Systems Program | ||
| 363 | William C. Brumfield, Field Notes on Visual Documentation: The Northern Russian Village of Kimzha as Time Capsule | ||
| REVIEWS |
387 | Catherine B. Asher, reviewing Lucknow: City of Illusion, edited by Rosie Llewellyn-Jones | |
| 390 | Benjamin Kessler and Leslie Brown Kessler, reviewing Ruins of Ancient Rome: The Drawings of French Architects Who Won the Prix de Rome, 1796-1924, edited by Massimiliano David; Houses and Monuments of Pompeii: The Works of Fausto and Felice Niccolini, by Roberto Cassenelli, Pier Luigi Ciapparelli, Enrico Colle and Massimiliano David | ||
| 394 | Elizabeth Sears, reviewing Historical Grammar of the Visual Arts, by Aloïs Riegl, translated by Jacqueline E. Jung, foreword by Benjamin Binstock | ||
| 400 | L.J. Nicoletti, reviewing Visual Culture: The Study of the Visual After the Cultural Turn, by Margaret Dikovitskaya | ||
| CONTRIBUTORS |
405 | ||
| Erratum |
409 | ||
| INDEXES |
411 | Author Index-Volume XXII | |
| 415 | Title Index-Volume XXII | ||
| 419 | Selected Index of Terms, Names and Concepts-Volume XXII | ||
Vol. 22, No. 3 (September 2006)
|
201 | Editorial: Two Early Producers of Color Slides | |
| ARTICLES |
203 | Graham Smith, Between Past and Future: Portrait Photographs in the Novels of E.M. Forster | |
| 239 | Luke Gartlan, Types or Costumes? Reframing Early Yokohama Photography | ||
| 265 | Benjamin Kessler, Julius and John Rosenthal and Rosenthal Art Slides | ||
| 273 | Helen Ronan, An Interview with Harold and Ruth Sandak | ||
| REVIEWS |
287 | Alison Devine Nordström, reviewing All the Mighty World: The Photographs of Roger Fenton, 1852-1860, by Gordon Baldwin, Malcolm Daniel, Sarah Greenough, with contributions by Richard Pare, Pam Roberts and Roger Taylor | |
| 290 | Catherine De Lorenzo, reviewing Eye Contact: Photographing Indigenous Australians, by Jane Lydon | ||
| 297 | Jennifer B. Joffee, reviewing Domains of Wonder: Selected Masterworks of Indian Painting, by B.N. Goswamy and Caron Smith | ||
| 302 | Eileen Fry, reviewing Strategies for Transitioning to the Age of Digital Media, by Sarah E. Cheverton and Christina B. Updike | ||
| CONTRIBUTORS |
307 | ||
| Erratum |
311 | ||
Vol. 22, No. 2 (June 2006)
A special issue on Before and After the Wall: German Photography in Discourse and Practice, edited by Miriam Paeslack |
ARTICLES |
103 | Miriam Paeslack, Introduction. Before and After the Wall: German Photography in Discourse and Practice |
| 111 | Ulrich Rüter, Photography in Germany Today: A Sketch for Its Institutional Landscape | ||
| 119 | Arne Reimer, Beyond the "Becher School": Recent Tendencies in German Photography of the Post-Reunification Era | ||
| 131 | Anette Hüsch, Real Fiction: Peter Bialobrzeski's Search for Convincing Images | ||
| 143 | Maren Polte, Photography: Irrelevant or Indispensable? Pictorial Science from the Perspective of Photography | ||
| 157 | Cristina Cuevas-Wolf, Nature, Technique and Perception: Twentieth-century Afterimages and Modes of Scientific Representation | ||
| REVIEWS |
171 | Liam Buckley, reviewing Photographs Objects Histories: On the Materiality of Images, edited by Elizabeth Edwards and Janice Hart | |
| 176 | Michael Ann Holly, reviewing Art of Illusion: The Representation of Art History in Nineteenth-century Germany and Beyond, by Dan Karlholm | ||
| 179 | Douglass G.A. Scott, reviewing The Push Pin Graphics: A Quarter Century of Innovative Design and Illustration, edited by Seymour Chwast, Steven Heller and Martin Venezky, with an introduction by Milton Glaser | ||
| 183 | Jacqueline E. Jung, reviewing Images of Cult and Devotion: Function and Reception of Christian Images in Medieval and Post-Medieval Europe, by Søren Kaspersen and Ulla Haastrup | ||
| 192 | Leslie Brubaker, reviewing Le miniature per i manoscritti greci del libro di Giobbe. Patmo, Monastero di San Giovanni Evangelista, cod. 171/Roma, Biblioteca Apostolica Vaticana, cod. Vat.gr.749/Sinai, Monastero di Santa Catarina, cod. 3/Venezia Biblioteca Nazionale Marciana, cod.gr.538, by Massimo Bernabò | ||
| BOOKS
RECEIVED |
195 | ||
| CONTRIBUTORS |
197 | ||
Vol. 22, No. 1 (March 2006)
A special issue on Nineteenth-century Popular Arts, edited by Ann Bermingham |
ARTICLES |
1 | Ann Bermingham, Introduction: Nineteenth-century Popular Arts |
| 7 | Romita Ray, The Beast in a Box: Playing with Empire in Early Nineteenth-century Britain | ||
| 33 | Daniel Harkett, Illusions of Power: The Diorama and the Royalist Press in Restoration Paris | ||
| 55 | Michael Leja, Art and Class in the Era of Barnum | ||
| 63 | Alison Fraunhar, Picturing the Nation: Marquillas Cigarerras Cubanas and the Plantation | ||
| 81 | Vanessa R. Schwartz, Afterword: The Promise and Perils of Visual Culture's Big Tent | ||
| REVIEWS |
87 | Carla Williams, reviewing Photography on the Color Line: W.E.B. Du Bois, Race and Visual Culture, by Shawn Michelle Smith | |
| 91 | Sandria B. Freitag, reviewing "Photos of the Gods": The Printed Image and Political Struggle in India, by Christopher Pinney | ||
| 96 | Thomas J. Jacoby, reviewing Guide to the Literature of Art History 2, edited by Max Marmor and Alex Ross | ||
| 98 | Richard Rinehart, reviewing Refresh: First International Conference on the Histories of Media, Art, Science and Technology | ||
| CONTRIBUTORS |
101 | ||
Vol. 21, No. 4 (December 2005)
|
ARTICLES |
305 | Eric Lutz, R.M. Schindler and the Photography of the American Scene, 1914-1918 |
| 329 | M. Elizabeth Boone, Castilian Days: John Hay, Joseph Pennell and the Obfuscation of Politics by Art | ||
| 347 | Lucretia Hoover Giese, Meeting the New Century: Winslow Homer's Drawing after Northeaster | ||
| 363 | Jennifer Lee, Beyond the Locus Sanctus: The Independent Iconography of Pilgrims' Souvenirs | ||
| NEWS
FROM THE GETTY |
383 | Murtha Baca, The Getty Acquires Julius Shulman Photography Archive; On the Record: Art in Los Angeles, 1945-1980 | |
| REVIEWS |
385 | Sheila Hannah, reviewing Native Universe: Voices of Indian America, by Natiave American Tribal Leaders, Writers, Scholars and Storytellers, edited by Gerald McMaster and Clifford E. Trafzer | |
| 391 | Susan Hazan and Dov Winer, Conference Report: The Jerusalem Conference on the Digitization of Science and Cultural Heritage (EVA/MINERVA), 11-12 October 2004, Jerusalem, Israel | ||
| CONTRIBUTORS |
397 | ||
| INDEXES |
399 | Author Index-Volume XXI | |
| 403 | Title Index-Volume XXI | ||
| 407 | Selected Index of Terms, Names and Concepts-Volume XXI | ||
Vol. 21, No. 3 (September 2005)
A special issue on The Period Room Debate and the Making of America's Public Art Museum, edited by Sally Anne Duncan |
ARTICLES |
227 | Sally Anne Duncan, Introduction |
| 233 | Thomas Andrew Denenberg, Picture Houses and Period Rooms: Wallace Nutting, the Museum, and the Market | ||
| 245 | Kristina Wilson, Style and Lifestyle in the Machine Age: The Modernist Period Rooms of "The Architect and the Industrial Arts" | ||
| 263 | Curt Germundson, Alexander Dorner's Atmosphere Room: The Museum as Experience | ||
| 275 | Elizabeth Kennedy, Home on the Range: Frederic Remington's Recreated Studio at the Whitney Gallery of Western Art | ||
| REVIEWS |
287 | Linda C. Hults, reviewing Colorful Impressions: The Printmaking Revolution in Eighteenth-century France, edited by Margaret Morgan Grasselli, with essays by Ivan E. Phillips, Kristel Smentek, and Judith C. Walsh | |
| 291 | Mark Zucker, reviewing Raphael, Dürer, and Marcantonio Raimondi: Copying and the Italian Renaissance Print, edited by Lisa Pon | ||
| 297 | Kathleen Stewart Howe, Francis Frith in Egypt: A Victorian Photographer Abroad, edited by Douglas R. Nickel | ||
| CONTRIBUTORS |
303 | ||
Vol. 21, No. 2 (June 2005)
A special issue on Photojournalism, Mass Media and the Politics of Spectacle, edited by Amy Lyford and Carol Payne |
ARTICLES |
119 | Amy Lyford & Carol Payne, Photojournalism, Mass Media and the Politics of Spectacle |
| 131 | Ulrich Keller, Producing/Controlling Spectacle: Presidential Speech in Media Reportage | ||
| 147 | Stan Honda: An Interview by Amy Lyford & Carol Payne | ||
| 155 | Terri Weissman, The Spectacle of Trauma: 9/11 in the Museum | ||
| 171 | Randa Shaath: An Interview by Carol Payne & Amy Lyford | ||
| 181 | Jane Blocker, A Cemetery of Images: Meditations on the Burial of Photographs | ||
| 193 | Mark Danner, An Excerpt from "The Secret Road to Abu Ghraib" with an introduction by Carol Payne & Amy Lyford | ||
| REVIEWS |
199 | Announcement: New Review Editor | |
| 199 | Carol Talbert Peters, reviewing In Focus: National Geographic Greatest Portraits, edited by Leah Bendavid-Val | ||
| 205 | Ronald Edsforth, reviewing The Family of Man: 1955-2001, edited by Jean Back & Victoria Schmidt-Lisenhoff | ||
| 209 | Deepali Dewan, reviewing A Victorian Traveler in the Middle East: The Photography and Travel Writing of Annie Lady Brassey, edited by Nancy Mickelwright | ||
| 214 | Charles S. Rhyne, reviewing Direct Digital Image Capture: Current Practices and Problems, Conference held at Rochester Institute of Technology, 21-24 September 2004 | ||
| BOOKS
RECEIVED |
221 | May-November 2004 | |
| CONTRIBUTORS |
223 | ||
Vol. 21, No. 1 (March 2005)
A special issue on The Destruction of our Cultural Heritage: Examples of Visual Documentation from Iraq, Afghanistan and Croatia |
EDITORIAL |
3 | The Destruction of Our Cultural Heritage-Examples of Visual Documentation from Iraq, Afghanistan and Croatia |
| ARTICLES |
5 | Vibiana Bowman and Nensi Brailo, Protecting Our Shared Cultural Heritage: An Overview of Protocols and Projects | |
| 25 | Wlodek Witek, The Eyes and Ears of an Explorer: Database for Audiovisual Archives of a Norwegian Linguist from his Journeys to Afghanistan and South Asia, 1923-1975 | ||
| 41 | Linda Groom, An Interlude in Iraq: The Photographs and Diaries of Australian Photographer Frank Hurley in the Catalogues of the National Library of Australia | ||
| 55 | Jeffrey B. Spurr, Glimpses of an Eclipsed Heritage: Photography of Afghanistan in the Collections of the Fine Arts Library at Harvard | ||
| 73 | Francis Deblauwe, Antiquities and the Iraq War: Information, the Web and Pictures | ||
| 93 | Clemens Reichel, Beyond Cataloguing Losses: The Iraq Museum Database Project at the Oriental Institute, University of Chicago | ||
| CONTRIBUTORS |
115 | ||
Vol. 20, No. 4 (December 2004)
|
ARTICLES |
259 | Alicia Craig Faxon, Preserving the Classical Past: Sir William and Lady Emma Hamilton |
| 275 | Cher Krause Knight, Just Another Day: Dutch Genre Themes in Cindy Sherman's Untitled Film Stills | ||
| 287 | Lee Lawrence, The Other Half of Indian Art History: A Study of Photographic Illustrations in Orientalist and Nationalist Texts | ||
| 315 | William C. Brumfield, Photographic Documentation of Architectural Monuments in the Siberian Republic of Buriatiia | ||
| NEWS
FROM THE GETTY |
383 | Murtha Baca, New Databases | |
| REVIEWS |
385 | Diane Apostolos-Cappadona, reviewing Norwich Cathedral Roof Bosses, CD-ROM produced by Norwich Cathedral with images by Julia Hedgecoe and text by Martial Rose | |
| 390 | Kristen Hileman, reviewing The NEA Tapes, 2001, produced by Eidia House, directed by Paul Lamarre and Melissa Wolf | ||
| CONTRIBUTORS |
395 | ||
| INDEXES |
399 | Author Index-Volume XX | |
| 401 | Title Index-Volume XX | ||
| 403 | Selected Index of Terms, Names and Concepts-Volume XX | ||
Vol. 20, Nos. 2-3 (June-September 2004)
A special Issue on Copying in Medieval Art, edited by Sarah Blick, Rita Tekippe and Vibeke Olson |
ARTICLES |
123 | Sarah Blick, Exceptions to Krautheimer's Theory of Copying |
| 143 | Rita W. Tekippe, Copying Power: Emulation, Appropriation, and Borrowing for Royal Political Purposes | ||
| 161 | Vibeke Olson, The Significance of Sameness: An Overview of Standardization and Imitation in Medieval Art | ||
| 179 | Cheryl Gohdes Goggin, Copying Manuscript Illuminations: The Trees of Vices and Virtues | ||
| 199 | Yao-Fen You, Krautheimer and the Marketplace: Vernacular Copies of Antwerp Compound Altarpieces in the Rhineland | ||
| 221 | Janet Snyder, "A Good Head for Business": Evidence for Standardization in Medieval Stone Sculpture | ||
| 237 | Marguerite Keane, Louis IX, Louis X, Louis of Navarre: Family Ties and Political Identity in the Hours of Jeanne de Navarre | ||
| CONTRIBUTORS |
