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Julian's Jabberings
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Books reviews, current events, and other
musings
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Tuesday, April 20, 2004
James Gleick, author of the excellent Genius:
The Life and Science of Richard Feynman, examines an even greater
genius in Isaac
Newton. Gleick bases the biography on original material: Newton’s
publications, private notebooks, and correspondence. The book lacks the
vitality of Gleick’s earlier work, possibly because less is known about
a 17th and 18th century personality. As a former physicist, I was
curious to learn how Newton, the son of an illiterate farmer, became
one of the most significant scientific minds in history. Gleick fleshes
out Newton’s life story – his childhood, education, alchemy research,
theology concerns, stewardship of the British Mint, and disputes with
Leibniz over the invention of calculus. The book’s highlight was,
naturally enough, Newton’s scientific discoveries, specifically the
gradual discovery of the laws that became known as Newtonian physics.
There was a steady build-up of excitement as Newton worked towards
calculus, F=ma, and the proof
that a 1/r^2 gravitational
attraction led to an elliptical orbit.
Isaac Newton is well worth reading for physics geeks, though
it’s not clear how much it would appeal to other people.
Sunday, April 18, 2004
I recently read a collection
of three Oscar Wilde plays, none of which I’ve seen performed. The Importance of Being Earnest was
a delightful comedy, full of witty remarks and rejoinders flying back
and forth. The storyline, involving men assuming false identities and
romantic entanglements, is light but fits together perfectly. Lady Windermere’s Fan is amusing
but doesn’t rise to quite the same level. It includes several famous
epigrams, such as “A cynic is a man who knows the price of everything
and the value of nothing.” Salome is
a retelling of the Biblical story in which King Herod’s wife and
daughter drive him to kill John the Baptist. The poetic rendering
didn’t quite resonate on paper, though it’s probably a lot more
powerful on stage and my ignorance of the underlying story detracted
from
its meaning.
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