Books and Cooks West
August 2002
Genome by Matt Ridley, and
He, She, and It by Marge Piercy

August 3 at 5:30 PM
Dawn and Jared's place
Thai take-out, salad, strawberry shortcake, white wine

Genome by Matt Ridley
Our rating: 4.1 cups of tea!

Science writer Matt Ridley has found a way to tell someone else's story without being accused of plagiarism. Genome: The Autobiography of a Species in 23 Chapters delves deep within your body (and, to be fair, Ridley's too) looking for dirt dug up by the Human Genome Project. Each chapter pries one gene out of its chromosome and focuses on its role in our development and adult life, but also goes further, exploring the implications of genetic research and our quickly changing social attitudes toward this information. Genome shies away from the "tedious biochemical middle managers" that only a nerd could love and instead goes for the A-material: genes associated with cancer, intelligence, sex (of course), and more.

Readers unfamiliar with the jargon of genetic research needn't fear; Ridley provides a quick, clear guide to the few words and concepts he must use to translate hard science into English. His writing is informal, relaxed, and playful, guiding the reader so effortlessly through our 23 chromosomes that by the end we wish we had more. He believes that the Human Genome Project will be as world-changing as the splitting of the atom; if so, he is helping us prepare for exciting times--the hope of a cure for cancer contrasts starkly with the horrors of newly empowered eugenicists. Anyone interested in the future of the body should get a head start with the clever, engrossing Genome

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He, She, and It by Marge Piercy
Our rating: 4.1 cups of tea!

Despite a contrived subject--the parallel adjustment problems of a 21st-century cyborg and a 17th-century golem--the latest from Piercy (Summer People, 1989; Gone to Soldiers, 1987) boils down to a gripping love story. Shira is a midlevel artificial-intelligence expert working for Yakamura-Siemens, a corporation-state. When she loses custody of her beloved son, she returns to their birthplace, a little enclave centered around the practice of Judaism, and accepts a job working for Avram, the father of her childhood lover. Avram has created an incredibly sophisticated robot that can pass for human. To counteract the violent tendencies that had marred his previous efforts, Avram enlisted Shira's grandmother Malkah to construct the robot Yod's human personality (i.e., to make ``him'' needy, emphatic, sexual). Intermixed with Shira's narrative are Malkah's messages to Yod, including an overlong didactic bedtime story about the creation of a golem in the Jewish ghetto of Prague--a golem who protected the community against deadly pogroms but who guaranteed his own demise by falling in love with a human woman. Y-S, the nasty conglomerate, wants Yod and tries to use Shira's love for her hostage son to get her to betray her community. But Shira has fallen in love with the robot. As the golem's tale foreshadows, many complications follow. Piercy's scattershot vision of the 21st century underwhelms, and all eyes will glaze over during the Prague interludes. But unlike her past efforts that have substituted overheated plotting for focus and character development, the latest fleshes out its heroine and creates a resonant evocation of love found and lost. An overwrought conceit, then, that has at its core an engaging story.

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