253 | ||
Vol. 20, No. 1 (March 2004)
|
ARTICLES |
3 | Barbara W. Fash, Cast Aside: Revisiting the Plaster Cast Collection from Mesoamerica |
| 19 | Laura Corti, Emilio Marcucci's Architectural Ghosts: Photographic Notes in the Re-invention of Past Monuments | ||
| 47 | Ofelia Manzi and Patricia Grau-Dieckmann, Neo-Gothic Buildings in Buenos Aires, Parish of San Ildefonso | ||
| 67 | Jon Yngve Hardeberg, Jean-Pierre Crettez and Francis Schmitt, Computer-aided Image Acquisition and Colorimetric Analysis of Paintings | ||
| NEWS
FROM THE GETTY |
85 | Murtha Baca, Modern Art in Los Angeles Research Project; "Prints after Poussin" and Cross-collection Searching of Getty Online Resources | |
| REVIEWS |
87 | Colum Hourihane, reviewing Corpus of Medieval Misericords in France, XIII-XIV Century, by Elaine C. Block | |
| 90 | Julia Ballerini, reviewing Photography's Other Histories, edited by Christopher Pinney and Nicolas Peterson | ||
| 98 | Alison Nordström, reviewing Picturing Place: Photography and the Geographical Imagination, edited by Joan M. Schwartz and James R. Ryan | ||
| 101 | Bill Ryan, reviewing Working Hands, by Rick Williams, designed by D.J. Stout | ||
| CONTRIBUTORS |
113 | ||
Vol. 19, No. 4 (December 2003)
A special issue on Describing Depictions vs. Depicting Descriptions, edited by Jon L. de Jong |
249 | Editorial: Introducing New Editorial Board Members | |
| ARTICLES |
253 | Jan L. de Jong, Introduction | |
| 259 | Jan L. de Jong, Word Processing in the Italian Renaissance: Action and Reaction with Pen and Paintbrush | ||
| 283 | Liana De Girolami Cheney, Giorgio Vasari's Astraea: A Symbol of Justice | ||
| 307 | Lyckle de Vries, Written Paintings: Real and Imaginary Works of Art in De Lairesse's Schilderboek | ||
| 321 | Kathryn N. Benzel, Modern In(ter)vention: Reading the Visual | ||
| CONTRIBUTORS |
339 | ||
| INDEXES |
341 | Author Index-Volume XIX | |
| 343 | Title Index-Volume XIX | ||
| 345 | Selected Index of Terms, Names and Concepts-Volume XIX | ||
Vol. 19, No. 3 (September 2003)
|
ARTICLES |
179 | Anoka Faruqee, Enumerating Infinity: Cloning Color |
| 195 | Pedro Leão Neto, Design Communication: Traditional Representation Methods and Computer Visualization | ||
| 215 | Tina S. Nelson, Looking Inside: What Medical Imaging Technology Can Show Us-A Computer-based Educational Tool of Radiological Imaging of the Human Body | ||
| NEWS
FROM THE GETTY |
227 | Murtha Baca, Exhbitions, Cataloguing Cultural Objects, AMICO | |
| REVIEWS |
229 | Bill Ryan, reviewing Phototruth or Photofiction? Ethics and Media Imagery in the Digital Age, by Thomas H. Wheeler | |
| 234 | Casey Blanton, reviewing Colonialist Photography: Imag(in)ing Race and Place, edited by Eleanor M. Hight and Gary D. Sampson | ||
| 237 | Kirsten Hileman, reviewing One Place After Another: Site-specific Art and Locational Identity, by Miwon Kwon | ||
| 241 | Helene E. Roberts, reviewing The Oxford Companion to J.M.W. Turner, edited by Evelyn Joll, Martin Butlin and Luke Herrmann | ||
| 244 | JQ Johnson, reviewing From Gutenberg to the Global Information Infrastructure: Access to Information in the Networked World, by Christine L. Borgman | ||
| CONTRIBUTORS |
247 | ||
Vol. 19, No. 2 (June 2003)
|
ARTICLES |
83 | Fae Brauer, Representing "Le moteur humain": Chronometry, Chronophotography, "The Art of Work" and the "Taylored" Body |
| 107 | William C. Brumfield, Photographic Documentation of Architectural Monuments in the Irkutsk Region of Eastern Siberia | ||
| 149 | Kent Minturn, The Underneaths of Pollock: A Response to Pepe Karmel | ||
| NEWS
FROM THE GETTY |
153 | Murtha Baca, reporting | |
| REVIEWS |
155 | Andreas Petzold, reviewing Blue, A History of a Color, by Michel Pastoureau | |
| 158 | Mary B. Davis, reviewing Encyclopedia of Native American Jewelry: A Guide to History, People, and Terms, by Paula A. Baxter with Allison Bird-Romero | ||
| 161 | Katharine Conley, reviewing Displaying the Marvelous: Marcel Duchamp, Salvador Dalí, and Surrealist Exhbition Installations, by Lewis Kachur | ||
| 164 | James J. Barnes, reviewing Blindness: The History of a Mental Image in Western Thought, by Moshe Barasch | ||
| 166 | Heather Eaton, reviewing Picturing Chinatown: Art and Orientalism in San Francisco, by Anthony Lee | ||
| 172 | Kristen Hileman, reviewing The Language of New Media, by Lev Manovich | ||
| CONTRIBUTORS |
177 | ||
Vol. 19, No. 1 (March 2003)
A special issue on Paul van Moorsel and the Documentation of the Ancient Near East, edited by Colum Hourihane |
ARTICLES |
3 | Colum Hourihane, Preface |
| 7 | Mat Immerzeel, Introduction to Paul van Moorsel | ||
| 15 | Hans Brandhorst, The Hague, Koninklijke Bibliotheek MS 76 F 5: A Psalter Fragment? | ||
| 27 | Claudine A. Chavannes-Mazel, Popular Belief and the Image of the Beardless Christ | ||
| 43 | Mat Immerzeel, A Day at the Sarcophagus Workshop | ||
| 57 | Karel C. Innemée, Veneration of Portraits, Icons, and Relics in Christian Egypt | ||
| 67 | Gertrud J.M. van Loon, Abraham, Isaac, and Jacob in Paradise in Coptic Wall Painting | ||
| CONTRIBUTORS |
81 | ||
Vol. 18, No. 4 (December 2002)
|
ARTICLES |
265 | Avril Kay Henry, A new On-line Art Resource: http://www.exetercathedral.co.uk |
| 285 | Philip Pacey, The Picturesque Railway | ||
| REVIEWS |
311 | Cather Cherbosque, reviewing Eyewitnessing: The Use of Images as Historical Evidence, by Peter Burke | |
| 314 | Jordana Mendelson, reviewing Greetings from New Jersey: A Postcard Tour of the Garden State, by Helen-Chantal Pike | ||
| 318 | Heather Eaton, reviewing Transforming Images: How Photography Complicates the Picture, by Barbara E. Savedoff | ||
| 322 | Kristen Hileman, reviewing Douglas Gordon, edited by Russell Ferguson, with contributions by Michael Darling, Francis McKee, Nancy Spector, and David Sylvester | ||
| 326 | Charles T. Wood, reviewing Mapping Cities, catalogue and essay by Naomi Miller; A Wheel of Memory: The Hereford Mappamundi, CD-ROM, by Naomi Reed Kline | ||
| 331 | Priscilla Baumann, reviewing The Maze and the Warrior: Symbols in Architecture, Theology, and Music, by Craig Wright | ||
| 334 | Helene E. Roberts, reviewing The Houses of Parliament: History, Art, Architecture, edited by Christine Riding and Jacqueline Riding | ||
| CONTRIBUTORS |
341 | ||
Vol. 18, No. 3 (September 2002)
|
ARTICLES |
185 | Kees Kaldenbach, The Genesis of the Wall Chart: Johannes Vermeer and the Delft School, A Chart of Homes of Delft Artists and Patrons in the Seventeenth Century |
| 197 | Pepe Karmel, Digital Connoisseurship: A Response to Kent Minturn | ||
| 205 | Dawn M. Leach, Art World Thinking versus Legal Thinking | ||
| REVIEW
ARTICLE |
219 | Abigail Solomon-Godeau, reviewing Parallel Lines: Printmakers, Painters, and Photographers in Nineteenth-century France, by Stephen Bann | |
| MEDIA
REVIEW |
229 | Elisa Lanzi, reviewing The Getty Website: A Guided Tour | |
| REVIEWS |
235 | Michael Clapper, reviewing Vermeer's Camera: Uncovering the Truth Behind the Masterpieces, by Philip Steadman | |
| 239 | Anne D. Hedeman, reviewing Writing on Hands: Memory and Knowledge in Early Modern Europe, by Claire Richter Sherman | ||
| 242 | Monni Adams, reviewing Raw Histories: Photographs, Anthropology and Museums, by Elizabeth Edwards | ||
| 244 | Anthony W. Lee, reviewing Ben Shahn and the Passion of Sacco and Vanzetti, by Alejandro Anreus, exhbition catalogue organizer | ||
| 247 | Eleanor Mannikka, reviewing Dictionary of South & Southeast Asian Art, by Gwyneth Chaturachinda, Sunanda Krishnamurty, and Pauline W. Tabriang | ||
| 250 | Gene R. Garthwaite, reviewing The Moonlight Garden: New Discoveries at the Taj Mahal, edited by Elizabeth B. Moynihan | ||
| 252 | Alicia Craig Faxon, reviewing Lady Hawarden, Studies from Life 1857-1864, by Virginia Dodier; Becoming, the Photographs of Clementina, Viscountess Hawarden, by Carol Mavor | ||
| 255 | Michael Brooks, reviewing Ruskin's Venice: The Stones Revisited, compiled and with photographs by Sara Quill | ||
| 259 | Hillel Schwartz, reviewing The Fake: Forgery and Its Place in Art, by Sándor Radnóti, translated by Ervin Dunai | ||
| CONTRIBUTORS |
263 | ||
Vol. 18, No. 2 (June 2002)
A special issue on Following the Archival Turn: Photography, the Museum, and the Archive, edited by Cheryl Simon |
ARTICLES |
101 | Cheryl Simon, Introduction: Following the Archival Turn |
| 109 | Carol Payne and Jeffrey Thomas, Aboriginal Interventions into the Photographic Archives: A Dialogue between Carol Payne and Jeffrey Thomas | ||
| 127 | Vid Ingelevics, Culture (Camera) Commerce: The Gift Shop Exhibition at the Winnipeg Art Gallery | ||
| 145 | Christine Y. Hahn, Exhibition as Archive: Beaumont Newhall, Photography 1839-1937, and the Museum of Modern Art | ||
| 153 | Miranda J. Wallace, August Sander's Photographic Archive: Fables of the Reconstruction | ||
| 167 | Lyndell Brown and Charles Green, Robert Smithson's Ghost in 1920s Hamburg: Reading Aby Warburg's Mnemosyne Atlas as a Non-Site | ||
| CONTRIBUTORS |
183 | ||
Vol. 18, No. 1 (March 2002)
|
ARTICLES |
1 | Lili Corbus Bezner, Wedding Photography: 'A Shining Language' |
| 17 | William C. Brumfield, Photograph Documentation of Architectural Monuments in the Northern Districts of Perm Province, Russia | ||
| EXHIBITIONS |
49 | Julie Charmelo, reviewing Doppelganger: Undermining the Original | |
| 63 | Elizabeth Beckman, reviewing The Art of Biotechnology? | ||
| REVIEW
ESSAY |
69 | Katherine Hart, reviewing Learning to Draw: Studies in the Cultural History of a Polite and Useful Art, by Ann Bermingham | |
| REVIEWS |
81 | Diane Apostolos-Cappadona, reviewing Thesaurus des objets religieux; Thesaurus of Religious Objects; Thesaurus del corredo ecclesiastico | |
| 83 | Mary Bergstein, reviewing Vermeer's Wager: Speculation on Art History, Theory, and Art Museums, by ivan Gaskell | ||
| 87 | Karen Pinkus, reviewing Copying Machines: Taking Notes for the Automaton, by Catherine Liu | ||
| 90 | Ann Gilkerson, reviewing Memory and Modernity: Viollet-le-Duc at Vézelay, by Kevin D. Murphy | ||
| 94 | Amy Rule, reviewing A Curious & Ingenious Art: Reflections on Daguerreotypes at Harvard, by Melissa Banta | ||
| CONTRIBUTORS |
99 | ||
Vol. 17, No. 4 (2001)
A special issue on From Albums to the Academy: Postcards and Art History, edited by Jordana Mendelson |
v | Contributors | |
| ARTICLES |
373 | Jordana Mendelson, Introduction: Postcards from Albums to the Academy? | |
| 383 | David Prochaska, Thinking Postcards | ||
| 401 | Allan Life, Picture Postcards by M.V. Dhurandhar: Scenes and Types of India-with a Difference | ||
| 417 | Ellen Handy, Postcard Sublime: William Henry Jackson's Western Landscapes | ||
| 435 | Lynda Klich, Little Women: The Female Nude in the Golden Age of Picture Postcards | ||
| 449 | Craig Eliason, Manifestos by Mail: Postcards in the Theo van Doesburg Correspondence | ||
| 459 | Peter Chametzky, The Post History of Willi Baumeister's Anti-Nazi Postcards | ||
| INDEXES |
481 | Author Index-Volume XVII | |
| 483 | Title Index-Volume XVII | ||
| 487 | Selected Index of Terms, Napes and Concepts-Volume XVII | ||
Vol. 17, No. 3 (2001)
|
v | Contributors | |
| ARTICLES |
253 | Janet Myles, L.N. Cottingham's Museum of Mediaeval Art: Herald of the Gothic Revival | |
| 289 | Francisco Corti and Ofelia Manzi, The English Gothic Revival in Argentina | ||
| NEWS
FROM THE GETTY |
321 | Murtha Baca, Getty Web Sites | |
| REVIEW
ESSAY |
323 | Robert A. Baron, Images and Icons: The Making and Unmaking of Pictures for Mass Consumption (reviewing Firecrackers, by William Dotz, Jack Mingo and George Moyer; Katie and the Mona Lisa, by James Mayhew; Photomosaic Portraits, by Robert Silvers) | |
| REVIEWS |
341 | Stephen Petersen, reviewing The Fake: Forgery and Its Place in Art, by Sándor Radnóti | |
| 347 | Zirka Z. Filipczak, reviewing Images of Death: Rubens Copies Holbein, by Kristin Lohse Belkin and Carl Depauw | ||
| 353 | Kees Kaldenbach, reviewing From Rembrandt to Vermeer: 17th-century Dutch Artists, by Jane Turner | ||
| 357 | Kathryn N. Benzel, reviewing Virginia Woolf Icon, by Brenda R. Silver | ||
| 363 | Alison Nordström, reviewing Travelling Light: Photography, Travel and Visual Culture, by Peter Osborne | ||
| 367 | Nadejda Prokazina, reviewing Exploring Color: Olga Rozanova and the Early Russian Avant-garde, 1910-1919, by Nina Guryanova | ||
Vol. 17, No. 2 (2001)
|
v | Contributors | |
| ARTICLES |
165 | Hubert Locher, The Art History Survey: Narratives and Picture Compendia | |
| 179 | Ulrich Keller, Visual Difference: Picture Atlases from Winckelmann to Warburg and the Rise of Art History | ||
| NEWS
FROM THE GETTY |
201 | Murtha Baca, reporting | |
| REVIEW
ARTICLES |
203 | Chris Burnett, Morphage: Three Books on Visual Transformation in the Age of the Morph (reviewing Meta-morphing: Visual Transofrmations and the Culture of Quick-Change, edited by Vivian Sobchack; Photo Fakery: The History and Techniques of Photographic Deception and Manipulation, by Dino A Brugioni; Zu schön, um wahr zu sein (Too Good to be True): Photographien aus der Sammlung Metz, edited by Albrecht Krause, translated by Anne Porter Schadt) | |
| 211 | Pamela Kyle Crossley, Clothes Make the Man, Especially in China (reviewing Imperial Wardrobe, by Gary Dickinson and Linda Wrigglesworth; Clothed to Rule the Universe: Ming and Qing Dynasty Textiles at the Art Institute of Chicago, edited by John Vollmer et al.; Ladder to the Clouds: Intrigue and Tradition in Chinese Rank, by Beverley Jackson and David Hugus) | ||
| REVIEWS |
217 | Mitzi Kirland-Ives, reviewing Virtue and Vice: The Personification in the Index of Christian Art, edited by Colum Hourihane | |
| 221 | Alison Shell, reviewing Producing the Past: Aspects of Antiquarian Culture and Practice 1700-1850, edited by Martin Myrone and Lucy Peltz | ||
| 225 | Stephen C. Pinson, reviewing From David to Ingres: Early 19th-century French Artists, edited by Jane Turner, and From Monet to Cézanne: Late 19th-century French Artists, edited by Jane Turner | ||
| 229 | Ronald Edsforth, reviewing Photography and Politics in America: From the New Deal into the Cold War, by Lili Corbus Bezner | ||
| 235 | Ethel S. Goodstein, reviewing Riding the Black Ship, Japan and Tokyo Disneyland, by Aviad E. Raz | ||
| 241 | Kathleen Nicholson, reviewing The Ghost in the Shell: Photography and the Human Soul, 1850-2000, Essays on Camera Portraiture, by Robert A. Sobieszek | ||
| 249 | Alicia Craig Faxon, reviewing The Artist and the Camera, Degas to Picasso, edited by Dorothy Kosinski, and Picasso and Photography, by Anne Baldassari | ||
Vol. 17, No. 1 (2001)
A special issue on Illustrations as Visual Resources, edited by William B. MacGregor and Louis Marchesano |
v | Contributors | |
| vii | Louis Marchesano, Introduction | ||
| ARTICLES |
1 | Evelyn Lincoln, Models for Science and Craft: Isabella Parasole's Botanical and Lace Illustrations | |
| 37 | William B. MacGregor, Illustration and its Afterlife: The Visual Uses of Sébastien Le Clerc's Pratique de la géométrie | ||
| 95 | Laura H. Hollengreen, Illustrating Architecture | ||
| 127 | Kent Minturn, Digitally-Enhanced Evidence: MoMA's Reconfiguration of Namuth's Pollock | ||
| 147 | James Elkins, On Some Useless Images | ||
Vol. 16, No. 4 (2000)
|
v | Contributors | |
| EDITORIAL |
vii | News from the Getty | |
| ARTICLES |
309 | William C. Brumfield, Photographic Documentation of Architectural Monuments in Siberia: Tiumen Province | |
| 351 | Maria Antonella Pelizzari, The Inclusive Map of John Shaw Smith's 1850-1852 Photographic Tour | ||
| REVIEW
ARTICLES |
377 | Robert L. Mode, Reproduction and Reception: New Perspective on Michelangelo and Raphael in Eighteenth- and Nineteenth-century Britain (reviewing Apostles in England: Sir James Thornhill & the Legacy of Raphael's Tapestry Cartoons, by Arline Meyer, and Sweetness and Strenth: The Reception of Michelangelo in Late Victorian England, by Lene Østermark-Johansen) | |
| 385 | Maurizia Natali, Attention! (reviewing Suspensions of Perception: Attention, Spectacle, and Modern Culture, by Jonathan Crary) | ||
| REVIEWS |
401 | Joanne Lukitch, reviewing Image and Enterprise: The Photographs of Adolphe Braun, edited by Maureen C. O'Brian and Mary Bergstein | |
| 407 | Gene R. Garthwaite, Sevruguin and the Persian Image: Photographs of Iran, 1870-1930, edited by Frederick N. Bohrer | ||
| 413 | Barbara Mathé, reviewing Infelicities: Representations of the Exotic, by Peter Mason | ||
| 421 | Mary Stewart, reviewing F.L. Griggs, 1876-1938: The Architecture of Dreams, by Jerrold Northrop Moore | ||
| 427 | Colum Hourihane, reviewing Dutch Printers' Devices, 15th-17th Century: A Catalogue, by P. van Huisstede and J.P.J. Brandhorst | ||
| INDEXES |
431 | Author Index-Volume XVI | |
| 433 | Title Index-Volume XVI | ||
| 437 | Selected Index of Terms, Names and Concepts-Volume XVI | ||
Vol. 16, No. 3 (2000)
A special issue on Lost Works of Art, edited by Deborah Mauskopf Deliyannis |
v | Contributors | |
| ARTICLES |
203 | Deborah Mauskopf Deliyannis, Introduction | |
| 207 | Carol Neuman de Vegvar, The Architecture of Women's Monasticism in Archaeology and in Early Insular Texts | ||
| 221 | Frank Futral, Text as Image: Charles Willson Peale's "Lost" Staircase Self-Portrait | ||
| 229 | Liana De Girolami Cheney, Giorgio Vasari's Visual Interpretation of Ancient Lost Paintings | ||
| 259 | Elizabeth E. Guffey, Reconstruction the Limits of Propaganda: Pierre-Paul Prud'hon and the Art of Napoleon's Remarriage | ||
| 275 | Carrie Lambert, Documentary Dialectics: Performance Lost and Found | ||
| REVIEWS |
287 | Colum Hourihane, reviewing The Illustrations in the Manuscripts of the Septuagint,Volume II-Octateuch, by Kurt Weitzmann and Massimo Bernabo, with the collaboration of Rita Tarasconi | |
| 291 | Martha Tedeschi, reviewing An Indolent and Blundering Art? The Etching Revival and the Redefinition of Etching in England 1838-1892, by Emma Chambers | ||
| 297 | Elizabeth Beckman, reviewing Afterimage: Drawing Through Process, edited by Cornelia H. Butler | ||
| 303 | Helene E. Roberts, reviewing Art Treasures of England: The Regional Collections, edited by Giles Waterfield et al. | ||
Vol. 16, No. 2 (2000)
A special issue on Plagiarism in Art (and Art History), edited by Mary Vaccaro |
v | Contributors | |
| EDITORIAL |
vii | ||
| ARTICLES |
127 | Mary Vaccaro, Introduction: Plagiarism in Art (and Art History) | |
| 131 | Gunnar Swanson, Where Can I Steal a Clever Title for this Article? | ||
| 143 | Anne L. Schroder, Reversals of Power: Artistic Property, Counterfeiture, and the 1793 French Copyright Act | ||
| 155 | Stephen Petersen, Innovation and the Rhetoric of Plagiarism: The Klein/Takis Rivalry | ||
| 169 | Judy Sund, the Preke Speaks: Kahlúa's Co-option of West Mexican Burial Effigies | ||
| 185 | Richard T. Pfohl, The Key to the (Digital) Salon: Copyright and the Control of Creative Expression | ||
Vol. 16, No. 1 (2000)
|
v | Contributors | |
| ARTICLES |
1 | Kirstin Noreen, Recording the Past: Seventeenth-century Watercolor Drawings of Medieval Monuments | |
| 27 | Jay A. Clarke, Munch, Liebermann, and the Question of Etched "Reproductions" | ||
| REVIEW
ESSAY |
65 | Jeffrey Abt, Looking, Marking, Thinking, and Thinking About Thinking About Marks and Their Markers (reviewing Replications: Archaeology, Art History, Psychoanalysis, by Whitney Davis, and Our Beautiful, Dry, and Distant Texts: Art History as Writing, by James Elkins) | |
| REVIEWS |
81 | Katherine W. Hart, reviewing The Prints of the Remondinis: An Attempt to Reconstruct an Eighteenth-century World of Pictures, by Anton W.A. Boschloo | |
| 87 | Eleanor M. Hight, reviewing Scenes in a Library: Reading the Photograph in the Book, 1843-1875, by Carol Armstrong | ||
| 97 | Edward J. Nygren, reviewing Boggs: A Comedy of Values, by Lawrence Weschler | ||
| 103 | Walter S. Simons, reviewing The Visual and the Visionary: Art and Female Spirituality in Late Medieval Germany, by Jeffrey F. Hamburger | ||
| 107 | Diane Apostolos-Cappadona, reviewing The Virgin Mary in Art, Renaissance to Reformation: Volume 4 of The Development of Christian Symbolism Series, video by Louis Swan Jones | ||
| 113 | Elizabeth O'Donnell, reviewing Courtauld Gallery Paintings: Illustrated Catalog. CD-ROM for PC | ||
| 119 | Helene E. Roberts, reviewing various publications of the Getty Information Institute | ||
Vol. 15, No. 4 (2000)
|
v | Contributors | |
| ARTICLES |
387 | Catherine A. Johnson, Portland Preserved: The Photography of Minor White, 1938-1942 | |
| 405 | Matthias Bruhn, The Warburg Electronic Library in Hamburg: A Digital Index of Political Iconography | ||
| REVIEWS |
425 | Trevor Fawcett, reviewing Sculpture and Photography: Envisioning the Third Dimension, edited by Geraldine A. Johnson | |
| 431 | Maurizia Natali, reviewing Depiction, by Michael Podro | ||
| 447 | Christopher Burnett, reviewing Remediation: Understanding New Media, by Jay David Bolter and Richard Grusin | ||
| 455 | Judith Black and Joanne Lukitch, reviewing The Familial Gaze, edited by Marianne Hirsch | ||
| 461 | Lena Stebley, reviewing Towards the Digital Library: The British Library's Iniatives for Access Programme, edited by Leona Carpenter, Simon Shaw, Andrew Prescott; Art Information and the Internet: How to Find it, How to Use it, by Lois Swan Jones | ||
| 471 | Alicia Craig Faxon, reviewing The Museum as Muse: Artists Reflect, exhibition catalog by Kinaston McShine, | ||
| 475 | Susan von Daum Tholl, reviewing Italian Romanesque Painting: An Illustrated Index, by Edward B. Garrison, CD-ROM | ||
| ANNOUNCEMENT |
485 | Image and Enterprise: The Photographs of Adolphe Braun | |
| INDEXES |
489 | Author Index-Volume XV | |
| 491 | Title Index-Volume XV | ||
| 495 | Selected Index of Terms, Names, and Concepts-Volume XV | ||
Vol. 15, No. 3 (1999)
A special issue on The Early History of the Phaidon Press, 1923-1967, edited by Valerie Holman |
v | Acknowledgments | |
| vii | Contributors | ||
| ix | Introduction | ||
| ARTICLES |
279 | Nigel Spivey, A Short History of the Phaidon Press, 1923-1998 | |
| 289 | Ernst Fischer, The Phaidon Press in Vienna, 1923-1938 | ||
| 311 | Valerie Holman, Art Books Against the Odds: Phaidon in England, 1938-1950 | ||
| 331 | Elly Miller, Ludwig Goldscheider: A Memoir | ||
| 343 | Harvey Miller, Phaidon and the Business of Art Book Publishing, 1923-1967 | ||
| 355 | Anthony Hamber, Communicating Colour: Advances in Reprographic Technology, 1840-1967 | ||
| 371 | Clive James, On the Library Coffee-Table | ||
| 379 | Historical Catalogue: 1923-1972, originally compiled by Innocenz Grafe for the Phaidon Jubilee Catalogue in 1973 | ||
Vol. 15, No. 2 (1999)
A special issue on The Culture of the Copy |
v | Contributors | |
| EDITORIAL |
vii | The Culture of the Copy | |
| ARTICLES |
123 | Patricia Mainardi, Copies, Variations, Replicas: Nineteenth-century Studio Practice | |
| 149 | Richard A. Sundt, Architectural Simile, Copy or Original Creation?: The Church of St. Brigid in Brisbane [Australia] and Its Relationship to Gothic Architecture in Southern France | ||
| 203 | William V. Ganis, The Eternal Lady: An Analysis of Andy Warhol's Jackie Series vis-à-vis Friedrich Nietzsche's Eternal Return of the Same | ||
| 217 | Robert A. Baron, From Romance to Ritual: Mona Lisa Images for the Modern World | ||
| 235 | Jonathan Applefield (and ELIZ), Demythologizing the Copy: An Interview with ELIZ | ||
| 253 | Donna M. Meeks, The Allegorial Imperative (Or Why Paint When the Copy Store is Open Twenty-four/Seven?) | ||
| 267 | Karen M. White, The Copy | ||
| 269 | Debbie Hall, The Original and the Reproduction: Art in the Age of Digital Technology | ||
Vol. 15, No. 1 (1999)
|
v | Contributors | |
| EDITORIAL |
vii | Distinguished Leaders in Visual Resources: An Interview with Eleanor Fink | |
| ARTICLES |
1 | William C. Brumfield, Photographic Documentation of Architectural Monuments in the Solvychegodsk and Kargopol Regions of Arkhangelsk Province | |
| 39 | Ellen Johnston Laing, Looking Back: Photographs of Taiwan in the 1960s | ||
| 65 | William Allen, Teaching Composition Digitally | ||
| NEWS
FROM THE GETTY |
73 | Cynthia Scott, Museums, Libraries, and Archives: A Summer Institute for Knowledge Sharing | |
| REVIEW
ESSAY |
79 | Alison Devine Nordström, reviewing A Dream of England: Landscape, Photography and the Tourist Imagination, by John Taylor; Picturing Empire: Photography and the Visualization of the British Empire, by James R. Ryan; Kurdistan: In the Shadow of History, by Susan Meiselas; Delivering Views: Distant Culture in Early Postcards, by Christraud M. Geary and Virginia-Lee Webb | |
| REVIEWS |
97 | Anne D. Hedeman, reviewing Exemplum: Model-book Drawings and the Practice of Artistic Transmission in the Middle Ages (ca. 900-ca. 1450), by Robert W. Scheller, translated by Michael Hoyle | |
| 101 | Mary Stewart, reviewing L.N. Cottingham, 1787-1847: Architect of the Gothic Revival, by Janet Myles; Exhibition at the Ashmolean Museum, Oxford, England, 21 April-21 June, 1998 | ||
| 107 | Trevor Fawcett, reviewing Intersections: Lithography, Photography, and the Traditions of Printmaking, edited by Kathleen Stewart Howe | ||
| 113 | Jane Gallop, reviewing Family Frames: Photography, Narrative, and Postmemory, by Marianne Hirsch | ||
| 117 | John G. Lillis, reviewing Visual Explanations: Images and Quantities, Evidence and Narrative, by Edward R. Tufte | ||
Vol. 14, No. 4 (1999)
A special issue on Cost and Use of Digital Images on University Campuses: Lessons from the Museum Educational Site Licensing Project, edited by Howard Besser, Rosalie Lack, and Robert C. Yamashita |
v | Contributors | |
| ARTICLES |
355 | Howard Besser and Rosalie Lack, Introduction | |
| 359 | Howard Besser and Robert Yamashita, Issues of Network Access to Visual Information: The UC Berkeley Mellon Study of the Museum Educational Site Licensing Project | ||
| 375 | Robert C. Yamashita, Outlining the Social and Economic Cost Center Models for the Distribution of Digital and Analog Images | ||
| 399 | Joanne Miller, The Costs of Creating Digital Images and Metadata by Museums | ||
| 413 | Rosalie Lack, The Cost of Dep0lying Digital Images by Universities | ||
| 433 | Joanne Miller, The Cost of Distributing Analog Images of University Slide Libraries | ||
| 447 | Rosalie Lack, The Patterns of Slide Library Circulation: A Study | ||
| 463 | Lena Stebley, Faculty Perspective on Teaching with Digital Images: Results of Focus Groups with Art Faculty | ||
| 481 | Howard Besser, The MESL Experience versus Slide Libraries: Comparison and Analysis | ||
| ANNOUNCEMENT |
505 | Museums, Libraries, and Archives: Summer Institute for Knowledge Sharing | |
| INDEXES |
507 | Author Index-Volume XIV | |
| 509 | Title Index-Volume XIV | ||
| 511 | Selected Index of Terms, Names, and Concepts-Volume XIV | ||
| Errata |
523 | ||
Vol. 14, No. 3 (1999)
A special issue on Art History Goes to the Magic Kingsom, edited by Robert Neuman |
v | Contributors | |
| ARTICLES |
249 | Robert Neuman, "Now Mickey Mouse Enters Art's Temple": Walt Disney at the Intersection of Art and Entertainment | |
| 263 | Garry Apgar, The Meaning of Mickey Mouse | ||
| 275 | Robin Allan, Walt Disney and Europe | ||
| 297 | Barbara Coleman, Through the Years We'll All be Friends: The "Mickey Mouse Club," Consumerism, and the Cultural Consensus | ||
| 307 | Ethel S. Goodstein, Southern Outposts in the Magic Kingdom: The South as a Regional Sub-text in Disney's American Spectacle | ||
| 321 | David T. Doris, "It's the Truth, It's Actual...": Kodak Picture Spots at Walt Disney World | ||
| 339 | Cher Krause Knight, Adam and Eve...and Goofy: Walt Disney World as the Garden of Eden | ||
Vol. 14, No. 2 (1998)
|
v | Contributors | |
| EDITORIAL |
vii | The Many Faces of Image Reproduction | |
| ARTICLES |
125 | Maya Gervitz, Leon von Klenze and The New Hermitage | |
| 155 | Stephen C. Pinson, Reproducing Delacroix | ||
| NEWS
FROM THE GETTY |
189 | The Thesaurus of Geographical Names | |
| REVIEWS |
193 | Susan Bakewell, reviewing The Engraved Record of the Jacobite Movement, by Richard Sharp | |
| 201 | Julia Ballerini, reviewing A New Art: Photography in the 19th Century: the Photo Collection of the Rijksmuseum, Amsterdam, edited by Mattie Boom and Hans Roosebom, English translation by Barbara Fasting | ||
| 211 | Mark Roskill, reviewing Photography and Its Critics: A Cultural History 1839-1900, by Mary Warner Marien | ||
| 215 | Régine Thiriez, reviewing Rêves du papier: la photographie orientaliste 1850-1914, by Alain Fleig | ||
| 217 | Mary Bergstein, reviewing Sculpture and Its Reproductions, edited by Anthony Hughes and Erich Ranfft | ||
| 221 | Monni Adams, reviewing Rethinking Visual Anthropology, edited by Marcus Banks and Howard Murphy | ||
| 231 | Maurizia Natali, reviewing Photography after Photography: Memory and Representation in the Digital Age, edited by Humbertus v. Amelunxen, Stefan Iglhaut, Florian Rotzer, in collaboration with Alexis Cassel and Nikolaus G. Schneider | ||
| 241 | Christopher Burnett, reviewing Immersed in Technology: Art and Virtual Environments, edited by Mary Anne Moser with Douglas MacLeod | ||
Vol. 14, No. 1 (1998)
|
v | Contributors | |
| EDITORIAL |
vii | Three Methods in the History of Visual Documentation | |
| ARTICLES |
1 | Francis Haskell and Henrietta McBurney, The Paper Museum of Cassiano dal Pozzo | |
| 19 | Jeffrey Abt, Drawing over Photographs: James H. Breasted and the Scientizing of Egyptian Epigraphy, 1895-1928 | ||
| 71 | William C. Brumfield, Photographic Documentation of Architectural Monuments in the Russian North: Vologda Province | ||
| REVIEWS |
107 | Mark Roskill, reviewing The Copy Turns Original: Vincent van Gogh and a New Approach to Tradition and Practice, by Cornelia Homburg | |
| 115 | Barbara Will, reviewing The Culture of the Copy: Striking Likenesses, Unreasonable Facsimiles, by Hillel Schwartz | ||
| 119 | Mary Bergstein, reviewing Le Grand Tour: nelle fotografie del viaggiatore del XIX secolo, edited by Italo Zannier | ||
Vol. 13, Nos. 3-4 (1998)
A special issue on The Princeton Index of Christian Art, edited by Colum Hourihane |
v | Contributors | |
| INTRODUCTION |
211 | Colum Hourihane, The Index of Christian Art | |
| ARTICLES |
215 | Isa Ragusa, Observations on the History of the Index: In Two Parts | |
| 253 | Dirk Jacob Jansen, Princeton Index of Christian Art: The Utrecht Copy | ||
| 285 | Kirk Alexander, The Visualization of Art History: The Role of Databases in Visual Thinking | ||
| 299 | Lindy Grant, Time and the Conways: The Beginnings of Art History and the Collecting of Photographs in Britain | ||
| 309 | Jochen Becker, Librarians, Life and Ladders: Carl Spitzweg and Others | ||
| 331 | Todor Petev, Typology and Format in the Netherlandish Blockbook Canticum canticorum, ca. 1465 | ||
| 363 | Christina Maranci, Armenian Architecture as Aryan Architecture: The Role of Indo-European Studies in the Theories of Josef Strzygowski | ||
| 381 | Natalia Teteriatnikov, The 'Gift Giving' Image: The Case of the Adoration of the Magi | ||
| 393 | Johann-Christian Klamt, Artist and Patron: The Self-Portrait of Adam Kraft on the Sakramentshaus of St. Lorenz in Nuremberg | ||
| INDEXES |
423 | Author Index-Volume XIII | |
| 425 | Title Index-Volume XIII | ||
| 427 | Selected Index of Terms, Names, and Concepts-Volume XIII | ||
Vol. 13, No. 2 (1997)
|
v | Contributors | |
| EDITORIAL |
vii | The Image Directory | |
| ARTICLES |
121 | Maureen Meister, The Selling of Winslow Homer | |
| 141 | J. Scott Bentley, The Image Directory, Electronic Publishing, and the Changing Socio-Economic Position of Art Museums | ||
| 151 | Linda Bien, Who Goes There? Visual Resources Professionals as Gatekeepers | ||
| 161 | Christine L. Sundt, Building the Bridge: Art History, Meet Technology! | ||
| 169 | Brigitte Corley, A Nineteenth-century Photograph and the Reconstruction of the Dortmund Altarpiece | ||
| 189 | Anne Grevstad-Nordbrock, A Stolen Kiss: Robert Doisneau's Photographic Icon | ||
| REVIEWS |
199 | Elizabeth O'Donnell and Maryly Snow, reviewing Slide Collection Management in Libraries and Information Units, by Glyn Sutcliffe | |
| 205 | Helene E. Roberts, reviewing Framing the Victorians: Photography and the Culture of Realism, by Jennifer Green-Lewis | ||
Vol. 13, No. 1 (1997)
|
v | Contributors | |
| EDITORIAL |
vii | "An Outstanding Academic Book" | |
| ARTICLES |
1 | Britt Salvesen, "The Most Magnificent, Useful, and Interesting Souvenir": Representations of the International Exhibition of 1862 | |
| 33 | Nélia Dias, Cultural Objects/Natural Objects: On the Margins of Categories and the Ways of Display | ||
| 49 | Colum Hourihane, Sharing in Image Libraries-The Concept of the Van Eyck Core Record | ||
| 67 | Charles S. Rhyne, Student Evaluation of the Usefulness of Computer Images in Art History and Related Disciplines | ||
| DOCUMENTS
IN VISUAL RESOURCES |
83 | Art Copyright, from The Art Monthly Review, Vol. 1, No. 2, February 29, 1876 | |
| NEWS
FROM THE GETTY |
89 | Eleanor Fink, Cultural Heritage On-Line: Building the Digital Future | |
| COMMENTARY |
95 | Eileen Fry, On the Use of the Dictionary of Art, Index Volume and Appendices as a Universal Authority Tool for Visual Resource Collections | |
| REVIEWS |
99 | Maryly Snow, reviewing Copyright and the NII: Resources for the Library and Educational Community, edited by Patricia Brennan | |
| 109 | Elizabeth O'Donnell, reviewing Collections of Art-Historical Documentation in the Netherlands: A Brief Guide, edited by Jacob Jansen and Annemiek Ouwerkerk for OKBN-ARLIS/NL | ||
| 111 | Helene E. Roberts, reviewing Victorian Literature and the Victorian Visual Imagination, edited by Carol T. Christ and John O. Jordan | ||
Vol. 12, Nos. 3-4 (1997)
A special issue on Copyright and Fair Use: The Great Image Debate, edited by Robert A. Baron |
vi | Contributors | |
| 233 | Robert A. Baron, Editor's Introduction, Summary and Analysis | ||
| Image
Providers |
261 | Karen A. Akiyama, Rights and Responsibilities in the Digital Age | |
| 269 | David Bearman and Jennifer Trant, Museums and Intellectual Property: Rethinking Rights Management for a Digital World | ||
| 281 | Amalyah Keshet, Fair Use, Fair Trade, and Museum Image Licensing | ||
| 231 | Allan Kohl, Prospects for a Public Domain Art Image: Resource in an Era of Digital Technologies | ||
| Analysis
, Interpretation and Opinion |
297 | Christine L. Sundt, A Visual Resources Advocacy Statement | |
| 307 | The Pedagogical Consequences of Photomechanical Reproduction in the Visual Histories: From Copy Photography to Digital Mnemonics | ||
| 333 | Patricia Taylor, By Line Drawings Ye Shall Know Them: Consequences of Barriers to Digital Reproduction | ||
| 343 | Karlene M. McLaren, Copyright: Fair Use of Foul Play | ||
| Museums |
353 | Stephen E. Weil, Fair Use/Museum Use: How Close is the Overlap? | |
| 361 | Peter Walsh, Art Museums and Copyright: A Hidden Dilemma | ||
| Law,
Legislation and News |
373 | Barbara Hoffman, Fair Use of Digital Art Images and Academia: A View from the Trenches of the Conference on Fair Use (CONFU) | |
| 393 | Virginia M.G. Hall, Fair Use and Digital Image Archives: A Report on the National Information Infrastructure Conference on Fair Use | ||
| 401 | Caron L. Carnahan, The Visual Surrogate as Intellectual Property: The Clinton Administration's "White Paper" and its Implications for Visual Resources Collections | ||
| Canada |
409 | Barbara Lang Rottenberg and Rina Elster Pantalony, Moral Rights and Exhibition Rights: A Canadian Museum's Perspective | |
| 421 | Linda Bien, Canandian Visual Resources and Canadian Copyright | ||
| REVIEW |
435 | Maryly Snow, reviewing Copyright, Public Policy, and the Scholarly Community, edited by Michael Matthews and Patricia Brennan | |
| INDEXES |
443 | Author Index-Volume XII | |
| 447 | Title Index-Volume XII | ||
| 451 | Selected Index of Terms, Names, and Concepts-Volume XII | ||
Vol 12, No. 2 (1996)
|
v | Contributors | |
| EDITORIAL |
vii | A New Look for ICONCLASS: Updated, Upgraded, and on CD-ROMs | |
| ARTICLES |
107 | Anthony W. Lee, Picturing San Francisco's Chinatown: The Photo Albums of Arnold Genthe | |
| 135 | William C. Brumfield, Photographic Documentation of Architectural Monuments in the Russian North: Vologda | ||
| ICONCLASS
UPDATE |
157 | Fritz Laupichler, Photographs, Microfiches, MIDAS and DISKUS; The Bildarchiv Foto Marburg as German Center for the Documentation of Art History | |
| 177 | Catherine Gordon, Patterns of User Queries in an ICONCLASS Database | ||
| 187 | Colum Hourihane, The Use of Proper Names in ICONCLASS-One User's Experience | ||
| NEWS
FROM AHIP |
199 | James M. Bower, Research Agenda for Networked Cultural Heritage; AHIP Joins Forces with Research Library Group to Improve Art Information Access and Development | |
| LETTER
TO THE EDITOR |
203 | Amalyah Keshet, On Copyright | |
| REVIEWS |
207 | Norberto Massi, reviewing An Introduction to Iconography, by Roelof van Straten, translated by Patricia de Man; The Ripa Index: Personifications and their Attributes in Five Editions of the Iconologia, by Yassu Okyama | |
| 213 | Thomas P. Gates, reviewing Lost Russia: Photographing the Ruins of Russian Architecture, by William Craft Brumfield | ||
| 221 | Régine Thiriez, reviewing Commerces d'Asie: Autochromes & Noir et Blanc, 1908-1927 | ||
| 223 | Margaret N. Webster, reviewing Frank Lloyd Wright: Presentation and Conceptual Drawings, Four CD-ROMs by Luna Imaging, Inc., in collaboration with the Frank Lloyd Wright Foundation | ||
| 229 | Angela Binda, reviewing Interaction of Color, by Josef Albers, CD-ROM | ||
Vol. 12, No. 1 (1996)
|
v | Contributors | |
| EDITORIAL |
vii | Picasso: Copies, Forgeries, and Look-Alikes | |
| ARTICLES |
1 | Maria Antonella Pelizzari, Bourgeois Spaces and Historical Contexts: Facets of the Italian City in Nineteenth-century Photography | |
| 19 | Charles S. Rhyne, Computer Images for Research, Teaching, and Publication in Art History and Related Disciplines | ||
| 53 | Alicia Craig Faxon, Rossetti's Images of Botticelli | ||
| NEWS
FROM AHIP |
63 | Robin Thornes, Protecting Cultural Property | |
| REVIEWS |
67 | Sherry Poirrier, reviewing Union List of Artist Names: Authority Reference Tool, Print and electronic editions, compiled by the Getty Art History Information Program under the direction of James M. Bower | |
| 73 | Mary Bergstein, reviewing The Very Impress of the Object: Photography Sculpture from Fox Talbot to the Present Day, exhibition and catalog by Geraldine A. Johnson | ||
| 81 | Elizabeth O'Donnell, reviewing EmbARK, Image Management Module, Version 1.2, software by Digital Collections, Inc. | ||
| 95 | Walter Simons, reviewing Imaging Aristotle, Verbal and Visual Representations in Fourteenth-century France, by Claire Richter Sherman | ||
| 99 | Richard Pearce-Moses, reviewing Picturing Time: The Work of Etienne-Jules Marey (1830-1904), by Marta Braun; Etienne-Jules Marey: A Passion for the Trace, by François Dagognet, translated by Robert Galeta with Jeanine Herman | ||
| 103 | Helene E. Roberts, reviewing Flesh and the Ideal, Winckelmann and the Origins of Art History, by Alex Potts | ||
Vol. 11, Nos. 3-4 (1996)
A special issue on the Art Information Task Force Categories for the Description of Works of Art, edited by Murtha Baca and Patricia Harpring |
vii | Contributors | |
| ix | Acknowledgments | ||
| EDITORIAL |
xi | Another Piece of the Puzzle | |
| Part
I: History and Commentary |
241 | Introduction | |
| 251 | List of Participants | ||
| Issue
Papers |
257 | Mary Case, Document for Dialogue: Categories for the Description of Works of Art | |
| 271 | Suzanne Folds McCullagh, Nuances of Art Information | ||
| 289 | David Bearman, Data Relationships in the Documentation of Cultural Objects | ||
| 301 | Gregory Tschann, Categories in Context: Issues Regarding The AITF Categories for the Description of Works of Art | ||
| 315 | J. Dustin Wees, Categories for the Description of Works of Art and Visual Resources Applications | ||
| 323 | Brendan Cassidy, Iconography in Theory and Practice | ||
| 349 | 1994 Annual Meeting of the College Art Association (CAA), College Art Association Board-Sponsored Session: "Data ex Machina: How the Art Information Task Force is Paving the Way for Research Across Data Highways" | ||
| Part
II: The Categories |
372 | Chart of Categories | |
| 375 | Introduction | ||
| 391 | Categories for the Description of Works of Art: Definitions | ||
| 423 | Bibliography of Controlled Vocabulary Sources | ||
| INDEXES |
431 | Author Index-Volume XI | |
| 433 | Title Index-Volume XI | ||
| 435 | Selected Index of Terms, Names, and Concepts-Volume XI | ||
Vol. 11, No. 2 (1995)
|
v | Contributors | |
| EDITORIAL |
vii | Index to The Builder | |
| ARTICLES |
121 | Mary Bergstein, "Evidences" Again: Aaron Siskind and the Modernist Documentation of Art | |
| 135 | William C. Brumfield, Photographic Documentation of Seventeeth-century Architectural Monuments in Yaroslavl | ||
| 167 | Susan Moldenhauer, Electronic Imaging Technology Reaches Beyond Museum Walls | ||
| ON
THE NET |
173 | Getty Art History Information Program Databases on World Wide Web | |
| NEWS
FROM AHIP, by James M. Bower |
175 | Intellectual Integration Initiative | |
| 176 | Database of Folk Art to Test Standards | ||
| 177 | Museum Educational Site Licensing Project | ||
| REVIEWS |
181 | Eileen Fry, reviewing The Permanence and Care of Color Photographs: Traditional and Digital Color Prints, Color Negatives, Slides and Motion Pictures, by Henry Wilhelm with Carol Brower | |
| 187 | Maryly Snow, reviewing Copyright, Fair Use and the Challenge for Universities: Promoting the Progress of Higher Education, by Kenneth D. Crews | ||
| 193 | Sandra Walker, reviewing Humanities and Arts on the Information Highways: A Profile, sponsored by the Getty Art History Information Program, the American Council of Learned Societies, and The Coalition of Networked Information | ||
| 197 | Robert L. McGrath, reviewing Prints of the West: Prints from the Library of Congress, by Ron Tyler | ||
| 199 | Thomas P. Gates, reviewing Salamandre, Chateaux of the Loire, distributed by Voyager Company | ||
| 207 | Angela Drinkwater, reviewing Fuji Pictrostat 200 Instant Color Print System, produced by Fuji U.S.A. | ||
| 211 | 1992-1993 VISUAL RESOURCES BIBLIOGRAPHY | ||
Vol. 11, No. 1 (1995)
A special issue on Images in Libraries, Museums, and Archives: Description and Intellectual Access: Papers from the Philadelphia Area Consortium of Special Collections Libraries (PACSCL) Summer Seminar, 1993, edited by Amy M. McColl |
v | Contributors | |
| 3 | Amy M. McColl, Introduction | ||
| 5 | Georgia B. Barnhill, Pictorial Histories of the United States | ||
| 21 | Katherine Martinez, Imaging the Past: Historians, Visual Images and the Contested Definition of History | ||
| 47 | Marcy Flynn and Helena Zinkham, The MARC Format and Electronic Reference Images: Experiences from the Library of Congress Prints and Photographs Division | ||
| 71 | Michael Joseph, Information Technology and Access to Visual Images in Printed Books | ||
| 85 | Jackie M. Dooley, Processing and Cataloguing of Archival Photograph Collections | ||
| 103 | William H. Helfand, The Search for Ephemera Images | ||
Vol. 10, No. 4 (1995)
|
v | Contributors | |
| EDITORIAL |
vii | The Getty Art History Information Program | |
| ARTICLES |
309 | Scott Bell, The Changing Paradigm in Education, and Its Implications for Museums | |
| 317 | Janet Parks, AVIADOR Photography | ||
| 333 | Joseph Romano, The World of Internet Hypermedia and Visual Resources Professionals | ||
| 349 | Carolyn A. Pretzer and Carol Martin Watts, The Establishment of a Visual Database for Multimedia Use at Kansas State University | ||
| THE
GETTY ART HISTORY INFORMATION PROGRAM |
357 | Eleanor Fink Appointed as New Director | |
| 359 | Union List of Artist Names | ||
| 360 | Initiative on Digital-Imaging Standards | ||
| 362 | Consortium for the Computer Interchange of Museum Information | ||
| 364 | Museum Educational Site Licensing Project | ||
| PROJECTS
ON THE NET |
365 | Joan Stahl, The National Museum of American Art Online | |
| COMMENTARY |
369 | Dagobert Soergel, The Art and Architecture Thesaurus (AAT): A Critical Appraisal | |
| REVIEWS |
401 | Mary Bergstein, reviewing History and its Images: Art and the Interpretation of the Past, by Francis Haskell | |
| 407 | Linda McRae, reviewing Beyond the Book: Extending MARC for Subject Access, edited by Toni Petersen and Pat Molholt | ||
| 413 | Philip N. Cronenwett, reviewing Rome Reborn: The Vatican Library and Renaissance Culture, edited by Anthony Grafton | ||
| 417 | Angela Binda, reviewing Microsoft Art Gallery: The Collection of the National Gallery, London, Microsoft Corporation | ||
| 421 | Margaret N. Webster, reviewing Paris: Contemporary Architecture [35mm slide set], Art on File International | ||
| 423 | Thomas P. Gates, reviewing Michelangelo: Self-Portrait and A Videodisc Companion: Michelangelo, produced by Thomas Luehrsen and Susannah Gottlieb, Voyager Company | ||
| ANNOUNCEMENTS |
435 | ||
| INDEXES |
437 | Author Index-Volume X | |
| 441 | Title Index-Volume X | ||
| 445 | Selected Index of Terms, Name, and Concepts-Volume X | ||
Vol. 10, No. 3 (1994)
A special issue - Festschrift for the Art and Architecture Thesaurus, edited by Alfred Willis |
v | Contributors | |
| EDITORIAL |
vii | You Can't Talk to Each Other, Unless you Speak the Same Language | |
| 207 | Alfred Willis, Introduction | ||
| ARTICLES |
209 | Toni Petersen, Retrofitting the Thesaurus: New Models for Old Vocabularies | |
| 221 | Lina Miraglia, Piranesi's Vasi, candelabri Reinterpreted | ||
| 235 | Holley R. Lange, John Gravdahl, and Heidi Leech, The Physical Characteristics of Poster Art: Seeking an Appropriate List of Descriptors | ||
| 251 | Richard Pearce-Moses, Threading the Needle: Helping Patrons Find their Way in a Photograhic Archives Haystack | ||
| 265 | James M. Turner, Indexing "Ordinary" Pictures for Storage and Retrieval | ||
| 275 | Betsey Buckheit, Between Two Vocabularies: Image Indexer as Middleman | ||
| 283 | Janice Woo, Indexing: At Play in the Fields of Postmodernism | ||
| 295 | David Bearman, Thesaurally Mediated Retrieval | ||
Vol. 10, No. 2 (1994)
|
v | Contributors | |
| EDITORIAL |
vii | Projects On and Off the Net | |
| ARTICLES |
79 | Mary Bergstein and Maureen C. O'Brien, Looking at Sculpture: The Photographers' Choices at Rhode Island School of Design | |
| 101 | Achim Lipp, Towards The Electronic Kunst and Wunderkammer: Spinning on the European MuseumsNetwork EMN | ||
| PROJECTS |
119 | Andrew Eskind, Photography Database Available on Internet | |
| PROJECT
UPDATES |
129 | The ICONCLASS Research and Development Group, Project Updates: ICONCLASS | |
| PHOTOGRAPHIC
ARCHIVES |
135 | Jerry M. Mallick, National Gallery of Art: Photographic Archives' Listing of Holdings | |
| REVIEWS |
141 | Barabara Stevenson, reviewing Alias Olympia, by Eunice Lipton | |
| 147 | Régine Thiriez, reviewing Souvenirs from Japan, by Margarita Winkel | ||
| 151 | Robert L. McGrath, reviewing The Empire of the Eye, by Angela Miller | ||
| 155 | Elizabeth Peck Learned, reviewing Space Planning for the Art Library, edited by Beryl K. Smith | ||
| 159 | Elizabeth O'Donnell, reviewing Gallery of Old Masters, Dresden, Saskia Ltd., Portland, Oregon; The Frick Collection Paintings, an ImageBase from AXS, Digital Collections, Inc., Berkeley, California | ||
| 165 | VISUAL RESOURCES BIBLIOGRAPHY FOR 1991, by Patricia L. Keats | ||
Vol. 10, No. 1 (1994)
A special issue on Issues in Electronic Imaging, edited by Christine L. Sundt |
v | Contributors | |
| EDITORIAL |
vii | Reshaping Life and Culture Digitally | |
| ARTICLES |
1 | Benjamin R. Kessler, Electronic Images in Visual Resources Collections: Some Strategic Questions | |
| 11 | Michael Ester, Digital Images in the Context of Visual Collections and Scholarship | ||
| 25 | Deirdre C. Stam, Pondering Pixeled Pictures: Research Directions in the Digital Imaging of Art Objects | ||
| 41 | Victoria Wyatt and Ged McLean, Imaging Databases in Research and Teaching: Global Perspectives and New Research Technologies | ||
| 49 | William Weinstein, Designing an Image Database: A Holistic Approach | ||
| 57 | Jim Wallace, Project Chapman: The Direct Delivery of Digital Smithsonian Photographic Images Via the Internet | ||
| MEDIA
REVIEWS |
61 | Elizabeth O'Donnell, reviwing Perseus 1.0: Interactive Sources and Studies on Ancient Greece, Gregory Crane, Editor-in-chief | |
| 71 | Margaret N. Webster, "The Future of Memories": The Kodak Photo CD System | ||
Vol. 9, No. 4 (1994)
|
v | Contributors | |
| EDITORIAL |
vii | Welcome to a New Editorial Board Member | |
| ARTICLES:
CIHA 1992 - BERLIN |
PAPERS FROM THE 1992 VRA SATELLITE MEETINGS OF THE 28TH CIHA CONFERENCE IN BERLIN, edited by James M. Bower | ||
| Introduction |
333 | James M. Bower, Artistic Exchange | |
| Keynote |
335 | Helene E. Roberts, Second Hand Images: The Role of Surrogates in Artistic and Cultural Exchange | |
| Panel
1 |
347 | Anthony Hamber [Moderator], 19th-century Photography as a Tool for Artist Exchange | |
| 349 | Claudio de Polo Saibanti, Alinari: A Photographic Dynasty from the Origins of the Photographic Atelier to the Industrial Era (1852-1890) | ||
| 361 | Friedrich Kestel, The Arthur Kingsley Porter Collection of Photography and the European Preservation of Monuments | ||
| Panel
2 |
383 | Jeremy Rees [Moderator], The Digitized Artwork: European Initiatives | |
| Panel
3 |
385 | Max Marmor and Jenni Rodda [Moderators], Computer Applications in Visual Resources Collections: The Role of Periodicals | |
| 389 | Christine L. Sundt, Electronic Publishing in Visual Resources: On the Brink or in the Future? | ||
| REVIEWS |
401 | Maryly Snow, reviewing The Art & Architecture Thesaurus: The Authority Reference Tool, directed by Toni Peterson and The Art & Architecture Thesaurus: Supplement I, directed by Toni Petersen | |
| 409 | Brigitte Buettner, reviewing Techniques of the Observer: On Vision and Modernity in the Nineteenth Century, by Jonathan Crary | ||
| 413 | Thomas P. Gates, reviewing Vienna, the Spirit of a City, Videodisc and Guidebook, by Titus Leber | ||
| 421 | Virginia G. Abblitt, reviewing Ana Mendieta: Fuego de Tierra, Videodisc, directed by Nereyda Garcia-Ferraz, Kate Horsfield, and Branda Miller | ||
| 425 | John Lillis, reviewing The History of Cartography: Volume Two, Book One, Cartography in the Traditional Islamic and South Asian Societies, edited by J.B. Harley and David Woodward | ||
| INDEXES |
429 | Author Index-Volume IX | |
| 431 | Title Index-Volume IX | ||
| 435 | Terms Index-Volume IX | ||
Vol. 9, No. 3 (1993)
|
v | Contributors | |
| EDITORIAL |
vii | New Review Editor | |
| ARTICLES |
217 | William Craft Brumfield, Photographing the Russian Provinces | |
| 241 | James M. Turner, Subject Access to Pictures: Considerations in the Surrogation and Indexing of Visual Documents for Storage and Retrieval | ||
| 273 | Régine Thiriez, The German Envoy's Vision of China: Mumm von Schwarzenstein's Photographic Album, 1900-1902 | ||
| 291 | James M. Bower, The Visual Resources Association MARC Mapping Project | ||
| REVIEW |
329 | Trevor Fawcett, reviewing The Printed Image and the Transformation of Popular Culture, 1790-1860, by Patricia Anderson, and Victorian Periodicals Review, Vol. 24, Nos. 1-2 (Spring and Summer, 1991) | |
Vol. 9, No. 2 (1993)
|
v | Contributors | |
| EDITORIAL |
vii | A New Editorial Board Member | |
| ARTICLES |
107 | Joseph Lamb, 'The Way We Life Now': Late Victorian Studios and the Popular Press | |
| 127 | Ecaterina Geber and Irina Oberlander-Tarnoveanu, The National Cultural Heritage Information System in Romania | ||
| EDITORIAL
COMMENTARY |
143 | The Need for a Photographers' Authority Database | |
| BOOK
REVIEWS |
151 | Carol Johnson, reviewing Looking at Photographs: A Guide to Technical Terms, by Gordon Baldwin | |
| 153 | Melissa Banta, reviewing Guide to Photographic Collections at the Smithsonian Institution, by Diane Vogt O'Connor | ||
| MEDIA
REVIEW |
159 | Elizabeth O'Donnell, reviewing Gallery: Illustration Data Base for Gardner's Art Through the Ages, Ninth Edition, by Luraine Tansey | |
| ANNOUNCEMENTS |
163 | RECOMDOC
'92: Report on the First Eastern European Conference on Museum and Cultural
Heritage Documentation, by Nancy Bryan, National Conference on the Future of Information Technology in the Humanities Urges Greater Collaboration, Coordination, Advocacy |
|
| 169 | VISUAL RESOURCES BIBLIOGRAPHY FOR 1990, by Patricia L. Keats | ||
Vol. 9, No. 1 (1993)
|
v | Contributors | |
| EDITORIAL |
vii | Media Reviews | |
| ARTICLES |
1 | Benjamin E. Goldsmith, Notable Russian and Soviet Illustrated Books and Photographs at the New York Public Library: A Selective List of Matrial Preserved with Funds from the Department of Education's Title II-C Program | |
| ARTICLES:
CAA 1992-CHICAGO |
29 | The New Art Historians Astray in the Old Vasarian Order of the Visual Library | |
| 31 | Harry Rand, I Only Know What I Read in the Papers | ||
| 39 | Claire Richter Sherman, Beyond the Photo Archive: Imaging the History of Psychology | ||
| 53 | Benjamin R. Kessler, Canonicity and the Visual Resources Collection | ||
| 59 | Christine Bunting, Questioning Representation: When Art History Becomes Visual Culture | ||
| BOOK
REVIEWS |
73 | Max Marmor, reviewing Aby Warburg: Akten des internationalen Symposions, Hamburg 1990, edited by Horst Bredekamp, Michael Diers, and Charlotte Schoell-Glass | |
| 79 | Leslie Johnston, reviewing Carnival American Style: Mardi Gras at New Orleans and Mobile, by Samuel Kinser | ||
| 85 | Gordon Baldwin, reviewing Focus East: Early Photography in the Near East (1839-1885), by Nissan N. Perez | ||
| 89 | Brent F. Maddox, reviewing Art Information: Research Methods and Resources, 3rd edition, by Lois Swan Jones | ||
| MEDIA
REVIEW |
95 | Charles Lachman, reviewing A Day on the Grand Canal with the Emperor of China, or Surface is Illusion but so is Depth, by David Hockney [author/narrator] and Philip Haas [director] | |
| ANNOUNCEMENTS |
101 | 1992-1993 Directory of Software for Archives and Museums | |
| 102 | The Census of Antique Art and Architecture Known to the Renaissance | ||
Vol. 8, No. 4 (1992)
|
v | Contributors | |
| EDITORIAL |
vii | Searching for a Standard (or, at least, a Common Denominator) | |
| ARTICLES |
321 | Peter J. Holliday, John Henry Parker: An Introduction | |
| 325 | Judith Keller, A Modern Means to Accurate Knowledge | ||
| 335 | Kenneth A. Breisch, Rome Through the Veil of time: Parker, Ruskin, and the Romantic Vision of Classicism | ||
| 343 | Susan Wester, Three Nineteenth-century Photographers of the Ruins of Ancient Rome | ||
| 355 | Diane Favro, Capturing the Past: Experiencing the Ancient City through Historical Photographs | ||
| 363 | John Henry Parker: Selected Bibliography | ||
| ICONCLASS
UPDATE |
367 | Hans Brandhorst and Peter van Huisstede, ICONCLASS: Recent Developments | |
| BOOK
REVIEWS |
383 | Amy Conger, reviewing Picture Collections, México, A Guide to Picture Sources in the United Mexican States, edited by Martha Davidson, Carlota Duarate, and Raúl Solano Núñez | |
| 387 | Michael Ermarth, reviewing Art as History: Episodes in the Culture and Politics of Nineteenth-century Germany, by Peter Paret | ||
| 393 | Alicia Faxon, The Eternal Moment: Essays on the Photographic Image, by Estelle Jussim | ||
| 397 | Régine Thiriez, L'oeil du consul, by Auguste François, edited by Pierre Seydoux; and Le mandarin blanc, souvenirs d'un consul en Extrême-Orient, 1886-1904, by Auguste François, edited by Pierre Seydoux | ||
| 401 | Helene Roberts, reviewing Surrealism and Women, edited by Marry Ann Caws, Rudolf E. Kuenzli, and Gwen Raaberg; and Body Criticism: Imaging the Unseen in Enlightenment Art and Medicine, by Barbara Marie Stafford | ||
| INDEXES |
407 | Author Index-Volume VIII | |
| 409 | Title Index-Volume VIII | ||
| 411 | Index of Terms-Volume VIII | ||
Vol. 8, No. 3 (1992)
|
v | Contributors | |
| EDITORIAL |
vii | A Familiar Story; Another Endangered Species | |
| ARTICLES |
219 | Alicia Craig Faxon, Rossetti's Reputation: A Study of the Dissemination of His Art through Photographs | |
| 247 | Marie Czach, Philip Gilbert Hamerton and the Published Picture | ||
| 265 | Diana Emery Hulick, Analog Past, Digital Future: Changing Concepts in Photographic Imagination | ||
| 273 | Christopher Burnett, Power Lines: The Image of Scientific Visualization | ||
| 293 | John Sunderland, The New Location of the Witt Library | ||
| BOOK
REVIEWS |
307 | Max Marmor, reviewing Visual Theory: Painting and Interpretation, edited by Norman B4ryson, Michael Ann Holly and Keith Moxey | |
| 311 | Sara Jane Pearman, reviewing Bradbury Thompson, The Art of Graphic Design, by Bradbury Thompson, with contributions by noteworthy designers, critics, and art historians | ||
| 315 | Peter Blank, reviewing Photography Until Now, by John Szarkowski | ||
Vol. 8, No. 2 (1991)
|
v | Contributors | |
| EDITORIAL |
vii | Surrogate Images | |
| ARTICLES |
81 | Diana Emery Hulick, From Prohibition to Acceptance: Shakers and Photography in the Nineteenth and Twentieth Centuries | |
| 105 | Patricia J. Anderson, Civilizing the Viewer: Images of Social Virtue in English Popular Magazine, 1830-1860 | ||
| 125 | Christine Bunting, Rediscovery of Photography: A Brief Bibliographic Essay on Photography and Publishing | ||
| 143 | Anna-Letizia Marchitelli Focardi, The Iconography of "God the Father" in the Act of Blessing and the Use of ICONCLASS | ||
| BOOK
REVIEWS |
155 | Stella de Sá Rego, reviewing Eyewitness to War: Prints and Daguerreotypes of the Mexican War, 1846-1848, by Martha A. Sandweiss, Rick Stewart, and Ben W. Huseman | |
| 159 | Frederick N. Bohrer, reviewing American Apocalypse: The GreatFire and the Myth of Chicago, by Ross Miller | ||
| 163 | Carol Lettieri, reviewing The Farther Shore: A Natural History of Perception, 1798-1984, by Don Gifford | ||
| 167 | Alison Stewart, reviewing How to Identify Prints. A complete guide to manual and mechanical processes from woodcut to ink jet, by Bamber Gascoigne | ||
| 173 | VISUAL RESOURCES BIBLIOGRAPHY FOR 1989 | ||
Vol. 8, No. 1 (1991)
A special issue on ICONCLASS Retrieval, edited by Hans Brandhorst and Peter van Huisstede |
EDITORIAL |
vii | ICONCLASS at Forty |
| xi | Preface | ||
| xiii | Participants | ||
| 1 | Hans Brandhorst and Peter van Huisstede, Introduction: Report on the ICONCLASS Workshop, June 26-28, 1989 | ||
| 5 | Section 1. Functional Requirements for an ICONCLASS Retrieval System | ||
| 13 | Section 2. Implications of Using ICONCLASS in an Automated Retrieval System | ||
| 25 | Section 3. The AHIP Prototype | ||
| 39 | Section 4. The Maintenance and Development of ICONCLASS | ||
| 43 | Epilogue: Workshop Results and Some Recent ICONCLASS developments | ||
| 49 | Appendix 1: ICONCLASS Questionnaire | ||
| 51 | Projects and Respondents | ||
| 53 | The Questionnaire | ||
| 59 | Appendix 2: Glossary | ||
| 69 | Description of Characteristic Functions of an ICONCLASS Retrieval System | ||
| ANNOUNCEMENT |
79 | Historical Photographs of the Southwest Available on Microfiche | |
Vol. 7, No. 4 (1991)
A special issue on Electronic Visual Imaging in the Museum, edited by Alan B. Newman, Deirdre C. Stam, and Christine L. Sundt |
v | Contributors | |
| EDITORIAL |
ix | Imaging vs. Imagining | |
| 291 | Deirdre C. Stam, Introduction | ||
| 293 | Howard Besser, User Interfaces for Museums | ||
| 311 | Kent Lydecker, Observations on Museum Use of Electronic Imaging: Today & Tomorrow | ||
| 319 | Alan B. Newman, Electronic Imaging Systems for Museums | ||
| 327 | Michael Ester, Image Quality and Viewer Perception | ||
| 353 | Paul Kahn and Bernard J. Haan, Video in Hypermedia: The Design of InterVideo | ||
| 361 | Judi Moline, Linking Information to Objects: A Hypertext Prototype for Numismatists | ||
| 379 | Ben Davis, Infra-thin Multimedia | ||
| 395 | Kathleen S. Wilson, The Interactive Video Research and Development Project of the Museum Education Consortium | ||
| 401 | Jane Stone, J. Denbigh Starkey, Ray S. Babcock, Laurie Reinhart, and Xian Ling Wu, Three-Dimensional Computer Modeling for Museum Applications | ||
| 411 | Marilyn Schmitt, James Druzik, Andrew Eskind, Russell Kirsch, and Paul Kahn, Discussion: Potentials and Pitfalls | ||
| BOOK
REVIEWS |
423 | John G. Lillis, reviewing Envisioning Information, by Edward R. Tufte | |
| 427 | Louise Lippincott, reviewing Munch and Photography, by Arne Eggum, translated by Birgit Holm | ||
| ANNOUNCEMENT |
431 | Patricia J. Barnett, Art Information Task Force | |
| INDEXES |
433 | Author Index-Volume VII | |
| 435 | Subject Index-Volume VII | ||
| 437 | Index of Terms, Names, and Concepts-Volume VII | ||
Vol. 7, Nos. 2-3 (1990)
A special issue on Photography and Art History |
v | Contributors | |
| EDITORIAL |
vii | From Panopticon to Kaleidoscope: The Art Historial Photograph Collection in Transition | |
| ARTICLES |
135 | Anthony Hamber, The Use of Photography by Nineteenth-century Art Historians | |
| 163 | Joseph Romano, Connoisseurship and Photography: The Methodology of Mojmir Frinta | ||
| 185 | Friedrich Kestel, translated by Judith Supp, Walter Hege (1893-1955): "Race Art Phtographer" and/or "Master of Photography"? | ||
| 209 | Ralph Lieberman, Thoughts of an Art Historian/Photographer on the Relationship of His Two Disciplines | ||
| 239 | Jeanne Marty and Susan Wester, Documentation of Roman Architecture; Special Projects of the Getty Center | ||
| 255 | Brent Maddox, Bunched Images Begetting Ideas | ||
| 285 | Thomas Weston Fels, Photography and Art History: Symposium Report | ||
Vol. 7, No. 1 (1990)
|
v | Contributors | |
| EDITORIAL |
vii | ICONCLASS projects | |
| ARTICLES |
1 | Roelof van Straten, Indexing Italian Prints with ICONCLASS | |
| 23 | Helen Ronan, "Minions of the Sun" - An Introduction to the Albumen Print | ||
| 33 | Edward Kasinec and Robert H. Davis, The Russian Illustrated Book and Photographic Collections of the Slavic and Baltic Division, The New York Public Library; A Preservation Project Funded by the Higher Education Act's Title II-C Program | ||
| 43 | Sandra C. Walker, Technology Usage in Visual Resources Collections in the United States | ||
| 55 | Patricia Harpring, The Architectural Subject Authority of the Foundation for Documents of Architecture | ||
| BOOK
REVIEWS |
65 | Richard Allen, reviewing Painting as an Art, by Richard Wollheim, and The Truth in Painting, by Jacques Derrida | |
| 73 | Amy L. Walsh, reviewing The School of Prague: Painting at the Court of Rudolf II, by Thomas DaCosta Kaufmann | ||
| 79 | John G. Lillis, reviewing The Visual Elements of Landscape, by John A. Jackle | ||
| 83 | Barbara K. Stevenson, reviewing The Bolshevik Poster, by Stephen White | ||
| 87 | VISUAL RESOURCES BIBLIOGRAPHY FOR 1988 | ||
Vol. 6, No. 4 (1990)
A special issue - On Professionalism, edited by Rebecca Miller Hoort |
EDITORIAL |
v | Why a Profession? |
| 315 | Rebecca Miller Hoort, General Introduction | ||
| ARTICLES |
321 | Christine L. Sundt, Professionalism and Professional Status: Personal Reflections | |
| 327 | Carla Conrad Freeman, Visual Media in Education: An Informal History | ||
| 341 | Astrid R. Otey, A History of the Visual Resources Association | ||
| 349 | Carla Conrad Freeman, Visual Collections as Information Centers | ||
| 361 | A Portfolio of Scenes from Visual Collections | ||
| 379 | Linda McRae, Upgrading Professional Status: Florida as a Case Study | ||
| 387 | Nancy Shelby Schuller, The Curator's Job Description: Development and Evaluation | ||
| 393 | Christina B. Updike, Position Classification: The Evaluation of a Job Description | ||
| 399 | Rebecca Miller Hoort, Equal Pay for Equal Work and Comparable Worth: An Introduction | ||
| 401 | Lynda J. Ames, Equal Pay for Work of Comparable Value: Issues to Consider When Beginning an Initiative | ||
| BIBLIOGRAPHY |
415 | Carla Conrad Freeman, Professional Issues for the Visual Resources Curator: A Bibliography | |
Vol. 6, No. 3 (1990)
|
v | Contributors | |
| EDITORIAL |
vii | What Happened to the Old Idea of the Fototeca? | |
| ARTICLES |
203 | Régine Thiriez, Old Photography and the Yuanmingyuan | |
| 219 | Anthony Hamber, The Photography of Visual Arts, 1839-1880: Part IV | ||
| 243 | William Brumfield, The Color Photographs of Sergei Mikhailovich Prokudin-Gorskii | ||
| 257 | Sharon Rapoport, Archiving Art Therapy Images | ||
| 267 | Russell A. Kirsch, The History of Art History in the 21st Century, as Viewed from Computer Science: 20-20 Hindsight from the Year of the Same Name | ||
| REVIEWS |
279 | Amy Rule, reviewing The Origins of Photography and The Rise of Photography: 1830-1880, the Age of Collodion, by Helmut Gernsheim | |
| 291 | Susan Wester, reviewing Architecture Transformed: A History of the Photography of Buildings from 1839 to the Present, by Cervin Robinson and Joel Herschman | ||
| 295 | Dan Jones, reviewing The Unpretentious Pose. The Work of E.O. Goldbeck, A People's Photographer, by Marguerite Davenport, and The Panoramic Photography of Eugene O. Goldbeck, by Claude W. Burleson and Jessica E. Hickman | ||
| 299 | Fraiser McConnell, reviewing A Photographer in the Kingdom: Christian J. Hedemann's Early Images of Hawai'i, by Lynn Ann Davis with Nelson Foster | ||
| 303 | Sheryl Conkelton, reviewing Fabrications: Staged, Altered, and Appropriated Photographs, by Anne H. Hoy | ||
| SLIDE
SET REVIEW |
307 | Bill Ryan, America in the Depression Years | |
Vol. 6, No. 2 (1989)
|
v | Contributors | |
| EDITORIAL |
vii | The Object Record | |
| ARTICLES |
121 | Ruth Richardson, George Godwin of The Builder: Indefatigable Journalist and Instigator of a Fine Victorian Visual Resource | |
| 141 | Michael Greenhalgh, Videodiscs and their Future in Art History | ||
| 165 | Anthony Hamber, The Photography of the Visual Arts, 1839-1880: Part III | ||
| COMMENTARY |
181 | Elma Sanders, Originals and Copies: The Meanings in an Object. Commentary on the Exhibition Museo dei Musei, at the Palazzo Strozzi, Florence, September 16-November 27, 1988 | |
| BOOK
REVIEWS |
187 | Helen Ronan, reviewing The Media Lab: Inventing the Future at MIT, by Stewart Brand | |
| 191 | Ranee Katzenstein, reviewing From Durrow to Kells: The Insular Gospel-books, 650-800, by George Henderson | ||
| 195 | Andrej Smrekar, reviewing Yugoslavia: Monuments of Art from Prehistory to the Present Day, by Lazar Trifunovic | ||
Vol. 6, No. 1 (1989)
|
iii | Contributors | |
| EDITORIAL |
v | The Quiet Revolution | |
| ARTICLES |
1 | Christopher Burnett, Hypertext Computer Applications for Picture Collections: Representing the Fabric of the Archive | |
| 19 | Anthony Hamber, The Photography of the Visual Arts, 1839-1880: Part II | ||
| 43 | Constane C. Gould, Images in the Future for the Research Libraries Group? | ||
| ICONCLASS |
53 | ICONCLASS Candidate Sheet | |
| OBITUARY |
57 | Donald Outerbridge, 1923-1988 | |
| BOOK
REVIEWS |
59 | Myra D. Orth, reviewing Picturing Art in Antwerp, 1550-1700, by Zirka Zaremba Filipczak | |
| 63 | Gordon Baldwin, reviewing Second View: The Rephotographic Survey Project, by Paul Klett, Ellen Manchester, and others | ||
| 67 | Thomas Moon, reviewing Masterpieces of Medical Photography: Selections from the Burns Archive, edited by Joel-Peter Witkin | ||
| 71 | Glenn C. Willumson, reviewing The Artist as Reporter, by Paul Hogarth | ||
| 73 | Leslie J. Payatt, reviewing Visual Anthropology: Photography as a Research Method, by John Collier, Jr. and Malcom Collier | ||
| 77 | VISUAL RESOURCES ANNUAL BIBLIOGRAPHY FOR 1987 | ||
Vol. 5, No. 4 (Winter 1989)
|
iii | Contributors | |
| EDITORIAL |
v | 150 Years of Photography | |
| ARTICLES |
259 | William Craft Brumfield, Photographing Russian Architecture | |
| 289 | Anthony Hamber, The Photography of the Visual Arts, 1839-1880: Part 1 | ||
| 311 | David Bearman, Implications of Interactive Digital Media for Visual Collections | ||
| 325 | Cynthia R. Jasper, Visual Resources and the Analysis of Historic Costume | ||
| BOOK
REVIEWS |
337 | Alison Chipman, reviewing Subject Access to Visual Resources Collections, by Karen Markey; Authority Control Symposium: Papers Presented During the 14th Annual ARLIS/NA Conference, New York, February 10, 1986, edited by Karen Muller | |
| 343 | Clifford R. Backman, reviewing Book Illumination in the Middle Ages: An Introduction, by Otto Pacht; The Glory of the Page: Medieval and Renaissance Illuminated Manuscripts from Glasgow University Library, by Nigel Thorp | ||
| 347 | Bruce Bobick, reviewing Markings: Aerial Views of Sacred Landscapes, essays by Maria Reiche | ||
| 351 | Charles Dill, reviewing The Changing Image of Beethoven: A Study of Mythmaking, by Alessandra Comini | ||
| 355 | John Lillis, reviewing The History of Cartography: Volume One, Cartography in Prehistoric, Ancient and Medieval Europe and the Mediterranean, edited by J.B. Harley and David Woodward | ||
| 359 | David Harris Cohen, reviewing Art Nouveau Bing: Paris Style 1900, by Gabriel P. Weisberg | ||
| VIDEO
REVIEW |
363 | Sandra C. Walker, reviewing Return to Glory: Michelangelo Revealed, the Restoration of the Sistine Chapel, by Crown Video | |
| ANNOUNCEMENTS
OF WORKSHOPS |
367 | Basic Training for Slide Curators in Art and Architecture | |
| 368 | Microcomputer Applications in Visual Resource Collections | ||
Vol. 5, No. 3 (Autumn 1988)
A special issue - Report on the ICONCLASS Workshop, November 2-4, 1987, edited by Catherine Gordon |
EDITORIAL |
v | Special Numbers of Visual Resources |
| vii | Catherine Gordon, REPORT ON THE ICONCLASS WORKSHOP, NOVEMBER 2-4, 1987, sponsored by The Getty Art History Information Program, Eleanor Fink, Vocabulary Coordination Group | ||
| 197 | Preface | ||
| 199 | Foreword | ||
| 201 | Participants | ||
| 205 | Projects | ||
| 209 | Preliminaries | ||
| 210 | ICONCLASS Examples: Panini, St. Paul Preaching Among the Ruins and Oosten, Garden of Eden | ||
| 214 | Discussion | ||
| 221 | Order | ||
| 223 | Interpretation | ||
| 226 | Evolution | ||
| 229 | Future Publications | ||
| 230 | Instruction | ||
| 231 | Appendix A: ICONCLASS Questionnaire | ||
| 234 | Appendix B: Glossary of Notations | ||
| 246 | Appendix C: Sample Photographs | ||
| 247 | Appendix D: Reference Books | ||
| 258 | Bibliography/Project Contributions | ||
Vol. 5, No. 2 (Summer 1988)
|
v | Contributors | |
| EDITORIAL |
vii | Clues to the Future of Visual Collections | |
| CONFERENCE
SESSION REPORT |
83 | ART AND ILLUSION: PHOTOGRAPHIC ISSUES IN PUBLISHING VISUAL ART, ARLIS/NA & VRA Joint Session, at the CAA Annual Meeting, February 10, 1988, Dallas, Texas | |
| 83 | Eleanor Fink, Introduction | ||
| 85 | Bert L. Long, The Role of the Artist in Reproducing Works of Art | ||
| 93 | Thomas Moon, The Original in Reproduction | ||
| 105 | Harry Rand, Users, Used and Abused | ||
| 113 | Eric van Tassel, Some Reactions from an Ex-Officio Philistine | ||
| ARTICLES |
123 | Roelof van Straten and Leendert D. Couprie, Corrections of the ICONCLASS System | |
| 135 | Donna Lacy Collins, A Slide Library Data Base Using the Apple® Macintosh™ Plus System | ||
| 151 | NEW REFERENCE BOOKS FOR VISUAL LIBRARIES | ||
| EXHIBITION
REVIEW |
173 | Anthony Hamber, reviewing The Image Multiplied: Five Centuries of Printed Reproductions of Paintings and Drawings | |
| OPTICAL
MEDIA |
177 | Anne-Marie Logan, reviewing Optical Media: Their Implications for Archives and Museums, by David Bearman | |
| 183 | Anne-Marie Logan, reviewing Videodisc and Optial Disk Technologies and their Applications in Libraries, 1986 Update, by Judy McQueen and Richard W. Boss | ||
| BOOK
REVIEWS |
187 | Sheila Klos, reviewing The Comfortable House: North American Suburban Architecture 1890-1930, by Alan Gowans, and Houses by Mail: A Guide to Houses from Sears, Roebuck and Company, by Katherine Cole Stevenson and H. Ward Jandl | |
| 191 | Helen Ronan, reviewing Care and Identification of 19th-century Photographic Prints, by James Reilly, with assistance of Constance McCabe | ||
Vol. 5, No. 1 (Spring 1988)
|
EDITORIAL |
v | ICONCLASS |
| ARTICLES |
1 | Robert P. Spindler, Windows to the American Past, Lantern Slides as Historic Evidence | |
| 17 | Philip Pacey, The Poor Man's Claude Lorraines: Unravelling the Story of the Dissemination of the Image | ||
| 33 | Susan Wester, Barbara Bini: Archaeological Photographer | ||
| BOOK
REVIEWS |
41 | Lee Boltin, reviewing How to Photograph Works of Art, by Sheldon Collins | |
| 43 | Theodore C. Landsmark, reviewing Black Photographers, 1840-1940: An Illustrated Bio- Bibliography, by Debortah Willis-Thomas | ||
| 47 | Nadene Byrne, reviewing Contemporary Art Documentation and Fine Arts Libraries, by Sydney Starr Keaveney | ||
| 51 | VISUAL RESOURCES BIBLIOGRAPHY FOR 1986 | ||
Vol 4, No. 4 (Winter 1988)
|
EDITORIAL |
v | |
| ARTICLES |
313 | Judith Hancock Sandoval, Documenting Little-known Architecture: Thirty Years in Latin American and the West | |
| 347 | Martha Davidson and Carlota Duarte in Conversation with the Editor: Picture Collections in Mexico | ||
| 359 | Judith Luskey, Early American Anthropologists as Photographers of North American Indians | ||
| 373 | Eleanor E. Fink and Christine M. Hennessey, Testing the Flexibility of the MARC Format | ||
| 389 | Janet Parks, Return to Sender-Addressee Unknown | ||
| BOOK
REVIEWS |
403 | Gail Aronow, reviewing The Sistine Chapel: The Art, the History, and the Restoration, by Carlo Pietrangeli et al. | |
| 407 | Trevor Fawcett, reviewing Pygmalion photographe: la sculpture devant la caméra, 1844-1936, edited by Rainer Michel Mason | ||
| 411 | Sara Jane Pearman, reviewing Insular and Anglo-Saxon Illuminated Manuscripts: An Iconographic Catalogue, c.A.D. 625 to 1100, edited by Thomas H. Ohlgren | ||
| 415 | David Mattison, Computer Technology for Conservators: Proceedings of the 11th Annual IIC-CG Conference Workshop, May 13-16, 1985, Halifax, Canada, edited by John Perkins | ||
| MICROFORM
REVIEW |
419 | Elizabeth M. Kelly, reviewing Master Drawings in the Royal Collection, Windsor Castle: From Leonardo da Vinci to the Present Day | |
Vol. 4, No. 3 (Autumn 1987)
|
EDITORIAL |
v | Accessibility to Visual Materials |
| ARTICLES |
223 | Richard A. Sundt, Text as Visual Document: The Case of the Dominican Church at Nîmes | |
| 237 | Claire Richter Sherman, ICONCLASS: A Historical Perspective | ||
| 247 | Patricia J. Barnett, The Art and Architecture Thesaurus as a Faceted MARC Format | ||
| 261 | George Everard Kidder Smith, On the Photograhy of Architecture | ||
| COMMENTARY |
273 | Monni Adams, Looking Beyond the Photographic Image | |
| EXHIBITION
REVIEW |
283 | Laurie A. Baty, reviewing Farm Security Administration Photographs, an exhibition at the Corcoran Gallery of Art; The Empire That Was Russia: A Photographic Record by Sergei Prokudin-Gorsky, an exhibition at the Library of Congress | |
| BOOK
REVIEWS |
289 | Alicia Faxon, reviewing Catalogue of the Rudimentary Series, in the Arrangement of 1873 with Ruskin's Comments of 1878, edited by Robert Hewison | |
| 299 | Ron Wiedenhoeft, reviewing The Photography of Architecture: Twelve Views, by Akito Busch | ||
| 303 | David Harris Cohen, reviewing Decorative Arts in Europe, 1790-1850, by Léon de Groër | ||
| MICROFORM
REVIEWS |
307 | Brent F. Maddox, reviewing Textiles Designs, 1840-1985; Theatre Set Designs; Netsuke, Japanese Miniature Carvings, Three Collections in the Victoria and Albert Museum, London | |
Vol. 4, No. 2 (Summer 1987)
|
EDITORIAL |
v | Computers in Visual Collections: Two Viewpoints |
| ARTICLES |
127 | Pekka Korvenmaa, Visual Documentation of Art in Finland: An Overview | |
| 141 | John Sunderland and Catherine Gordon, The Witt Computer Index | ||
| 153 | Christine Bunting, Remembering Dream Pictures: The Branson DeCou Archive at the University of California, Santa Cruz | ||
| 165 | Joy Alexander, Copyright Protection vis-à-vis Teaching Effectiveness: The Role of the Curator | ||
| 175 | Pamela Miller Ness, The Map as Information-Display System: A Visual Analysis of Bonner's 1722 Town Plan of Boston | ||
| 191 | Rebecca J. Hoort, Upgrading Professional Status Through Fair Pay: Equal Pay for Equal Work and the Comparable Worth Issue | ||
| VISUAL
RESOURCE COLLECTIONS |
201 | Rothco Cartoons | |
| BOOK
REVIEWS |
203 | Laurie Fusco, reviewing Renaissance Artists and Antique Sculpture, A Handbook of Sources, by Phyllis Pray Bober and Ruth Rubinstein | |
| 207 | R. Wilson Greene, reviewing Touched by Fire: A Photographic Portrait of the Civil War, Vol. 2, edited by William D. Davis | ||
| 211 | James Carmin, reviewing Amateurs. Photography and the Mid-Victorian Imagination, by Grace Seiberling, with Carolyn Bloore | ||
| 215 | Pamela Hassell-Marcusson, reviewing Picture Researcher's Handbook: An International Guide to Picture Sources - And How to Use Them, by Hilary and Mary Evans | ||
| 219 | Stephanie C. Sigala, reviewing Organizing Your Photographs, by Ernest M. Robl | ||
Vol. 4, No. 1 (Spring 1987)
|
EDITORIAL |
v | Visual Lib |
| 1 | Trevor Fawcett, Plane Surfaces and Solid Bodies: Reproducing Three-Dimensional Art in the Nineteenth Century | ||
| 25 | Deirdre C. Stam, Factors Affecting Authority Work in Art Historical Information Systems; A Report of Findings from a Study Undertaken for the Comité International d'Histoire de L'Art (CIHA) Project: Thesaurus Artis Universalis (TAU) | ||
| 51 | Charles S. Rhyne, A Slide Collection of Constable's Paintings: An Art Historian's Need for Visual Documentation | ||
| 71 | Anne-Marie Logan, The Costs of Building and Maintaining an Art History Database | ||
| BOOK
REVIEW |
83 | Peter R. Scott, reviewing Manual of Document Microphotography, by Michael J. Gunn | |
| 89 | VISUAL RESOURCES BIBLIOGRAPHY FOR 1985 | ||
Vol. 3, No. 4 (Winter 1987)
|
EDITORIAL |
v | In Transition: From Slide Room to Visual Library |
| ARTICLES |
263 | Errol Jackson Discusses His Photographs of the Work of Henry Moore | |
| 273 | Wendy Holden, Photography as an Aid in Restoration of the Wall Paintings at Horuy-ji | ||
| 287 | Darrell Davisson, A Look at Some Forthcoming Resources in Optical Disc Storage | ||
| EXHIBITION
REVIEW |
317 | Victoria Dawson, reviewing Focusing on Art: Peter A. Juley and Son, an exhibition at the National Museum of American Art, Smithsonian Institution | |
| BOOK
REVIEWS |
331 | Estelle Jussim, reviewing Visual Paraphrases: Studies in Mass Imagery (Acta Universitatis Uppsaliensis. Figura), by Hedvig Brander Johnson et al. | |
| 335 | Mark Roskill, reviewing Art and Photography: Forerunners and Influences, Selected Essays, by Heinrich Schwarz, edited by William E. Parker | ||
| 339 | Charlotte Kroll Burk, reviewing Archives and Manuscripts: Administration of Photographic Collections, by Mary Lynn Ritzanthaler, Gerald J. Munoff, and Margery S. Long | ||
| 343 | David Mattison, reviewing Photography and Photographers to 1900: An Annotated Bibliography, by Robert S. Sennett | ||
| MICROFORM
REVIEWS |
347 | Vicky Bohm, reviewing Gimson and Barnsley Designs and Drawing in the Cheltenham Art Gallery and Museums | |
| 351 | Sandra C. Walker, reviewing Royal Archives at Windsor Castle, Victorian Photographic Collection | ||
Vol. 3, No. 3 (Autumn 1986)
|
EDITORIAL |
v | |
| ARTICLES |
167 | Jennifer Montague, "The "Ruland/Raphael Collection" | |
| 185 | Andrea Gibbs and Pat Stevens, MARC and the Computerization of the National Gallery of Art Photographic Resources | ||
| 209 | Blenda Femenias and Patricia Mansfield, Museum Management and Collections Access, Using ARTSearch, an Interactive Videodisc-Computer System | ||
| PHOTOGRAPHIC
ARCHIVES |
227 | Karen Einaudi, Photographic Archives of Art and Archaeology in Italy | |
| BOOK
REVIEWS |
235 | Anne-Marie Logan, reviewing Jan G. van Gelder and Ingrid Jost, Jan de Bisschop and his Icones & Paradigmata, Classical Antiquities and Italian Drawings for Artistic Instruction in Seventeenth-century Holland, edited by Keith Andrews (Doornspijk, Davaco Publishers, 1985) | |
| 249 | Robert S. Sennett, Four Exhibition Catalogues on Engravings after Raphael and Leonardo | ||
| DOCUMENTS
IN THE HISTORY OF VISUAL DOCUMENTATION |
259 | Excerpt from Jan de Bischop's Icones | |
New Series, Vol. 3, No. 2 (Summer 1986)
|
INTRODUCTION |
v | Visual Resources and the Visual Resources Association |
| EDITORIAL |
vii | Visual Resources | |
| ARTICLES |
75 | Robert S. Sennett, Early Photographic Catalogues: An Untapped Resource | |
| 97 | Wu Tung on Project Emperor-I: An Interview | ||
| 107 | Melissa Banta and Curtis M. Hinsley, with assistance of Joan Kathryn O'Donnell: From Site to Sight: Anthropology, Photography, and the Power of Imagery: An Exhibition | ||
| PHOTOGRAPHIC
ARCHIVE |
117 | Arxiu mas | |
| BOOK
REVIEWS |
119 | Amy Stark, reviewing Silver Cities: The Photography of American Urbanization, 1839-1915, by Peter Bacon Hales | |
| 123 | Mary Williamson, reviewing Printmaking & Picture Printing: A Bibliographic Guide to Artistic & Industrial Techniques in Britain 1750-1900, compiled by Gavin Bridson and Geoffrey Wakeman | ||
| 127 | Brenda D. Rix, reviewing Pictures to Print: The Nineteenth-century Engraving Trade, by Anthony Dyson | ||
| DOCUMENTS
IN THE HISTORY OF VISUAL DOCUMENTATION |
131 | Bernard Berenson on Isochromatic Film | |
| 139 | VISUAL RESOURCES BIBLIOGRAPHY FOR 1984 | ||
Vol. 3, No. 1 (August 1983), edited by James M. Bower
|
ARTICLES |
1 | Thomas E. Kelly & Thomas H. Ohlgren, Paths to Memory: Iconographic Indices to Roman de la Rose and Prose Lancelot Manuscripts in the Bodleian Library |
| 16 | Karen Markey, Computer-Assisted Construction of a Thematic Catalog of Primary and Secondary Subject Matter | ||
| 50 | Suzanne Babineau & Thomas Babineau, A Data Base System for Visual Resources Collections: A System Analysis | ||
| 61 | Sara Jane Pearman, Sources for Slides of Medieval Manuscripts | ||
| 65 | N. Cashman, Slide Sources for Medieval Architecture | ||
Vol 2, Nos. 1, 2, 3 (Fall/Winter 1981/Spring 1982), Patricia M. Walsh, Managing Editor, and Tony Sloggett, Consulting Editor
|
EDITORIAL |
2 | |
| 3 | Ernst Gombrich: Icones Symbolicae | ||
| ARTICLES |
7 | Karin Einaudi, The Fototeca Unione Archive and Archaeological Photography | |
| 18 | Karin Einaudi, Photographic Documentation of Pompeii | ||
| 21 | Colin Thompson, Why Do You Need to See the Original Painting Anyway? | ||
| 37 | Christine L. Sundt, Mounting Slide Film Between Glass-For Preservation or Destruction? | ||
| 63 | Sven Sandström, Toward a Universal Program for the Documentation of Art | ||
| INTERVIEWS |
68 | John Walsh, Patricia Walsh, and Robert Millman, on Photographing Sculpture: Interview with David Finn | |
| 92 | Judy Hoffberg, Microfiche Art: Interview with Caroline Cochrane Kent | ||
| SUBJECT
ACCESS |
101 | Kevin Roddy, The Belmont Conference on Subject Access | |
| REVIEW
ARTICLE |
112 | John R. Clarke, Recent Pompeiana: Visual Documentation | |
| SLIDE
SURVEY |
122 | Carole W. Campbell, Slide Sources for Etruscan & Roman Art | |
| RETROSPECTIVE |
143 | Rosann Auchstetter, Betty Jo Irvine & Eileen Fry, Visual Resources Retrospective 1980 | |
| 154 | Notable | ||
| 157 | Contributors | ||
Vol. 1, Nos. 2-3 (Fall 1980-Winter 1981), Patricia M. Walsh, Managing Editor, and Tony Sloggett, Consulting Editor
|
EDITORIAL |
122 | |
| 123 | Erwin Panofsky: The Icon as Logos | ||
ARTICLES |
127 | Douglas Mazonowicz, Documenting Prehistoric Art | |
| 134 | Warren G. Moon, A Selected Bibliography for the Documentation of Greek Iconography in Earlier Periods | ||
| 148 | Carol Martin Watts, Bridging Conceptual Gaps Through Dissolve Imagery | ||
| 163 | Takashi Okamura, The Vatican Frescoes of Michelangelo | ||
| 173 | Mary Jane Sobinski-Smith, The Yale Center for British Art: The Photograph | ||
| 188 | Carol Grace Rambusch & Carol Herselle Krinsky, A Plan for America's Architectural Records | ||
SUBJECT
ACCESS |
193 | Pat Molholt, The Art and Architecture Thesaurus: A Project Report | |
| 200 | Thomas H. Ohlgren, Conference on Computerized Inventory Standards for Works of Art: A Review | ||
| 204 | Raymond Vézina, The Computer: Passing Fad or Thorough-Going Revolution? | ||
REVIEWS |
219 | ||
SLIDE
SURVEY |
259 | Helene E. Roberts, Slide Sources for Ancient Aegean and Greek Art | |
EQUIPMENT |
268 | Eye-Com Microfiche Projector | |
| 269 | Notable | ||
| 271 | Contributors | ||
Vol. 1, No. 1 (Spring 1980), Patricia M. Walsh, Managing Editor, and Tony Sloggett, Consulting Editor
|
EDITORIAL |
2 | |
| 3 | André Malreaux: Photography as Metamorphosis | ||
| ARTICLES |
7 | Diana Lee James, The Archive for Research in Archetypal Symbolism | |
| 19 | Lynn Bryce, The Visual Image: Its Immediacy and Tradition | ||
| 32 | Felix Moore, Christie's Pictorial Archive | ||
| 52 | Deborah D. Waters, The Decorative Arts Photographic Collection: An Aid in Identification and Comparative Study | ||
| 60 | Evelyn Samuel, The Illustrated Bartsch: Approaches to the Organization of Visual Materials | ||
| SUBJECT
ACCESS |
67 | Thomas H. Ohlgren, Subject Indexing of Visual Resources: A Survey | |
| REVIEWS |
74 | ||
| SLIDE
SURVEY |
105 | Carol Terry, Introduction | |
| 107 | Helene Roberts, Slide Sources for Prehistoric and Ancient Art | ||
| EQUIPMENT |
112 | Realist Seminar Projector | |
| 113 | Notable | ||
| 115 | Contributors | ||
Subscription Information Visual Resources: An International Journal of Documentation (Visual Resources: VR) Special reduced rates are offered to members of the Association of Art Historians (AAH), the College Art Association (CAA), and the Visual Resources Association (VRA). For current offers, please visit http://www.tandf.co.uk/journals/offer/gvir-so.asp. All other subscribers, please visit http://www.informaworld.com/smpp/title~content=t713654126~tab=subscribe |
| Christine L. Sundt, Editor Visual Resources P.O. Box 5316 Eugene, OR 97405 - USA csundt@mindspring.com |
Helen Ronan, Review Editor |
Murtha Baca, News Editor |
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